Stripper of the Day: Gilda

[Editor's Note: While Magic Mike is in theaters we're revisiting memorable stripteases. Here's Jose to talk Gilda.]

When I was thirteen, I found Madonna's SEX on eBay and bought it. Upon its arrival I showed my new prized possession to everyone including my father who for a while seemed enthralled by the Queen. Upon finishing leafing through the book he came over to me and quoted something he'd said to me many times before and it was this:  "I'd rather have a fully clothed Rita Hayworth than a naked Madonna".

I dismissed him. But then a few years later I watched Gilda.

This sexy noir from 1946 has Glenn Ford playing a gambler who perpetuates the classic Hollywood curse that the more you want to run away from someone, the more you'll run into them. His life becomes a living hell when he runs into his ex-lover, the title femme fatale played by Hayworth. The movie mostly concentrates on having them despise and then love each other and along with evil Germans, fake deaths and shocking twists, makes this a truly unmissable event.

However the film is mostly remembered for being Hayworth's pièce de résistance and especially for her outstanding song numbers including her performance of "Put the Blame on Mame"

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Mix Tape: "Put the Blame on Mame" in Gilda

Andreas from Pussy Goes Grrr here, with one of the sultriest musical numbers ever committed to film.

Nightclub acts are scattered throughout the seamy annals of film noir. For starters, you've got Lauren Bacall singing "And Her Tears Flowed Like Wine" at the casino in The Big Sleep, and Veronica Lake putting on a magic act in This Gun for Hire. Live music, cut with equal parts despair and eroticism, is just perfect for noir's postwar underworld. In Gilda, Rita Hayworth outdoes every other noir chanteuse with her unforgettable rendition of "Put the Blame on Mame." It's sexy, sassy, and bundles up the film's themes in a black satin ribbon.

By the time the nightclub performance arrives, though, we've already heard Hayworth rehearsing the song twice. She's humming along to it during her indelible introduction ("Gilda, are you decent?" / "Me?") and later, her paramour-turned-husband Johnny (Glenn Ford) catches her singing it for Uncle Pio, the old washroom attendant. Throughout, the song acts as Gilda's leitmotif, emblematic of her fearsome sexual power. It's a side of her that the jealous, overprotective Johnny doesn't want anyone else to see.

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