Have you caught up with "Cats" on streaming yet?

by Eric Blume

While many Americans are talking about their life in terms of Before and After the Pandemic, I'm now talking about my life in terms of Before and After watching Cats the movie.  The much-maligned Tom Hooper musical opus is currently available on iTunes and Amazon, so I felt I should give it a shot after all the chatter, here, and elsewhere.  But beware, kind viewer:  once you've seen this movie, there is no coming back.

Preface that I am not a "Cats" hater (or even a cats hater...they're not dogs, but that's not their fault).  I saw the almost-original Broadway production back when it was all the rage, so I have a tender spot for it in my heart...

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Oscar Night's Top Five Presenters

by Camila Henriques

One of the challenges of a hostless Oscar ceremony is having a presenter list capable of holding the show together. For film fanatics even that isn't enough. We crave the legendary movie stars as presenters (fewer and fewer each year) and moments like Julie Andrews following Lady Gaga’s tribute to “The Sound of Music” back in 2015 or Olivia de Havilland introducing the Family Album back in 2003. Those two still give us chills. Unfortunately, the Academy Awards this year were lacking in the legendary star department. Nevertheless, the show had truly memorable bits, and a couple of future host possibilities that the Board of Governors should take note of. With that in mind, here’s a top 5 presenters/duos list for the 92nd Oscars:

Honorable mentions: Steve Martin and Chris Rock reminding us that hey, there’s still former hosts the Academy could call, Salma Hayek holding the best Oscar in the house (Oscar Isaac, that is), and Diane Keaton and Keanu Reeves giving us Something’s Gotta Give nostalgia...

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Review: "Cats"

by Cláudio Alves

Somewhere along the journey of popular cinema, an unholy change of standards occurred. Once upon a time, the artifice of movies was seen as a delightful feature, but it slowly started to be seen as an enemy of quality. The pursuit of "reality" began to preoccupy serious artists and Hollywood hacks alike. The audience’s taste was thus guided in the direction of pseudo-realism. The look of natural reality isn't the point, but the feel of it is. For instance, Lord of the Rings' fantasy isn't close to our reality in any significant way, but there's a sense of material credulity that satisfies modern audience's limited suspension of disbelief.

To speak of such matters in the context of a flimsily plotted musical populated by cat-human hybrids probably sounds preposterous. That said, I firmly believe the movie of the Broadway smash Cats would be altogether less horrifying if it had embraced the artifice and theatricality of its premise...

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Emmy Creative Arts Winners 2019

by Nathaniel R

"We're going to the Catskills" was a popular episode of the Emmy's darling favourite The Marvelous Mrs Maisel.

The Creative Arts Emmys were held over the weekend so Game of Thrones and Marvelous Mrs Maisel are looking set to easily repeat their previous series wins on Emmy Night (Sept 22nd) since they retained a stranglehold on below the line prizes. The big news that had the internet in a huff over the two night ceremony was the fact that the popular concert special Beyonce Homecoming lost all the Emmy categories it was up for. Whether or not you love Beyoncé (I remain indifferent) that seems justifiably insane in some of those categories.

It's really time for Emmys to bring back blue ribbon panels because this "everyone can vote" thing just means that whatever is the most watched or most obsessed over show just wins everything regardless of the category. If voters aren't watching their submission tapes they're also often voting on shows they loved the year before or love right now (but a different season is the thing they're voting on. Etcetera). Why have 100s of categories if you're just going to bury three or four shows in the same dozens of awards and leave hundreds of just-as-fine programs Emmyless? If the Emmys were truly a reflection of the art of television there would be more of a variety of winners from year to year. The list of winners and a few notes after the jump...

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Yes, No, Maybe So: "Cats" (and personal "Cats" histories)

by Nathaniel R

All longform discussions of the trailer to Cats must be prefaced with one's own history with the Andrew Lloyd Webber megahit. It's the law. This is why no matter how insane the movie may appear, no matter how much it be instantly mocked on the internet, it will have (at least) a gigantic box office opening. The megamusical has been a phenomenon since 1981, grossing literally billions of dollars on stage, winning awards and selling millions of albums (back when people actually bought such things) with the hit song "Memory" being covered by hundreds upon hundreds of musicians thereafter. 

Cats was my first Broadway touring show which I saw in Detroit (presumably at the Fox Theatre?) as a kid. My parents bought me the t-shirt and later for Christmas the Original Cast Recording. On my first ever trip to NYC in 1989 (?) it was then my first Broadway show. I know I know... I was once a typical tourist who saw something he'd already seen *shakes head at self* while in New York when other surely better and newer things were playing. I was so obsessed Cats that I learned "Memory" on the piano and named my next two kittens "Mistoffles" and "Rumpleteaser". How young and foolish and easily manipulated I was by splashy worldwide sensations as a child. And yet from the 1990s onward I've barely thought of it but for whenever discussions of a possible movie version would come up, most notably all the joking in Six Degrees of Separation (1993).

Okay that's my history. You must share yours (it's the law) and since Cats is such an event brand, we must do the Yes No Maybe So™ breakdown after the jump in real time screencaps rather than trifurcating with our yes, no maybe so headings. Ready?

To quote Judi Dench as "Old Deuteronomy"...

We're about to begin

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