The Furniture: Giulietta Masina's House of Spirits

"The Furniture," by Daniel Walber, is a series on Production Design. 

This week we mark the centennial of actress Giulietta Masina, which I consider an opportunity to do something a little different. The Furniture, as you might expect, is rarely a column about performance. I spend a lot of time trying to get screenshots without any actors present at all. Production design often works in support of performance, or in parallel, but rarely are they what you might call intertwined.

In the films of Federico Fellini, Masina’s husband and collaborator, design often threatens to overwhelm or absorb performance. Actors become moving props in his most extravagant productions, rotating like carousel horses around a central figure or two. And these protagonists are often ciphers of style themselves, particularly when they’re played by Marcello Mastroianni.

Not so with 1965's Juliet of the Spirits. Masina is the well from which the entire production springs...

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Giulietta Masina @ 100: Cabiria's perfect ending

by Cláudio Alves

Born 100 years ago in San Giorno di Piano, Giulietta Masina is one of the most indelible faces of Italian cinema. She started her career as a theatre and radio actress but, by the time her husband Federico Fellini made the transition from screenwriter to film director, Masina was ready to follow him on the journey to the big screen. Despite having worked for other such notable auteurs as Rossellini and Wertmüller, Masina's legacy is defined by her husband's pictures. He immortalized her in more ways than one, both creating film monuments to her humanity, and using their marital strife to create many a celluloid drama...

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Fellini @ 100: "La Strada"

A few volunteers from Team Experience are revisiting Federico Fellini classics for his centennial. Here's Mark Brinkerhoff...

My first recollection of watching La Strada is in a class at school as a youth. Oddly though, I neither can recall which class nor at what age exactly I saw it. But Federico Fellini’s 1954 breakthrough is nothing if not a film that sticks with you, like a bracing force which leaves an imprint that lasts.

A masterwork in Italian neorealism, La Strada (“The Road”) is set largely against the backdrop of a traveling circus, centering on a triangle of sorts between a trio of street performers...

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Showbiz History: The Sheik, Never Cry Wolf, Wicked

9 random things that happened on this day (October 30th) in showbiz history

Rudolph Valentino cheekily decides you can't watch him undress in behind the scenes footage about his Sheik movies (he made two of them)1821 Novelist Fyodor Dostoevsky born in Moscow. His work, particularly the Brothers Karamazov and Crime and Punishment, has been adapted to film and television many time.

1921 The Sheik starring Rudolph Valentino premieres, inventing the male movie star sex symbol. The world swoons. Women faint.

1938 Orson Welles radio broadcast of HG Wells "The War of the Worlds" causes mass panic when people are convinced it's real...

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Juliette or Guilietta?

Have you heard that Juliette Lewis will be starring in a film called The Days of Mary (2013?) loosely based on Federico Fellini's Oscar-winning Nights of Cabiria (1957)? It feels like her first lead role in ages so we hope it actually happens.

poll by twiigs.com

It's now in Reno -- practically Rome's twin ! (kidding) -- and Juliette is a girl looking for love in, we presume, the wrong places. Bad things tend to happen in movies where Juliette is entangled romantically: mass murder (NBK), end of times chaos (Strange Days), thumbsucking (Cape Fear) but this project doesn't feel as shocking / sacrilegious when you remember that Nights of Cabiria has already been reimagined once as Sweet Charity (1969) starring Shirley Maclaine.

Okay, wait, we need to remake reboot reimagine that poll now...

poll by twiigs.com

Have you seen Nights of Cabiria and Sweet Charity? If not, get on that, will ya?