Today in History: Page's Second Globe, Larry & Viv's Affair, Etc...

Looking for something to celebrate today? On this day in history as it relates to showbiz...

1874 Oscar nominee Henry Travers (Mrs Miniver) was born in England
1908 Future Oscar winner, "Henry Higgins" and "Dr Dolittle" himself Sir Rex Harrison is born 
1922 FW Murnau's silent classic Nosferatu premieres in its home country of Germany. On the same day in Italy the future super controversial auteur Pier Paolo Pasolini (120 Days of Sodom, The Gospel According to St Matthew) is born
1936 Dean Stockwell is born in California. He will go on to have an epically lengthy career starting as a child star in the 40s and still working occasionally today. On the same day the '35 Oscars were held with Mutiny on the Bounty taking Best Picture and Bette Davis winning her first Oscar for Dangerous. Oscar was already doing "sorry about last time" awards as that one was obviously for her far superior work in Of Human Bondage.  

Geraldine Page, Larry & Viv, and Harrison Ford after the jump...

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Olivia @ 100: Airport '77

Don't get on the plane! It's a Disaster Movie!Team Experience is looking at highlights and curios from the filmography of Olivia de Havilland for her Centennial this Friday. Here's guest contributor Sean Donovan...

Airport ’77, the third film of the Airport franchise, capitalized on the immense success of the 70s disaster movie craze in the twilight of its years. Just one year later in 1978, the critical and box office failure of Irwin Allen’s The Swarm showed how much audiences had sobered up, no longer excited by disaster movies and more interested in openly mocking them, based on their cheesy acting and overwrought destruction (a movement chronicled by Ken Feil in his worth-the-read book Dying for a Laugh: Disaster Movies and the Camp Imagination). So if something feels lacking and obligatory about Airport ’77- in which a botched hijacking lands a Boeing 747 in the ocean, the passengers struggling to get back to land safely- that’s only because the film presents a crew of movie stars eager to cash their checks and get out as quick as possible. 

Among them is our honored centennial, Ms. Olivia de Havilland! And who can blame her for dipping into the disaster movie depths?

Her generational cohort Shelley Winters scored an Oscar nomination for being the token old lady to brave disaster (at the age of 52, but that’s Hollywood), in the genre-defining The Poseidon Adventure. Older actresses like Helen Hayes, Gloria Swanson, and Myrna Loy had already wandered into the Airport franchise, Hayes walking away with an Oscar for her efforts. As an aging member of Hollywood royalty in the 1970s, it seems one of your duties was to class up a trashy disaster film with your mere presence... 

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Irwin Allen "Master of Disaster" Centennial

Tim here. Today we celebrate the 100-year anniversary of the birth of producer-director-writer Irwin Allen, one of the great junk-food purveyors in Hollywood cinema. It's by no means true that Allen invented the disaster movie (a genre stretching back into the 1930s), nor even the uniquely '70s-style incarnation of the form, with an impressively well-stocked larder of overtalented, underpaid stars filling out the clichéd melodramas of addiction and marital strife that tend to form the plots of these movie (Airport got there first). But it was under Allen's hand that disaster movies became the greatest, gaudiest spectacles of the decade.

Allen was not always a high-end schlockmeister. In fact, he began his career as an Oscar-winner, taking home a Best Documentary Feature award for 1953's The Sea Around Us, based on a Rachel L. Carson book. Curiously his first taste of the effects-driven spectacle that would typify his later films came in as a way of fleshing out his documentaries. One sequence of his 1956 film The Animal World, on dinosaurs, featured effects by the great Ray Harryhausen, and his very next film was his first all-star extravaganza, the cameo-packed The Story of Mankind.

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Mercedes McCambridge in "The Concorde... Airport '79"

Tim here. Now we come to the sad part of our centennial tribute to Mercedes McCambridge. For like so many movie stars, her career ended with a damp fizzle, not with any last triumphs. Worse yet, her career started rolling to a close in the 1970s, when Hollywood hit upon its most degrading scheme ever for what to do with its old legends and workhorses: stuff them into the enormous ensembles of tacky disaster films. At its most prestigious, this phenomenon resulted in Fred Astaire getting his solitary career Oscar nomination for The Towering Inferno. At its least prestigious, you have living legends Henry Fonda, Olivia de Havilland, and Fred MacMurray in a death race to see who can embarrass themselves the worst in The Swarm.

Or, for that matter, you have McCambridge herself, grossly misused and discarded in The Concorde... Airport '79. It's the fourth and final film in the rather dimwitted Airport franchise, which had once upon a time been kinder to its storied old troupers: 1970's Best Picture nominee Airport, the film that essentially got the disaster movie cycle rolling, netted Helen Hayes her second Oscar. But those days were long gone by the time McCambridge was called up to squander her talents along with the rest of a distressingly high-quality cast, including Alain Delon, Cicely Tyson, and David Warner. [More...]

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Interview: Director Roar Uthaug on Making the Disaster Film Feel Fresh in 'The Wave'

Director Roar Uthaug

Jose here. The fact that Norway’s Oscar submission this year is a disaster film, should be reason enough to warrant attention. It also happens that The Wave is quite a fun ride to sit through! Rather than trying to reinvent the wheel, director Roar Uthaug, delivers a film that demands you get the largest bag of popcorn available, some candy and a giant soda. It’s a film meant to be enjoyed, something which Hollywood often forgets to provide when focusing on CGI extravaganzas that always put the effects before the people.

Uthaug’s film centers on a family led by sensitive geologist Kristian (Kristoffer Joner) and his pragmatic wife Idun (Ane Dahl Topr, the star of last year's Norwegian Oscar submission 1001 Grams), who are preparing to leave their charming little town, when everything that can possibly go wrong, does indeed go wrong. The issue in this case is disastrous landslide that causes a tsunami in the fjord! To say that Uthaug excels at creating tension and induces nail-biting (my cuticles resent him) would be an understatement. What is surprising is how fresh the film feels by the end. Uthaug was kind enough to answer some questions I had about his film.

Read the interview after the jump.

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