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The Film Experience™ was created by Nathaniel R. Gemini, Cinephile, Actressexual. All material herein is written and copyrighted by Nathaniel or a member of our team as noted.

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Entries in Emmy (169)

Thursday
Jul132017

Emmy Reactions: Why Wasn't This Nominated?!

Now that we have had a little bit of time for the Emmy nominations to sink in, the afterglow of our favorite nominees has faded enough to reflect on what missed out. This year had quite a few stings for what we expected to be a more open playing field. Recurrent outsiders like The Leftovers and Crazy Ex-Girlfriend have long been on our lips here at The Film Experience as criminally ignored by awards bodies, and this year was no different! Here's what missed out this morning that has us lamenting:

JORGE - Rita Moreno is destined to win an EGOT twice and they just delayed it. Truly upset about her snub for One Day at a Time.

DENNY - It's clear the voting body watched Black Mirror: San Junipero. So why wasn't Bryce Dallas Howard nominated for her tremendous, go-for-broke performance in Nosedive? The arc the episode traces for her character (desperately trying to boost her favorability rating to attend a wedding) is hilarious, terrifying, and all too relatable, and Howard's mad commitment is key to the episode working as well as it does. For my money, she probably should have WON the trophy.

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Thursday
Jul132017

Emmy Reactions: Our Favorite Nominations!

Since the Emmy nominations announced today, some celebration is in order! We polled our lively Team Experience for their thoughts on today's results, starting with their favorite nominees across any of Emmy's umpteen categories. Before we bemoan what got left out, let's pop a cork and spend some time on the many exciting nominees that made the cut:

What nomination made you the happiest?

JASON - LAURA DERN, OBVIOUSLY. I mean what am I, an animal?

LYNN - B.D. Wong as Guest Actor in a Drama Series (Mr. Robot). While Emmy voters cooled on Mr. Robot this year - a shame, since I maintain the second season was actually stronger than the first - I'm happy to see they did recognize one of its standout turns: B.D. Wong as the enigmatic White Rose.  Whether appearing as the female leader of the Dark Army or the male Chinese Minister of State Security, he was always absolutely mesmerizing to watch, offering glimmers of insight but never full access to the character's agenda and putting a slyly subversive spin on the old trope of the "inscrutable Oriental."

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Sunday
Jun252017

Team Experience's Dream Emmy Ballot!

Emmy voting closes tomorrow evening, dear readers! Since Nathaniel and the team here at The Film Experience have been writing up our favorite FYCs of the past television year, we have decided to also do some fantasy Emmy voting of our own. Our own Emmy dream ballot has favorites you've read about here before, like nomination leaders Big Little Lies (7 nominations), Feud (6), The Leftovers and the conclusion of Looking (5).

That's a whole lot of love for HBO here at TFE, with Veep also being our most nominated comedy at 4 nods. Might HBO earn similar success with Emmy itself, even though mainstay Game of Thrones won't be eligible? Will this allow for The Leftovers to finally get some love?

Take a look at the results after the jump...

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Thursday
Jun222017

FYC: "The Good Place" for Best Comedy

Team Experience are sharing their Emmy hopeful favorites. Here's Sean Donovan...

The Good Place was one of the quietest critical successes of the 2016/2017 television calendar, amassing a small but loyal band of followers. They attended to every minuscule detail of the show’s terrifically nuanced mythology. Yet, of all the Emmy FYCs The Film Experience has been doling out these past two weeks, this feels like one of the farthest reaches. The Good Place is perfectly in the lane of a future cult classic. But that's the problem. To become a true cult classic, your greatness must somehow allude the powers that be at the time. 

For the uninitiated, The Good Place follows Eleanor Shellstrop (Kristen Bell) who, following her sudden death in the pilot, finds herself in the afterlife, specifically the carefully non-denominational “Good Place,” presided over by cheerful architect Michael (Ted Danson)...

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Thursday
Jun222017

Emmy FYC: Difficult People, Season Two 

By Spencer Coile 

Emmy season is a treacherous time. With so many scrambling to campaign for their favorites, it is incredibly easy to get lost in the mix of all the names and shows being talked about. Difficult People, however, is not  a show that should merely be talked about. Much like its leading characters, it requires heavy shouting. 

Wannabe actor/comedians and best friends Billy and Julie (played by Billy Eichner and Julie Klausner respectively) are two of the most wretched, vile, and selfish people to hit the televisual landscape in recent years. They attempt to cloy and scratch their way to the top. Season two of Difficult People is practically breathtaking in how quickly paced it is, and it should also go without saying that it is utterly hilarious... 

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Wednesday
Jun212017

Soundtracking: "Big Little Lies"

It's Chris Feil's weekly series on music in the movies, this time on one of this year's television favorites...

Did you know that Emmy added a music supervision category this year? While this may seem a bit nebulous (Emmy sure does have a heck of a lot of categories!), at least we might get some great soundtracks and song choices recognized. Consider my soundtrack column this week an FYC (among others we've written) for what must be the inaugural front-runner Big Little Lies. Emmy: did you ever want it? Did you want it bad?

The musical landscape of Monterey is packed with soul tunes both new and old, weighted with a kind of timeless, cross-generational longing that ties together the various women of its ensemble. They way these songs ache deepen our understanding of each woman’s unique pain: the angry defiance of Jane running to “Bloody Mother Fucking Asshole”, Madeline’s romantic respite in “River”, and a lyrically literal reflection of Celeste’s sexual confusion with “Victim of Love”. For the audience, music helps us draw the connections between their shared pain, what ultimately unites them all. Big Little Lies’s musical identity is as distinct as the series itself.

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