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Entries in Directorial Debut (6)

Monday
Aug042025

Turkey, Czech Republic, and Germany kick off the Best International Feature Film race

by Nathaniel R

We wondered which country would be the early bird this year and that distinction goes to Turkey. Since the submissions are due by October 1, the process in many countries is already well under way and the announcements typically come fast and furious from mid-August through September.

TURKEY 
Turkey has selected last year's Venice Horizons Jury prize winner One of Those Days When Hemme Dies to represent them at the Oscars. The film is the directorial debut of Murat Firatoglu who wrote, produced and stars in the film as a laborer on a tomato farm who decides to kill his boss (the titular character, Hemme) due to unpaid wages...

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Wednesday
May282025

Cannes Diary 09: Un Certain Regard Winner "The Mysterious Gaze of the Flamingo"

by Elisa Giudici

The freshly crowned winner of Un Certain Regard at Cannes, is one of several films this year to allegorically reimagine the trauma of the generation lost to AIDS, Diego Céspedes' debut feature is set in 1982 Chile. Céspedes envisions a tavern frequented by trans women who challenge and seduce the rugged local miners. These miners, despite formally opposing their presence, seem unable to resist their allure. Flamingo is the drag queen mother to the film’s young protagonist, who is raised by a vibrant collective of performers and sex workers known by animalistic names like Mama Boa, Spider, and Flamingo herself, whose gaze is said to hold an almost spellbinding power. Tragically she has already been touched by "the plague," the epidemic that also ravages the miners...

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Friday
Jan242025

Indie Spirit Revue: "Good One"

by Nick Taylor

Good One is maybe my favorite film of the seven "Firsts" nominated at the Indie Spirits. India Donaldson's story of high school senior Sam (Lily Collias) going on an annual weekend camping trip in the Catskills with her dad, Chris (James LeGros), and his friend Matt (Danny McCarthy) could not be simpler to summarize. Yet, the wrinkles and intrigue she's put into this premise - both men are in their 50's, Chris is on his second marriage with a new baby at home while Matt is currently working through divorce proceedings - are thoughtfully integrated. We briefly meet friends and family of the soon-to-be-departed, and off we go…

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Friday
Sep062024

TIFF ’24: Rachel House Directs “The Mountain”

By Abe Friedtanzer

Rachel House is a terrific actress from New Zealand whose most memorable performances are, for most, likely those delivered in Taika Waititi’s films, including Eagle vs. Shark and Hunt for the Wilderpeople. She’s also capable of strong dramatic work, including her first film role, the Oscar-nominated Whale Rider, and as a cruel immigration facility guard in the Netflix limited series Stateless. She’s done voice work in popular animated films like Moana and Soul. After years of coaching young actors like Julian Dennison and directing theater, she’s made her own first film as director, The Mountain, a delight making its North American premiere at TIFF…

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Sunday
Nov262023

Gotham Awards 2023: Getting a grip on "Past Lives"

By Nick Taylor

With the Gotham Awards dropping tomorrow, I decided to cap off this little series with a rewatch, one of the year’s most popular independent films that, to my surprise, did not have a full review at The Film Experience . . . . until NOW!! That’s right folks, we’re talking about Celine Song’s Past Lives. Nominated in Best Feature, Breakthrough Director, and Lead Performance for Greta Lee, this sleeper hit has made about as strong of an impact as an early-year release could hope to achieve. I was fully seduced by it reputation in the weeks leading up to its release, and though I was completely besotted with Past Lives on first watch (to the point of showering it with attention across my own halfway-through-the-year ballot), I’ve never quite shaken the concern I succumbed to hype rather than fully engaging with it. This was an ideal opportunity to give the film another shot, and seeing it again helped to further solidify my feelings on this tricky flick . . . .

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