Emmy Nominations 2012

Mad Men, The Film Experience's favorite show for five years running, and American Horror Story -- cheating with a "miniseries" categorization (like Downton Abbey in its debut year) -- led the nominations with 17 a piece. 

The Emmys seem to be over genre shows... or perhaps American Horror Story and Game of Thrones hogged too much attention for the wealth to be spread. True Blood and Teen Wolf scored 0 nominations between them (and to think True Blood once was a nominee for "Best Drama Series") and The Walking Dead and Ocne Upon a Time scored only 3 nods apiece. Dexter somehow managed to keep Michael C Hall nominated for a really terrible season despite earning no other nominations.

Best Dramatic Series
 

• Boardwalk Empire 
(not my cuppa)
• Breaking Bad
 (the show I feel guiltiest about missing year after year)
• Downton Abbey 
(bliss. I'd be happy to see this win)
• Game of Thrones
 (wildly overrated)
• Homeland 
(so much better than I expected. a worthy nominee.)
• Mad Men (still the best show on television - my vote)

Snubbed Entirely and Not Just Here: REVENGE. How weird is that given the impact it made as a new show? It's the best nighttime soap since Dynasty. Respect!

Best Comedy Series
 

• The Big Bang Theory
 (laugh track.noooooo)
• Curb Your Enthusiasm
 (still. really?)
• Girls (yay! so individualistic)
• Modern Family
 (still funny. but not as strong as parks & recreation)
• 30 Rock
 (still hilarious. but not as strong as parks & recreation)
• Veep (often funny. but not as strong as parks & recreation which also lampoons government)

Snubbed: You guessed it!

"We demand a recount"

And the rest of the nominations play like those are the only 12 series the voters watch, if you ask me!

MORE after the jump including THREE UNFORGIVABLE SNUBS

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Mad Men @ The Movies Knocks Out the Cobwebs

Only the most surface reading of Mad Men would suggest that it's The Don Draper Show. His (forged) identity is, like most identities at some point or another, a prison. But it's also a prism and if there's a single best thing about the show it's the way in which he is reflected in his protege Peggy Olson (Elisabeth Moss) and, to varying lesser extent, in the vibrant supporting cast. So it felt like a total gift when Mad Men's writing team chose to set their final scene (season?) together in a movie theater. Just for us, surely!

Don has had a rough week and heads there for solace only to find Peggy, who has recently flown his Sterling Cooper Draper Pryce coop already there. Don suggests it's far too early in her new job to be ducking out from work. To which she responds.

Just knocking out the cobwebs. Someone told me this works."

Movies to recharge, comfort, and shake out the writer's block? No wonder we can't get enough of this show.

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A "Game Change" for Julianne Moore

When celebrities play celebrities, the anticipation is half of the buzz.

Will they nail the voice? Will they smile and move like the other famous person? If other celebrities have played this celebrity will they surpass previous incarnations? Will the transformation be all surface or will it dig deep? Can anyone notice the difference since all high profile biopics win acting kudos? How many reviews will work some variation on "________ IS _________ !!!" as the reviewer falls under the actor's spell?

Since most famous actors who are cast in biopics can act, they usually succeed at their impersonations and we move from "will they?" regarding the performance to "will they?" regarding awards wins. In both cases the answer is generally "yes". For reasons The Film Experience has never quite pinned down, these metamorphoses surprise the world each time as if we've never seen their like. Occasionally we even doubt the answer to the first "will they?"

But for all the familiarity of this showbiz narrative, in Julianne Moore's case Game Change may actually be a game change. Her work as Sarah Palin was one of the true nail biters in the realm of modern biographical star turns and here's why...

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Smash 1.1 "Pilot"

NBC's new musical drama "Smash", a behind the scenes showbiz drama about Broadway musical theater and our enduring Marilyn Monroe obsession, premieres tonight. If pilot quality and series promise equal ratings, the show will make good on its title. The internet has had a good laugh about its relentless ad campaign and the absurd "Introducing... Katharine McPhee" angle (American Idol being underground experimental television that only 5 people have ever seen, don'cha know) but the show is smartly written enough to use McPhee's familiarity as an opening gambit to throw you into an unfamiliar world.

Reintroducing... McPhee's "Somewhere Over the Rainbow"

"Somewhere Over the Rainbow" is long since the most oversung song in the popular canon and a song McPhee was already known for from her original introduction years ago.  But this cozy dreamy showtune reverie is interrupted by a cel phone, snapping us back to plainclothes everyday New York where McPhee's "Karen" is auditioning for god knows what. The casting director is decidedly unmoved and takes the call. 

Dreamy musical outbursts screeching to a halt for reality-check comic purposes is as familiar a cliché as Somewhere Over the Rainbow but "Smash", as it turns out, isn't actually going to coddle us. Continued after the jump.

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Yes, No, Maybe So: Nicole vs. Juli. September 2012

Since there weren't enough prizes in the world for Claire "Temple Grandin" Danes and Kate "Mildred" Winslet, who will be our next "Her, again?" awards gobbler?

Will it be Nicole Kidman in Hemingway & Gellhorn vs. Julianne Moore in Game Change? The last time they faced off in awards season (2002) they were actually co-stars and Nic' won for The Hours (Julianne losing for Far From Heaven and The Hours albeit in two separate categories) . Or will they both be trumped by someone we're not thinking of yet when the Emmys role around in September 2012 and this whole awards circus begins anew? 

In this corner, Nicole Kidman as Martha Gelhorn in Hemingway and Gellhorn...

Yes - Philip Kaufman is directing and he's made some amazing films in the past like The Right Stuff and Henry & June. The last time Nicole Kidman lowered her voice this noticeably to play a ballsy writer, she won the Oscar.

No - Isn't there a danger of this gorgeous Star strolling through the rubble of war reminding people of Australia? They didn't much like that one. Four minute trailers always have the problem of making the oncoming product seem overstuffed, unduly episodic and desperate for attention. "And then this happened. And then this happened. And then this happened. And then this happened. Interested? No?" Uh... [Cue: flop sweat, razzle dazzle] Uh... Oh... okay the first part is shit but the second part is REALLY nifty! Ok.... she'd go ♫. I'd go ♫. we'd gooooo. ♫"

Maybe So - The success of this may well rest on the chemistry between Clive Owen and Kidman. Do they have it? And can Clive Owen work his way around the very vivid recent memory of Corey Stoll in this role via Midnight in Paris?

In this corner Julianne Moore as Sarah Palin in Game Change... 

Yes - It might be fun to watch Juliannne Moore attempt biopic mimicry because it's not the sort of thing she's known for. And at this point we'll take anything that might win her an award. Has there ever been an actress as major who hasn't won any major prizes? She wins nothing. No Emmys, No Globes, No Oscars. 

No - "Fair and balanced" has been wiped clean of all meaning ever since Fox News took over the world, but where will this film fall on the scale of fair representation? On the one hand, it might be super to watch a take-down of Sarah Palin. But then again, the target is just so easy so it might feel way too cheap shot-like. On the other, excessive humanization of seemingly soulless political monsters through the magic of warm actresses (see also The Iron Lady) comes with its own queasiness, the humanization of dehumanizing idealogies.

Maybe So - Will anyone be ready to sit through more Sarah Palin when she's been so torturously around ever since 2008?  And can Juli work his way around the very vivid recent memory of Tina Fey in this role via Saturday Night Live?

"I have to win this thing. I so don't want to go back to Alaska!"What kind of bet are you laying down?  

Better yet, do you see awards attention beyond our leading ladies for these HBO Movies? Both have amazing casts. Hemingway & Gellhorn is giving us Clive Owen, Parker Posey, Robert Duvall, David Straithairn, Rodrigo Santoro and Molly Parker (in awards bait position of scorned wife). Game Plan is giving us Woody Harrelson, Ed Harris and Sarah Paulson and a ton of others in small roles.

Be brave in the comments and make some Emmy calls now!