Q&A Special Pt. 2: Briony, Nashville, Early Onset Actressexuality

Back again. So losing track of time lately. Fridays as Mondays. Thursdays as Fridays. When am I? Saturday AM? What? But here's the promised second part of the Q&A column. I loved the James Dean question and the Spice Girl question but I'll have to give them their own post or something later because my brain can't deal with their enormity tonight.

Here are a few more questions I wanted to / could answer. As always, I love to hear your answers to the same questions or your responses to mine in the comments.

MATTHEW: Choose three Oscar-nom'ed/winning actresses from the Aughts whose careers are most in need of redirecting and explain how you would help get them back on track.

I would've said Charlize Theron a year ago but -- yay -- totally back on track these days.

I want to start with Ellen Page. She gets work regularly but Whip It, her last vital role, will soon be three years old and it seems like we should be hearing her name more often in the 'who is up for what part' sweepstakes. I worry that Hollywood doesn't think she's "sexy" -- maybe it's the somewhat butch energy? -- and therefore doesn't consider her for the parts that they keep divvying up between Evan Rachel Wood, Carey Mulligan, Abbie Cornish, and the like. I think she should embrace the androgyny and do something harder-edged with a confrontational or casual sexiness. The Girl With the Dragon Tattoo would've been a great move for her. But alas...

Hilary Swank. I know I've been rough on her over the years... but it's not like she's without talent (though her line readings in the New Year's Eve trailer are truly lumber yard ready. Yikes!). I think the extraordinary early success misdirected her career and she ended up playing all these Movie Star roles she wasn't suited for and doing all these genres she's terrible at. She needs to stick with contemporary drama and maybe look for a challenging memorable character in a strong ensemble piece. The only way she's getting a third Oscar nominations is a vivid supporting part.

Mo'Nique. The only problem with her career is that she doesn't work enough. When you can do what she did in Precious you kind of owe it to the world, if you ask me. (You'll notice I didn't even mention the vanishing act that is Joan Allen's career. I can't even talk about that lest I burst into tears.)

Sir Ian His AwesomenessSMG: Who are your favorite real-life gay actors? gay characters?

Y'all have to start narrowing down your questions! Characters? This sounds like a top 100 list waiting to happen so I can't do it in this format. As for gay actors, I have total organic fondness for any public figure brave enough to come out of the closet. People are always saying "oh, it's personal. leave them alone. etcetera" but basic sexual orientation is not a private matter -- sexual preferences in the bedroom, sure, but not orientation. Look around you and you will see evidence of sexual orientation EVERYWHERE. The "stay in the closet if it's what's best for you" is just heteronormative societal pressure and the thing people are always telling actors "don't come out because it'll kill your chance to become an A List movie star like ____" is sick. As if people should lie about their life for their whole lives for the sake of a lottery ticket! That's just the dark side of our capitalistic 'every man for himself' / 'dog-eat-dog' thinking. Notice how each year it gets easier for gay actors and actresses and it's becoming less of an issue. Why? Because people before them were altruistic and brave enough to come out and have opened the doors. The world is a better place post Ellen Degeneres and post Ian McKellen and post everyone-else. We can pretend we all live in bubbles but we don't. Our actions affect other people; we live in a continuum.

Politics aside, some workign gay actors I'm extra fond of in that I usually love their work and always perk up when I see them (no offscreen / offstage kinship required): Lily Tomlin, Sir Ian McKellen, Cheyenne Jackson, Miriam Margolyes, Fiona Shaw, John Benjamin Hickey, Jonathon Groff, Udo Kier (I'm still giggling remembering his bit in Melancholia), and Alan Cumming. That's off the top of my head. 

Lily Tomlin in Nashville's "I'm Easy" Sequence

JOE K: Pick three performances in Nashville which you think are the most impressive that aren't Lily Tomlin and Ronee Blakley.

Nashville! One of the best topics in all of cinema. I'll name my choices and answer a drama/musical question and a first actress crush diary after the jump.

Click to read more ...

Hey, it's Ellen Page. What About "Freeheld"?

Is Zimbio trying to tell us something with that headline? I don't know why the actresses are hanging out in Montreal together but it's adorbs that they have matching pants and shoes. Clea's mostly been doing TV guest spots lately (The Event, CSI: Miami). Meanwhile Ellen Page heads off to Rome soon to join the huge ensemble of Woody Allen's Bop DeCameron (2012). 

But hey... FREEHELD. That previously announced movie popped right into my head.

Unfortunately there's been very little word on what's happening with Ellen's most-promising sounding future film. Freeheld would be the story of New Jersey mechanic Stacie Andree's (Page) and her girlfriend Laurel Hester's (as yet uncast) legal battle to save pension benefits when Laurel was diagnosed with a terminal illness. It sounds like such a promising direction for Ellen (Oscar nom #2?) who should challenge herself as an actress real soon; It's not like expository roles in green screen epics are pushing her gift.

Freeheld (2007), Best Documentary Short WinnerThe documentary short Freeheld, which first told this story, won an Oscar three years ago. And given the hot topic of gay marriage (just passed in New York but New Jersey's Republican governor vows to fight against it.) the time seems ripe for more social dramas that passionately deal with contemporary fights. I don't know about you but I firmly believe that the reason the whole subgenre of films dealing with social issues, civil rights, and prejudice have such a middlebrow rep and always feel safe and weaksauce is because, generally speaking, they set them so far back in the past that they're all cushioned from the world as we know it. Hollywood needs to deliver more Do The Right Things and less Driving Miss Daisys, is the point even though that reference itself is itself cushioned with rosy nostalgia. Oops!

The starry gay dramas that do get made (Milk, Brokeback Mountain) are also set in the past. Not that we don't need the reminders but contemporary balance would be great. Catherine Hardwicke (Red Riding Hood) was originally attached to Freeheld but it doesn't have to be her. Actually, and though it pains me to say this since I was a huge fan of her debut thirteen (2003), it might be better if it wasn't her. Somebody needs to is the point.