What's the Best Concert Film?

by Cláudio Alves

With Taylor Swift: The Eras Tour coming to theaters today and Renaissance: A Film by Beyoncé set to arrive in December, 2023 could signal the return of the concert film in full force. At the very least, both projects are bound to break records. Swift's movie is already on the way to becoming the most profitable concert film in history, close to surpassing Michael Jackson's This Is It just with advance ticket sales. Hopefully, this triumph will be reflected in the picture's quality, though, with such titles, success is measured more in terms of the artists' popularity than the piece's cinematic verve. Still, it'd be erroneous to dismiss concert films for this reason – there are many masterpieces to be found in the non-fiction subgenre. 

So, dear reader, what's your favorite concert film? My pick is after the jump…

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Soundtracking: "Stop Making Sense"

This week, Chris Feil's series on music in the movies ponders the concert movie...

Who killed the concert movie? While the subgenre never reached the commonality of the music video, that particular form’s rise is timed right around the concert film’s demise. But perhaps it was just a form that seldom met the heights of “you are there” excitement or insight into the performer as Jonathan Demme and Talking Heads’s Stop Making Sense.

For such a distinctive visually-defined group as the Talking Heads were in music video form, Stop Making Sense remains their defining document. As much as David Byrne is the creative spearhead of the band and that radical rebellious sound, Demme’s insight is what makes this more than just a filmed event or way to see a popular band if they skipped over your town. If a concert is a singular way to live in the full experience of a performer and their sound, Demme takes that to the next level by dropping us in the middle of this creative unit.

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Doc Corner: 'Contemporary Color'

Jonathan Demme’s Stop Making Sense is such an extraordinary piece of cinema that it is only natural that it casts a long shadow. That 1984 concert documentary of Talking Heads stuck in my mind a lot while watching Contemporary Color from directors Bill and Turner Ross. Not just because both films feature David Byrne as the primary artistic force behind them, but because they each suffuse music with performance with personality with theatricality. They both strive for an almost heightened sense of spirituality out of the creation of art. It’s just a shame that in the case of the Ross brothers' film, it just comes across as sloppy.

The film documents the performance of a special one-off performance at the Barclay Centre in Brooklyn. Spearheaded by Byrne and his newfound obsession with color guarding – a sort of synchronised swimming, but on land, and with way more prop rifles; Byrne describes them as “sophisticated folk art” – the event finds him inviting ten color guard teams and have them perform for a stadium audience alongside musical guests who wrote original songs as soundtracks. Songs, it must be said, that mostly sound like discarded album tracks and demos lifted out of storage and dusted off like it’s Woody Allen’s Irrational Man screenplay.

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Linkbusters

HitFix Paul Feig (Bridesmaids) may well remake Ghostbusters with a female cast. I'm normally against do-overs unless you significantly reinvent so best wishes to all
Roger Ebert the Jacques Demy collectio. WANT
MNPP Lee Pace & Matt Bomer went to high school together. Awwww
MNPP which is hotter, Dick (1999) anniversary!
Guardian Christina Hendricks interviewed about Mad Men and more. Her original agency dropped her when she took the Joan Harris part. D'oh!
Gothamist funny Julie Klausner on Jonathan Demme's Stop Making Sense
Shortpacked! a webcomic for everyone like me who feels totally alone in not liking Guardians of the Galaxy very much 
Coming Soon a boring onset shot of Daredevil's altar ego Matt Murdock in his lawyer drag from the new Netflix series
AV Club talks to Brendan Gleeson abouv Calvary, Harry Potter and more
Cinema Blend they're making Richard Linklater's School of Rock into a TV series
Nick's Flick Picks Nick and Joe have completed their choices for the "best of" the year's first half with leading performances and Best Picture. Good smart read with lots of love for Blue Ruin, Only Lovers Left Alive, Edge of Tomorrow
Coming Soon James Gunn teases work on Guardians of the Galaxy sequel. Whew, already?
Comics Alliance Comparing Guardians to The Last Starfighter, an 80s sci-fi flick
Boy Culture reviews Oscar winner Lee Grant's autobiography "I'd Still Say Yes" 
Slant Magazine reviews a biography on Joss Whedon 

Cast This! It appears that there's going to be a movie called Russ & Roger Go Beyond about the making of Beyond the Valley of the Dolls (1970). Who should play that infamous movie's celebrated writer Roger Ebert?

Finally...
Why did no one tell me about Vance Joy's "Riptide" which is now as far as I can tell like a year old. Love the emphatic fantasy of this lyric, duh!

I just gotta, I just gotta know
I can't have it, I can't have it any other way
I swear she's destined for the screen
Closest thing to Michelle Pfeiffer that you've ever seen, oh