Cannes Summary: Woody Allen through Gus Van Sant

Hi All. Robert (author of Distant Relatives) here. As Nathaniel has mentioned, MUBI.com is really the place to go for lots and lots of Cannes reviews. But in case you don't want to sift through lots of reviews or fear leaving the warming embrace of The Film Experience, I thought I'd sum up some of what people are saying about the first few Cannes Films, right here.

Woody Allen's Midnight in Paris opened the festival and while a few viewers are suggesting it's an unnoteworthy truffle, most of the reaction has been positive though not exhuberant. Still, with expectations growing lower and lower for Mr. Allen's releases, it's nice to see that he can still enchant an audience. Seriously, you've never seen the words "charming" and "pleasant" and "whimsical" so much in one place. Here's the MUBI summary.

Sleeping Beauty, the first film by author Julia Leigh is one of a handful of films this year that feels like Cannes attempt to recapture that uncomfortalbe sexual Antichrist buzz. Here, Emily Browning plays a newbie prostitute whose specialty is being drugged and taken advantage of in her sleep. Detractors here seem to be in the slight majority calling the film "cold" and "psychosexual twaddle." But there are still some reviewers who find the film "enthralling" and have high praise for Browning's performance and desire to break free from studio stuff. MUBI summary.

Nathaniel has already touched on We Need to Talk About Kevin and the great notices coming Tilda Swinton's way (Roger Ebert referrs to her in his tweeting as Saint Tilda and I must admit that name is sticking in my brain). It's also nice to see excitement greet a Lynn Ramsay film (whose Ratcatcher and Morvern Callar I assume must have been some of the better DVD discoveries of the past 10 years). Alas the film itself is getting a bit of a mixed reaction. MUBI summary.

Gus Van Sant's teenage romance Restless opened Un Certain Regard and it's hard to ignore the bad reviews piling up. While there are a few nice sentiments, like Mike Goodridge's declaration that it's a "gentle moving hymn to life" most of the agreement seems to be that the film is a "dud" not to mention "intert" or "emo goo." MUBI summary here.

The Festival They Inhabit.

Jose here to announce this year's Cannes Film Festival lineup.

As usual, Cannes will fill the Croisette with names we've heard year after year, but when those names are Pedro Almodóvar, the Dardenne brothers and Lars von Trier, you won't listen to much complains from our side.

This year the official lineup will include the following films:

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Curio: Gus Van Sant, Painter

Alexa here. Lately James Franco has gotten a lot of press for his artistic aspirations, earning multiple degrees while he exhibits his artwork in Berlin, seemingly hosting the Oscars as an afterthought.  So also getting attention is "Unfinished", an exhibition of film and visual art by Franco and Gus Van Sant.  Most of the attention is focused on Franco, and what the show reveals about him. (For the exhibit he reedited footage from My Own Private Idaho, creating a 12-hour-long film titled My Own Private River.)  

But what I find interesting about the show, currently showing at the Gagosian Gallery in Beverly Hills, is seeing what Gus Van Sant is like as a painter. He studied film and painting at RISD, and was there at the same time as David Byrne (apparently urging Byrne to keep singing).  These watercolor portraits of young men, shown alongside Franco's film, obviously recall Mike and Scott from My Own Private Idaho, and share the film's dreamlike, loose, almost gangly quality.

more paintings after the jump...

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My Own Private Franco

In his ongoing hipster efforts to become the gayest straight man of all time, or maybe just the most storied and/or most interesting celebrity of the new millenium, James Franco recently joined  forces with his Milk (2008) auteur Gus Van Sant for another look at the gay hustler drama My Own Private Idaho (1991) starring Keanu Reeves and the late great River Phoenix. They've collaborated on a two film exhibit for the Gagosian called "Unfinished". It opens this saturday so that Franco may completely own the weekend. He's hosting the Oscars on Sunday.

The films are called Endless Idaho, which is 12 hours long featuring unused footage from the film shoot as well as footage shot years before that Van Sant showed Franco during the Milk period, and My Own Private River, which is described like so.

My Own Private River consists largely of shots of Phoenix 's character, Mike, woven into a compelling portrait. Franco describes being mesmerized by Phoenix 's "uninhibited acting" in this unreleased footage, and his edit captures the gifted actor at his most emotionally expressive and physically dynamic. The score is by Michael Stipe, who is an art school drop-out.

If I were in Beverly Hills, I'd gladly take this in. River Phoenix's "Mike" is one of the best performances of the Nineties if you ask me, and he was criminally denied an Oscar nomination (the film was completely snubbed though River did win the Independent Spirit Award). I still vividly remember receiving the news of his death, a shock so sudden and dispiriting for the cinema that I have (gratefully) only ever experienced it's like one other time (Heath Ledger).