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Entries in Tom Hooper (23)

Wednesday
Nov202019

5 Things We Learned from the New CATS Trailer

by Chris Feil

After meow-ny long and empty weeks, we were finally treated to another trailer for Tom Hooper's Andrew Lloyd Webber's T.S. Eliot's CATS. And you might say that it was a little bit of a disappointment after the first look sent the internet into a giant flame of gleeful schadenfreude (or maybe we're all still waking up from the release of its catnap-inducing original song candidate "Beautiful Ghosts"). This quick tease featured no singing and was a bit too fast-paced to glimpse any of the dancing. But the final trailer did give us a few bits of new information to be both earnestly and ironically excited about:

  1. It's apparently the "Most Joyous Event of the Holiday Season". Like the previous "You Will Believe" tagline, this also sounds like a threat.
  2. LOTS more dialogue than expected highly suggests that the film will try to lean into some semblance of a plot or overexplain its "new life" conceit.
  3. The cats have boobs and love to shake them.
  4. The trippiest element may be the proportions of the cats to their environment. See: kitty door flap, trash cans, shoe sizes, entire miniature ice cream parlor, etc.
  5. Idris Elba might be the slithering, villainous, sexy (?) MVP.
Did you notice anything new that made you more (or less) excited for Cats next month?
Wednesday
Jul252018

Still shook about "Cats" becoming a movie

by Nathaniel R

Betty Buckley in her Tony-winning role as "Grizabella, the glamour cat"By now you've heard the comic news (oh no wait, they're serious!) that "Cats" is being turned into a movie. The news took me so off guard that I was silent for five days. Cats got my tongue. (I'm sorry). The Andrew Lloyd Webber megahit from the 1980s was based on T.S. Elliott poems and as such it has no real story to speak of. It's basically a very successful song cycle (albeit with only one famous song "Memory") elevated by utter nonrealism in the form of humans pretending to be cats in campy makeup, tights, and acrobatic dancing. It's so hard to imagine as a movie that they made the potential of the making of one into a running joke in the play turned movie Six Degrees of Separation (1993). 

Grizabella the glamour cat is the marquee role but, in fact, it's a "featured" role since it's truly an ensemble show...

Click to read more ...

Friday
Mar042016

13 Tweets: Hooper Aesthetic, Laszlo's Carry-On, Tilly's Soul, More...

A tweet roundup while Nathaniel recharges post all that... Here is a collection for your amusement related to The Danish Girl, the GOP Debates, All About Eve, Leonardo DiCaprio and more... 

Click to read more ...

Monday
Dec072015

Podcast: The Danish Girl, Youth, Macbeth, Chi-Raq

Nathaniel, Nick, Katey, and Joe all return for the latest episode of the podcast in which we discuss four new films that definitely bear their auteur's signature for better and worse. Listen in and continue the conversation in the comments. The more the merrier.

42 minutes 
00:01 NBR & NYFCC debrief
05:40 The Danish Girl
16:28 Macbeth's feeling of inevitability...or is it monotony?
22:56 Paolo Sorrentino's Youth, a bit of The Great Beauty and a lot of Jane Fonda
33:00 Spike Lee's new urgent joint Chi-Raq
39:45 Joe's new job & Nick's sudden activity

Further Reading for Context:
Nick's Danish Girl tweet
Nathaniel's Category Fraud Screed
Decider
Nick's "Favorites" Countdown
NBR & NYFCC

You can listen to the podcast here at the bottom of the post or download from iTunes

Youth, Danish Girl, Macbeth

Thursday
Aug132015

Eddie Redmayne starts his Oscar Campaign

Here's Murtada on the first major magazine cover of the 2015 Awards Season.

Our current best actor winner is ready for his second straight nomination. Eddie Redmayne is starting his Oscar campaign for Tom Hooper’s The Danish Girl more than 3 months before the movie’s release. This week he covers OUT magazine’s fall preview issue with a lengthy interview that touches on everything from where he keeps his Oscar, to his privileged upbringing, to playing transgender artist Lili Elbe.

Perhaps what people are most curious about is how he handles the potential minefield of his casting as a transgender woman. Elbe, who had sexual reassignment surgery in 1930s, was one of the first known transgender people to transition and a movie about her life has been in the making for more than a decade.

Redmayne and his handlers are obviously trying to get ahead of any potential controversy. Hence the careful choice of the publication to which he gives his first interview about the film, and the inclusion in the article of advocates from the trans community like Paris Lees and Lana Wachowski. Lees is quoted and says about Redmayne's casting “Politically, it makes me groan. But if anybody’s going to do this justice, then I’m happy it’s Eddie. We had a good chat about everything”.

The interview is a good read and he handles some of the thornier issues with deft and careful thought. He comes through as humble while acknowledging his luck and privilege. He recognizes how divisive his portrayal of Elbe might become.

People were so kind and generous with their experience, but also so open. Virtually all of the trans men and women I met would say ‘Ask me anything.’ They know that need for cisgender people to be educated. I felt like, I’m being given this extraordinary experience of being able to play this woman, but with that comes this responsibility of not only educating myself but hopefully using that to educate [an audience]. Gosh, it’s delicate. And complicated.”

As for the movie itself, the verdict will be out soon. It plays at both the Venice and Toronto film festivals in early September. Venice comes first and that will be our first indication whether or not that nomination is happening as we’ve seen many an Oscar campaign start at the Biennale.

In the last 10 years, 8 men and 3 women have won the Volpi Cup for English language performances, a big percentage. Of those performances David Strathairn (Good Night and Good Luck), Cate Blanchett (I’m Not There), Colin Firth (A Single Man), Philip Seymour Hoffman and Joaquin Phoenix (who won jointly for The Master) went on to land Oscar nominations. Michael Fassbender (Shame) came close but ultimately missed. However the only winner this decade at Venice who went on to win an Oscar is Helen Mirren (The Queen).

Are you looking forward to The Danish Girl? Do you think Redmayne is a good choice to play Elbe?