this shot from THE DANISH GIRL makes me so upset. imagine your directorial aesthetic being "discomfitting eyesore" pic.twitter.com/FGsUIkK4ey— Sales On Film (@salesonfilm) March 2, 2016
Entries in Tom Hooper (16)
Nathaniel, Nick, Katey, and Joe all return for the latest episode of the podcast in which we discuss four new films that definitely bear their auteur's signature for better and worse. Listen in and continue the conversation in the comments. The more the merrier.
00:01 NBR & NYFCC debrief
05:40 The Danish Girl
16:28 Macbeth's feeling of inevitability...or is it monotony?
22:56 Paolo Sorrentino's Youth, a bit of The Great Beauty and a lot of Jane Fonda
33:00 Spike Lee's new urgent joint Chi-Raq
39:45 Joe's new job & Nick's sudden activity
You can listen to the podcast here at the bottom of the post or download from iTunes.
Here's Murtada on the first major magazine cover of the 2015 Awards Season.
Our current best actor winner is ready for his second straight nomination. Eddie Redmayne is starting his Oscar campaign for Tom Hooper’s The Danish Girl more than 3 months before the movie’s release. This week he covers OUT magazine’s fall preview issue with a lengthy interview that touches on everything from where he keeps his Oscar, to his privileged upbringing, to playing transgender artist Lili Elbe.
Perhaps what people are most curious about is how he handles the potential minefield of his casting as a transgender woman. Elbe, who had sexual reassignment surgery in 1930s, was one of the first known transgender people to transition and a movie about her life has been in the making for more than a decade.
Redmayne and his handlers are obviously trying to get ahead of any potential controversy. Hence the careful choice of the publication to which he gives his first interview about the film, and the inclusion in the article of advocates from the trans community like Paris Lees and Lana Wachowski. Lees is quoted and says about Redmayne's casting “Politically, it makes me groan. But if anybody’s going to do this justice, then I’m happy it’s Eddie. We had a good chat about everything”.
The interview is a good read and he handles some of the thornier issues with deft and careful thought. He comes through as humble while acknowledging his luck and privilege. He recognizes how divisive his portrayal of Elbe might become.
”People were so kind and generous with their experience, but also so open. Virtually all of the trans men and women I met would say ‘Ask me anything.’ They know that need for cisgender people to be educated. I felt like, I’m being given this extraordinary experience of being able to play this woman, but with that comes this responsibility of not only educating myself but hopefully using that to educate [an audience]. Gosh, it’s delicate. And complicated.”
As for the movie itself, the verdict will be out soon. It plays at both the Venice and Toronto film festivals in early September. Venice comes first and that will be our first indication whether or not that nomination is happening as we’ve seen many an Oscar campaign start at the Biennale.
In the last 10 years, 8 men and 3 women have won the Volpi Cup for English language performances, a big percentage. Of those performances David Strathairn (Good Night and Good Luck), Cate Blanchett (I’m Not There), Colin Firth (A Single Man), Philip Seymour Hoffman and Joaquin Phoenix (who won jointly for The Master) went on to land Oscar nominations. Michael Fassbender (Shame) came close but ultimately missed. However the only winner this decade at Venice who went on to win an Oscar is Helen Mirren (The Queen).
Are you looking forward to The Danish Girl? Do you think Redmayne is a good choice to play Elbe?
[UPDATE: We have been asked to remove the posters]
I currently have the film predicted in all five top categories (Picture, Director, Screenplay, Actor, Actress) as well as three more craft categories. Is this putting too much faith in it, too little or just right? How bullish are you feeling about this one? It's certainly timely in the year of Caitlin's coming out party.
Can Eddie Redmayne can be the first actor to pull off consecutive wins since Tom Hanks 21 years ago?
Straight from the Oscar stage to the hair and makeup room...
In case you've forgotten The Danish Girl, which had a difficult development period going through different stars and directors (it went through, I kid you not, FIVE Oscar winning actresses before and three directors) is coming out late this year though we had originally been told 2016. That's presumably to give Eddie Redmayne a chance at back-to-back Oscars (I know it's so gross to mention this already. It can't be helped!). The biopic is from Tom Hooper (The King's Speech and Les Miserables) and is the story of transgender Einar Wegener and her transition and surgery to become Lili Elbe "The Danish Girl" with the encouragement of her then wife Gerda. Alicia Vikander, the wonderful Swedish actress from Anna Karenina and A Royal Affair, is playing Gerda so watch for her in Best Supporting Actress. NooooOOOoooooooooo Oscar talk. It can't be helped.
Read news about a release date, almost tweeted something about the 2016 Oscars. Reminded myself that this is a disease. One day at a time.— Mark Harris (@MarkHarrisNYC) February 24, 2015
So let's see it's another biopic about a complicated marriage where the wife has to stand by her man who becomes not what she expected him to be after she falls in love with him? Way to mix it up, Eddie Redmayne! I kid I kid. I hope it's good and I hope Eddie is more sensitive and better at handling the difficult press that comes with this sort of thing (especially now that we have real trans actors playing trans roles on TV) than Jared Leto was. The film is really piling on the gorgeousness because Eddie & Alicia's co-stars are Amber Heard, Ben Whishaw and Matthias Schoenaerts. Costumes are by the superb Paco Delgado who was Oscar nominated for Les Miz and also did genius work on Blancanieves and fun subversive stuff for Pedro Almodóvar a couple of times.
Hey, lovelies. Beau here, with the announcement of the DGA Nominees for 2013 whilst Nathaniel lunches with one of them.
- Ben Affleck, Argo
- Kathryn Bigelow, Zero Dark Thirty
- Tom Hooper, Les Miserables
- Ang Lee, Life of Pi
- Steven Spielberg, Lincoln
And so, the open spot goes to Tom Hooper, a recent recipient a couple years back for his work on The King’s Speech. If anything must be said about Les Miserables, it is that it is indeed a director’s vision; the intimacy of the camera superseding the largeness of the story in an effort to maximize the full emotional impact of the musical.
While I have many issues with the film, Hooper’s vision does lend itself well to Hathaway’s ‘I Dreamed a Dream’, the strongest scene in the film. Observing despair and bottling it in a shot that would have made Bergman proud, his attention to detail in Hathaway makes for something profoundly intimate and personal. That the rest of the film never lives up to this moment is not really surprising; its pacing and its reticence to self-edit do it a disservice, as the film never really gives its audience a moment to breathe and take in the considerable emotional toll.
That being said, this is the lineup many have been predicting for quite some time now, give or take Hooper in place of Russell or Tarantino. We’ll just have to see if Oscar feels the same way come Thursday morning.
Until then, dears. xo, Beau