Doc Corner: 'Oklahoma City' As Relevant as Ever

Like many of the best documentaries, Barak Goodman’s Oklahoma City isn’t just about one thing. In fact, despite its title exclusively and definitively referencing the bombing of a federal building – the deadliest terrorist attack on American soil until 9/11 – Goodman’s compelling and ultimately very chilling and concerning film is about a larger swathe of domestic terrorism, detailing how the events of April 19 1995 were the inevitable culmination of an out-of-control spiral of white nationalism and anti-government revolt.

Despite the enormity of the event, the events of Oklahoma City have not been detailed on screen very often. For what reason that is, I’m not sure, but that absence of films (non-fiction or otherwise) would already be enough to allow this Sundance-premiering film extra weight and deserved attention. But in a depressing coincidence, and the reason Goodman’s film is as relevant 22 years later as it is, the wait to make a film has allowed the circumstances of the day, elements of the case that may have been forgotten or lost amid the debris, to hold a greater significance.

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Doc Corner Goes to Slamdance

by Glenn Dunks

Okay, so if we had really gone to Slamdance I feel like you would have noticed with some extra coverage given that it runs at the same time and in the same city as Sundance. So despite not travelling to the snowy surrounds of Park City, I was still nonetheless lucky enough to get a peek at Slamdance’s documentary slate. And here we are telling you about FIVE of the titles in this super-sized edition of Doc Corner. Those five include outback savages, musical amateurs and geniuses and more that should be coming to festivals and VOD over the next year...

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Doc Corner: The Non-Fiction Class of 2016

This year’s Oscar race for Best Documentary Feature was a fiercely competitive one. With the strength of the 15-wide finalists list, quite frankly, it would have been hard to give us a truly bad line-up. We particularly weep for the omissions of Cameraperson, Tower, Zero Days and Weiner, but personal grouching aside about a couple of the nominees, this year’s batch is quite something. We have three films about race (one with queer undertones), a foreign language title, and the longest film ever nominated for an Academy Award.

The nominees are:

• Fire at Sea (Gianfranco Rosi, Donatella Palermo)
• I Am Not Your Negro (Raoul Peck, Rémi Grellety, Hébert Peck)
• O.J.: Made in America (Ezra Edelman, Caroline Waterlow)
• Life, Animated (Roger Ross Williams, Julie Goldman)
• 13th (Ava DuVernay, Spencer Averick, Howard Barish)

We will be looking at the documentary short nominees later (I have one title left to watch, which is proving difficult!), but now we're going to hypothesize how the doc feature nominees did it. Let us break down the imaginary math…

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Final Predictions: Animation, Documentary, and Sound Categories

Another day another dizzying array of last minute nerves over this confusing Oscar race. We've already talked Picture, Director, Actor, and the Screenplay categories right here. Now several more categories...

Animated Feature
A couple of months ago The Red Turtle looked like the sure thing "art" entry in the this category but it doesn't appear to have gathered much momentum and I worry it may be omitted. Working the opposite trajectory is Kubo and the Two Strings (more and more popular... could it even give Zootopia a run for the win?) and My Life as a Courgette which could pick up nominations in both animated feature and foreign language feature, something that has never happened before.  

Documentary Feature
The only question that seems relevant at this point is "can anything beat O.J.: Made in America?"...

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Doc Corner: The Timely Reminder of 'Antarctica: Ice and Sky'

Director Luc Jacquet ventures into the past to show us our future in Antarctica: Ice and Sky, one of the best enviro-docs that I have seen in recent times. A film about climate change that revels in the captivating splendour of its natural subject as much as it does science and the ravages of humanity. It’s an appropriate film to watch right on the outset of what could very well be four of the most environmentally disastrous years on record. A timely reminder that even in the depths of the Cold War, the USA, France and Russia worked together for the greater good of the planet.

Like he did with Oscar-winning March of the Penguins, Jacquet shows a distinct knack for taking the potentially dry blueprint of a nature documentary and manipulate it into something more broadly cinematic. With the particularly impressive work of editor of Stéphane Mazalaigue, Jacquet has taken the 16mm archival footage of French glaciologist Claude Lorius’s expeditions to Antarctica and turned them into a compelling, thrilling story of scientific breakthroughs.

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