Introducing... Matty Walker / Kathleen Turner

by Nathaniel R

We thought that a nice subversive way to end our 1981 retrospective party would be to focus on the year's most memorable beginning.

A lot of very famous actors began their big screen careers in 1981 including (but not limited to) Ben Affleck, Kim Basinger, Kevin Costner, Tom Cruise, Jeff Daniels, Holly Hunter, Jennifer Jason Leigh, Bill Nighy, Alfred Molina, Kenneth Branagh, Demi Moore, Sean Penn, and Meg Ryan. Some of those debuts were quite promising. Others gave no clear sign of a superstar to come, just the site of an unknown actor with the ink not yet dry on their SAG card.  But the year's most exciting debut, hands down, belonged to Kathleen Turner. She was the only one of them to emerge fully formed right out of the gate; a movie star merely waiting at the bar for her filmography to arrive.  Risking the ghosts of both Lana Turner (figuratively) and Barbara Stanwyck (literally) for your debut and coming out the other side without remotely suffering from the comparisons is an all time flex...

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David Lynch's "Eraserhead" Debut

The Governors Awards (Honorary Oscars) will be held on October 27th, 2019. We've been discussing two of the honoraries: Directors Lina Wertmüller and David Lynch. Here's Mark Brinkerhoff...

Having just retrospected Mulholland Drive, David Lynch’s penultimate film (to date at least), let’s venture back to 1977’s Eraserhead, the debut film of American cinema’s enfant terrible ne plus ultra. 

To say that Eraserhead is weird would be a profound understatement. Not only is it deeply weird, but it’s wildly inventive. Made for a tight (even for the mid-‘70s) $10,000, Lynch’s first feature, shot in glorious black and white, seems like both a precursor and a post-script to the legendary director’s storied career...

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Cannes: Female directors making waves...

by Nathaniel R

Leyna Bloom at Cannes

Cannes buzz never ends. So after the jump let's talk about how a handful of new films directed by women have been received including but not limited to Un Certain Regard titles like the trans drama Port Authority, and two very buzz competition titles (Atlantique and Portrait of a Lady on Fire) that sound like Palme contenders. Exciting times ahead...

COMPETITION TITLES

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25th Anniversary: Danny Boyle's "Shallow Grave"

by Anna

Twenty-five years, a new British filmmaker made a dark splash at Cannes. Danny Boyle’s directorial debut Shallow Grave, which would become a significant sleeper success in 1995, opens with flatmates David (Christopher Eccleston), Juliet (Kerry Fox) and Alex (Ewan McGregor) looking for a new boarder (and subsequently trolling the prospective candidates). They settle on Hugo (Keith Allen) but he dies from a drug overdose within hours of moving in. Then the trio  find a suitcase full of money under Hugo’s bed, and that’s where the plot (and the meaning behind the film’s title) really kicks off.

Roughly a decade of award-winning films from the likes of Stephen Frears and David Attenborough, Boyle came and turned British cinema as a whole on its ear...

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SXSW: Elle Fanning has "Teen Spirit"

Abe Fried-Tanzer reporting from SXSW

It feels like every other movie these days is directed by a famous actor. There are a handful of them at SXSW this year, including Olivia Wilde’s Booksmart (reviewed) and Logan Marshall-Green’s Adopt a Highway starring Ethan Hawke. Both of those make sense given the type of films those actors have starred in, which match up decently with what they have made behind the camera. Max Minghella’s Teen Spirit, on the other hand, is a less expected debut.

Minghella is probably most recognizable from his starring role as the kindhearted Nick on The Handmaid’s Tale, and he also had a memorable part in The Social Network, among other things. His father was the late Oscar-winning Anthony Minghella (The English Patient). That piece of trivia makes the subject of Max’s first film even stranger since it doesn’t track with that kind of serious prestigious filmmaking either...

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