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The Film Experience™ was created by Nathaniel R


 Gemini, Cinephile, Actressexual. Also loves cats. All material herein is written and copyrighted by him, unless otherwise noted. twitter | facebook | pinterest | tumblr | letterboxd

 

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Entries in Lars Von Trier (24)

Sunday
Nov302014

Interview: Jennifer Kent on Her "Babadook" Breakthrough and What She Learned From "Dogville"

It's been a banner year for female directors. Two female directors have continually been in the Best Director Oscar discussion, they continue to make inroads in indie cinema (see the Spirit Award first feature and first screenplay citations!) and in many countries outside of the US. And that's not all. The year's most impressive debut stint behind the camera arguably belongs to Jennifer Kent (pictured left) whose controlled, creepy, beautifully designed and acted Australian horror film The Babadook has been winning raves. After a stint on Direct TV it's just hit US theaters, albeit only three of them. May it expand swiftly to unsettle every city.

When I spoke with Ms. Kent over the phone we were experiencing and ungainly time-lag and accidentally talking over one another. A time-lag also happened when I watched her movie the first time; its unique slow build had me more frightened after the movie finished than while I was watching it. It sticks. The tag line is true

You can't get rid of the Babadook.

I mention that I'm pre-ordering the Babadook book as I'm telling this story about how the movie continues to haunt me. "Then you'd better not," she says laughing as we begin our conversation about debut filmmaking, snobber towards horror films, what she learned from Lars von Trier, and the miracles of Essie Davis' lead performance.

 

NATHANIEL: Have you had a lot of weird reactions to the film?

JENNIFER KENT: Yeah, I have. I’ve had the gamut of reactions from people seeking a roller coaster ride with jolts and scares. They've been like  'Ripped off. This isn’t a horror film!' to people like yourself. What’s most surprising to me is -- more than a  couple of people have said ‘I really didn’t like but I saw it again.' Why would you see it again?  And then changing their minds about it. [More...]

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Friday
Sep262014

NYFF: A Swarm of Surrealism

Our coverage of the 2014 New York Film Festival, which opens today, continues - here's Jason with an askance look at some of the unsung heroes of The Wonders and their cinematic precedents...

Earlier this week Glenn wrote up a review of Alice Rohrwacher's really very fine film The Wonders, which I also heartily endorse. I was sitting next to him at the press screening and besides being communally delighted (that sounds dirty but I mean it in the most innocent way possible) by the movie together we squirmed, writhed, and let out little moans of discomfort (alright it sounds dirty again, just bear with me here) when the screen repeatedly filled with bees - so many bees! If I'd given it any thought beforehand I might have skipped the film because despite not having an allergy I am a total melissophobic and watching them crawl on human skin is akin to water torture - you might know me as a horror movie fan, a badge I wear with pride, but nothing will make me cover my eyes and climb backwards in my seat quicker than a plain ol' minding-his-own-business honey-bee. Know the real enemy.

That said there's a surrealistic beauty to ways the bees are shot in The Wonders (there's a reason that the poster uses the imagery), and also another animal in the film (which I won't name since it contributes a nice jolt of WTF), and all this got me thinking about the use of animals as surrealist props. It's got a long, sometimes sordid (think of Jodorowsky blowing up all those poor frogs in The Holy Mountain or the tortoise being slaughtered in Cannibal Holocaust) history - I'm sure there have been plenty of dissertations written on it but what I think it comes down to is the unfathomable interior life of The Beast - we cannot know what is going on behind the eyes of these creatures, and so they will always remain strange, the Other. They're a nice short-cut to Uncanny Land, in other words.

And now, because I agree with Nathaniel that lists are super fun, here are the 5 fun instances of animals being used to inject a little surrealism into a film.

The Giraffe in The Great Beauty

The Escaped Zoo Animals in Twelve Monkeys

The Cat Attack in Let the Right One In

Chaos Reigns: The Fox in Antichrist

The Elephant Funeral in Sante Sangre

---

Name some of your favorites in the comments!

Monday
Jun232014

anything can happen in the woods... ♪ can i link you? 

LA Curbed Character actress extraordinaire Agnes Moorehead's was apparently a wealthy gal. Her former home is going for $19 million. Whoa!
Empire new stills from The Imitation Game which I'm hearing very positive buzz on
HuffPo remembers Batman (1989) with pictures from the original premiere. Such a blast from the past. Remember when Robert Downey Jr and Sarah Jessica Parker were a couple!? Glenn Close looks so young. Anybody know the unnamed woman with Tim Burton?
In Contention Kris Tapley also paid tribute to the film which he says he owes... a lot

Movie Mezzanine Lars von Trier was making movies about "rape culture" before it had a name. Discussion of Dogville & Breaking the Waves
/Film Steven Soderbergh's The Girlfriend Experience (2009) is becoming a TV series. Lodge Kerrigan who made the disturbing indie Clean, Shaven (1993) and the actress Amy Seimetz are writing and directing.
VF Hollywood Katey Rich on Gary Oldman's angry comments defending Mel Gibson and Alec Baldwin's language
Vulture Hollywood's leading men arranged by height with Kevin Hart and Daniel Radcliffe as the tiniest though weirdly they skip the very tallest ones like Hugh Jackman (6'2") and Chris Hemsworth (nearly 6'3") 
Buzzfeed Daniel Radcliffe sorts celebrities into Hogwarts houses. Streep for Gryffindor ("because she's awesome"), Jon Hamm for Hufflepuff, Benedict Cumberbatch for Ravenclaw, etcetera  
In Contention composer Alexandre Desplat to head the Venice Film Festival jury
Sir Ian McKellen he's now "Doctor" Sir Ian McKellen 

Corrections or Damage Control?
Stephen Sondheim has issued a clarifying statement about Into the Woods after all the negative reaction to the changes he said Disney made. Time has passed since he made the comment...

...I had not yet seen a full rough cut of the movie. Coincidentally, I saw it immediately after leaving the meeting and, having now seen it a couple of times, I can happily report that it is not only a faithful adaptation of the show, it is a first-rate movie.

And for those who care, as the teachers did, the Prince's dalliance is still in the movie, and so is "Any Moment."

I'm not sure I trust Sondheim to judge a movie. He also approved damaging changes to the film version of Sweeney Todd and just because you're a genius in one medium, doesn't mean you know what's best or even good in another.

Two Tweets
Yeah, yeah, I'm quoting myself but for those of you who aren't on twitter I'd thought you'd enjoy/relate...

 

 

 

And my favorite Tweet of the day because it's good lolz

 

 

Tuesday
Apr082014

Top Ten: Lars Von Trier's Actors

Jose here with your weekly top ten.

 

Visionary. Lunatic. Nazi. Enfant terrible. Misogynist. Genius. Poseur.

Lars Von Trier is called so many things that we often forget that he's a terrific director of actors. With his strange sense of humor and world views, his films are often as alienating as they are enlightening, but actors seem to die to work for him. He's led three of his actresses to wins at the Cannes Film Festival and has injected new life into the careers of actors like Kirsten Dunst, Willem Dafoe and now Uma Thurman. Whether you're a fan of his films or not, his contributions to directing actors are incomparable. Now that both of his Nymphomaniac volumes are out in theaters (reviewed), it's a great time to look back

Ten Best Performance in Lars von Trier Films
(after the jump)

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Tuesday
Apr082014

Review: Nymphomaniac: Parts I & II

Michael C. here fresh from a four hour romp through Lars von Trier's sexual subconscious. First a review, then a hot shower. Or five.

It’s tough to think of a recent film more resistant to review than Lars von Trier’s Nymphomaniac. Not only to does it vacillate wildly in quality between brilliant and dreadful, but it also feels redundant to review a movie so thoroughly engaged in the act of reviewing itself.  

We are first introduced to Charlotte Gainsborg’s Joe laying beaten and unconscious in an alley. When Stellan Skarsgård’s Seligman picks her up off the ground and gives her a place to rest, she narrates her lifelong saga of sexual exploration to him by way of lengthy explanation for her current state. [More]

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Friday
Mar212014

Posterized: Lars von Trier

Denmark's most important and most self important troublemaker Lars von Trier is back with the two-part Nymphomaniac. Charlotte Gainsbourg stars as the title character and recounts her lifelong sexcapades. Is there really 5 hours of story to tell? Or is it just hard to edit yourself when you're doing something vignette style? And how do we count this in his filmography anyway... as one or two films?

Is it really one film delivered at two separate chunks or two separate films? Not that Von Trier's filmography is easy to parse in the usual way, making posterized a bit more challenging. [more...]

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