I, Linkenstein

Big Screen
Artsbeat Alfonso Cuaron talks us through a dizzy-making scene in Gravity
Flick Filosopher "Hollywood, you are 300 movies away from making me want to marry you" The manic pixie dream guy bit is fab. It's so hard to imagine... which is the point. 
Guardian Olivier Hirschbiegel reacts to the terrible reviews to his Diana biopic 

David Poland 22 weeks to Oscar. He correctly sees that there are very few locks but bizarrely thinks Forrest Whitaker is a lock for Best Actor for The Butler
BuzzFeed live action footage (and actors) that helped created The Little Mermaid 
i09 thinks I, Frankenstein might be the most insane movie of 2014
Movie City News asks a great question about Amy Adams in American Hustle 

Small Screen
Salon interviews Adam Scott on his television breakthroughs and his new film A.C.O.D.
i09 Honestly I did not see this coming. Halle Berry, whose big screen career is still going well (consider how much her ermegency call center movie made), will headline the tv series Extant about an astronaut whose baby might be half alien

Look! A new Halloween opening for The Simpsons courtesy of Guillermo del Toro so naturally there's a fair amount of Pan's Labyrinth up in there. Lots of movie referencing but the funniest bit I think is that misanthrope naughtiness of the Alfred Hitchcock cameo via The Birds. 

Finally, can I just say "amen" to this Vulture piece requesting a moratorium on anti-heroes as the leads of television series?  I mean you're not going to top Don Draper, Tony Soprano, Walter White, Carrie Bradshaw (yeah, she was one. deal with it) and Nurse Jackie... so let it die a natural death now instead of death from ubiquity. Mark Harris has also wisely noticed that this trend has now poisoned the broadcast networks without the antidote of the artistry that made this type of protagonist so popular on cable television in the first place.

If the original Frankenstein Monster had looked this good...

Aaron Eckhart in I Frankenstein (2014)

...he wouldn't have had to ask for "frieeeennnd?"

... he wouldn't have had so much trouble finding a Bride.

Reader Spotlight: Andy in Boston

It's Andy !It's "Reader Appreciation Month". So we're talking to a reader a day. Get to know The Film Experience community. Today we're talking to Andy Hoglund a '20something living that rock star life'. He writes for The Inclusive

What's your first movie memory?

ANDY: When I was 4 my dad took me to a screening of Pinocchio. I know I probably had watched movies before then (Mary Poppins on VHS), but this is my first legitimate memory of going to the movies. Sitting in a darkened theater, fully immersed -- there’s really nothing comparable to it, I’d say.

I was infatuated with the Universal Horror monster movies. Dracula, Frankenstein, The Wolf Man. I still remember – at 4 – watching AMC’s 2pm Monster movie every Saturday. It is rumored that I have seen Frankenstein Meets the Wolf Man over 50 times.  I actually once sent Vincent Price a letter when I was in the first grade. He responded back with a signed autograph photo. I still have it hanging in my bedroom along with a picture I drew of him.  Can you imagine a kid who can’t even read knowing who Basil Rathbone and Lionel Atwill is? Or crying because his parents accidentally taped over The Alligator People (underrated Lon Chaney Jr. performance, by the way).

Talk about precocious….

You worked at a movie theater, read movie sites, studied film in college. What was the tipping point for you with movies? 

ANDY:  When I was in grade school, my friends and I formed our own production companies and made movies for the local cable access station. I made short films in high school that almost got me suspended from school – and made me a bona fide legend in the process. No hyperbole. 

So it’s always been a thread that’s followed me through adolescence until today. My college roommate once told me whatever you like to read about online is probably what you should be doing with your life. For me, it’s been about movies. I remember discovering sites like imdb and worldwideboxoffice, then boxofficereport (I see you Daniel Garris), boxofficeguru, and GoldDerby (I still remember Tom O’Neill’s great purge) back when I was 13. The Film Experience is  part of a great wave of Oscar coverage sites I stumbled upon shortly after finding Oscar Watch (now Awards Daily). They fill a real void, offering criticism and analysis of the sorts of things I – growing up – could only wait for EW’s annual Oscar issue to learn about. They are great gateway sites; accessible, but piquing the interest of novices to seek out more in depth material on what makes film great. 

I just love the richness of movies, how collaborative they are. Maybe, at the root of my interest, it’s the storytelling. Who knows?

Who are your three favorite actresses?

ANDY: Favorite? The GOAT? One answer needs saying here… Lori Loughlin. Dscovering "Full House" when I was 6. Life changing. Otherwise, let’s rattle off the usual suspects we all know about, shall we? Michelle Williams, Carey Mulligan and Jessica Chastain are the three greatest ‘Next Generation’ actresses working right now. Some all time favorite performances: Katharine Hepburn in Bringing Up Baby, Joanne Woodward in The Fugitive Kind, Susan Sarandon in Bull Durham. 

Have you ever dressed up as a movie character for Halloween?

ANDY: If this counts, I have spent a good portion of the Halloweens dressing up as some member of the Batman universe, beginning in preschool when I went as the Caped Crusader himself.

Andy at 6 ! Awwww

In the 6th grade I went as Alex from A Clockwork Orange. My classmates and teachers all thought I was a generic gangster. The tipoff is in the white overalls and derby. One year I also went as Butch from Pulp Fiction by wearing an old tan motorcycle jacket of my Dad’s and putting a red ball in my mouth (wattt upp mah fckas).

LOL. So inappropriate. Thanks for chatting, Andy. 

Previous Spotlight

Was Oscar Horrors Your "Frieeeeeeend"?

HAPPY HALLOWEEN !

Here Lies... bits and pieces of thieves and murderers all stitched together to form the Robert DeNiro version of Frankenstein's Monster. 

Yes, we close this year's season of "Oscar Horrors" by celebrating the gruesome Oscar-nominated makeup in...(deep breath)... Columbia Tri-Star Picture's Kenneth Branagh's Mary Shelley's Frankenstein (1994) . So many possessives! And the film, if I remember it correctly, is possessed. Kenneth Branagh has never been a wallflower as a director and his version of Frankenstein has the exuberant gonzo abandon (i.e. shameless confidence) that also characterized his far more artistically successful reincarnation noir Dead Again (1991).

The makeup designs by Daniel Parker, Paul Engelen and Carol Hemming won Oscar's attention but the team lost to a black and white celebration of a more infamous gonzo director, Ed Wood. 

Now. You might be asking "why, Nathaniel, are we looking at shirtless (briefly) buff Kenneth Branagh and his Bride of Frankenstein instead of the Frankenstein Monster?" I may answer. "Have you seen this Frankenstein Monster? He is DIS-GUST-ING. I don't want to look at him anymore." To the make-up teams credit he really does look like bits of thieves and murderers stiched together the skin being different textures, different elasticities, different stages of decay. The stitches look painful and threaded by unsterile instruments. The makeup effects err on the side of gruesome realism. He looks nothing like the traditional Frankenstein monster with a caesar haircut, green skin and bolts in his neck and Branagh even brings him to life in his birthday suit so the makeup team designed borrowed man parts, too; this monster has nuts but no bolts. 

P.S. I also went with Kenneth & Helena photos because other than the Frankenstein experiment (slimy, nude, mad, clumsy -- an original take from Branagh) the only thing I ever remember about this movie is that it marked the end of that most awesome early 90s film couple Kenneth Branagh & Emma Thompson as he threw her over for Helena Bonham-Carter before Helena then left him for Tim Burton... or something like that. Consider this film Helena's "Bridge to Burton". Here in one film she's yanked from her then familiar Victorian doll iconography and lands painfully into the now familiar decayed gothic doll aesthetic.

The Complete Season 2 of Oscar Horrors  
Psycho -Director 
Carrie - Supporting Actress
The Nightmare Before Christmas - Visual FX
The Spiral Staircase - Supporting Actress
Ed Wood- Supporting Actor

Return to Glennescaul - Short Film
Aliens - Visual FX
Jaws - Editing
Hush Hush Sweet Charlotte - Supporting Actress
Phantom of the Paradise -Original Score

Shadow of the Vampire - Supporting Actor
Dogtooth - Foreign Film
Rebecca - Supporting Actress
Monster's Inc - Animated Feature

The Virgin Spring - Foreign Film
Pan's Labyrinth - Art Direction
Them! - Visual Effects
American Werewolf in London -Makeup
Addams Family Values  -Art Direction

Burtonjuice: Thoughts on Frankenweenie (The Original)

BURTONJUICE... on Thursday nights we're looking at Tim Burton films chronologically. Previously we covered his early shorts including the perfect goth calling card in Vincent (1982).

a boy and his dog. til death do they part

As you may have heard Tim Burton is currently rethinking Frankenweenie as a feature film. The Frankenstein story is so familiar as a myth that its ripe for either riffing on and spoofing in. But the short film is so successful at 29 minutes that it's strange to imagine it padded with another hour of footage. I thought I'd type up "things I didn't remember about the original Frankenweenie" but realized that the list would be far far too long as I didn't remember a single thing beyond the premise, that it was in black and white, and that particular boy (Barret Oliver, a major child star in the 80s. What became of him?) and his dead doggie. More after the jump...

Click to read more ...