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Entries in film festivals (660)

Sunday
May112014

Hot Docs '14: The Possibilities Are Endless

[Amir, our Canadian correspondent, is reporting on The Hot Docs Film Festival which wrapped last week. Reviews will continue for the next few days.]

When Scottish singer-songwriter Edwyn Collins suffered a cerebral hemorrhage in 2005, his movement became restricted, his memory was lost and his speech became limited to four phrases that he repeated over and over again: “yes,” “no,” “Grace Maxwell” (the name of his wife) and “the possibilities are endless.” There was little chance of him getting his health back on track, let alone restarting his career, but that last phrase in his small vocabulary proved to be prophetic. With the help of his ever-caring wife and son, Edwyn gradually began to piece his memories back together, took on painting and slowly began to form new sentences again, recalling and even singing his old lyrics...

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Tuesday
May062014

Hot Docs '14: Beyond Clueless, The Secret Trial 5

[Amir, our Canadian correspondent, is reporting on The Hot Docs Film Festival which wrapped Sunday. Reviews will continue this week.] 

In the history of cinema, there are few genres that receive as little acclaim or critical analysis as the high school film does. British critic Charlie Lyne's (of Ultra Culture blog fame) visual essay is therefore a treasure for enthusiasts of recent film history. In Beyond Clueless, he examines teenage characters in a wide variety of films produced between 1996 and 2004. Little of the titular film is shown, though its influence over the films that came after it looms large. From The Craft to Mean Girls, from The Faculty to Rules of Attraction, via Spider-man, Final Destination and everything in between, the high school student is analyzed through the tumultuous process of entering that period of adolescence and exiting it unscathed and transformed.

Beyond Clueless itself takes on the narrative arc of a teen movie. Divided in five chapters that are designed to embody the high school experience, it begins with ‘Fitting In’ and ends with ‘Moving On.’ No new material is added to the clips taken from the films discussed, but crucially, the lengthy essay is narrated by Fairuza Balk, star of The Craft, whose somber but familiar voice instills the film a teen personality of its own. [More...]

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Saturday
May032014

Hot Docs '14: In the Spotlight

[Amir, our Canadian correspondent, is reporting from The Hot Docs Film Festival, the biggest documentary festival in North America currently underway in Toronto.]

 One of the tendencies that festival-goers develop over time is finding connecting threads between films that might otherwise be completely unrelated. This unconscious search for umbrella themes, even if unintended by festival programmers, intensifies when you sit down to write about the films. At first glance, there is little connecting three films about aging Belgian transsexuals, Argentinian civilians on camera, and Turkish-American political pundits. Beneath the surface, though, all deal in some way with a desire for self-expression in the spotlight.

Before the Last Curtain Falls follows a group of gay and transsexual performers who get together in the later years of their lives to put on an avant-garde show called Gardenia. When the film begins in the hauntingly beautiful city of Ghent in Belgium, where the performers hail from, the show has already become a massive international success and it is returning home for one final performance after more than 200 outings. Director Thomas Wallner combines interviews with the cast members with footage of the show to paint a portrait of each of them, drawing on their experiences of sexual identity struggle, social oppression and therapeutic theatre work.

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Wednesday
Apr302014

Hot Docs '14: Actress

[Amir, our Canadian correspondent, is reporting from The Hot Docs Film Festival, the biggest documentary festival in North America currently underway in Toronto.] 

Where does an act end for a performer? What happens if the persona seeps in so deep that the performer can never shake it off? Can an actress adopt the traits of the characters she once embodied so deeply that she permanently remains in their skin? How far can passion for the craft take an artist? These are all questions that Robert Greene’s intelligent, artfully constructed documentary, Actress, poses to the audience in the first few minutes.  

The subject, Brandy Burre, played the part of Theresa D’Agostino, a recurring character over a 15-episode arc in the third and fourth seasons of The Wire. She was never a star, but her future seemed bright, having taken a prominent role in one of television’s best reviewed series...

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Wednesday
Apr302014

Tribeca Is a Wrap for The Film Experience

Thanks for following along with our Tribeca adventures and remember to follow Glenn, Diana, Jason, Abstew and myself on twitter for continual movie madness. Here are the 40 films we reviewed this year in alpha order...

a still from Der Samurai

5 to 7 (Diana)
About Alex (Glenn)
Alex in Venice (Glenn)
The Bachelor Weekend -Irish comedy (Nathaniel)
Bad Hair -Venezuelan childhood drama (Nathaniel)
Beneath the Harvest Sky (Glenn)
Boulevard -with Robin Williams (Nathaniel)
Bright Days Ahead (Abstew)
The Canal -horror (Jason)
Chef -starry indie from Jon Favreau (Abstew)
Dior and I (Glenn)
Electric Slide -hipster 80s crime drama (Nathaniel)
Every Secret Thing -mystery with Dakota Fanning (Nathaniel)

Extraterrestrial - horror (Jason)
Gabriel - with Rory Culkin (Abstew)
Glass Chin - with Corey Stoll (Diana)
Goodbye To All That (Diana)
In Your Eyes - Joss Whedon online film (Jason)
Indigenous -horror (Jason)
Just Before I Go -Courteney Cox directing (Glenn)
Life Partners (Jason)
Loitering With Intent -starry indie (Nathaniel)
Lucky Them (Abstew)
Mala Mala -drag documentary (Glenn)
Match - with Patrick Stewart (Nathaniel)
Ne Me Quitte Pas (Diana)
Night Moves -from Kelly Reichardt (Glenn)

Jack O'Connell (300: Rise of an Empire, Starred Up, Unbroken) is the next big thing Now: In the Wings of the World Stage -Kevin Spacey & Shakespeare (Abstew)
The One I Love (Glenn)
Preservation (Jason)
Der Samurai -queer horror (Nathaniel)
Something Must Break (Jason)
Starred Up -prison drama (Abstew)
Summer of Blood -hipster horror (Jason)
Third Person (Diana)
Vara: A Blessing -foreign melodrama (Nathaniel)
Venus in Fur -Roman Polanski's adaptation (Glenn)
X/Y (Glenn)
Zero Motivation -Israeli military comedy (Diana) 
Zombeavers -horror (Diana) 

previously in festival coverage:
forty-two films from Sundance
next:  Amir @ Hot Docs / Diana @ Cannes