The Festival They Inhabit.

Jose here to announce this year's Cannes Film Festival lineup.

As usual, Cannes will fill the Croisette with names we've heard year after year, but when those names are Pedro Almodóvar, the Dardenne brothers and Lars von Trier, you won't listen to much complains from our side.

This year the official lineup will include the following films:

Click to read more ...

Yes, No, Maybe So: "Melancholia"

yes no maybe so ~ in which we determine how we feel about new movies based on their trailers.

Lars von Trier. Those three syllables used to excite me beyond any others in moviedom. I'm not sure where I lost the thread but ever since the brilliant Golden Heart trilogy (Breaking the Waves, The Idiots, Dancer in the Dark), it's been like the air slowly (very slowly) going out though I still find a lot to enjoy, respect and respond to in the films. So how about the wedding set MELANCHOLIA, von Trier's spin on the Apocalyptic Drama.

Yes. First things first, I have been a major believer in Kirsten Dunst as an actress and have been ever since The Virgin Suicides. I think that if she stays focused on her craft andgets the opportunities, two big "ifs", she will continue to surprise and evolve. I'm also delighted that von Trier cast Stellan Skarsgård and Alexander Skarsgård as father and son because that's always a treat in movies when people fictionalize their own realities.

All that and then then Charlottes? I'm in. Von Trier always gives his cast a lot of thematic and character meat to chew on... and then he makes them gag on it.

Is everyone in your family stark raving mad?

No. I don't get what Keifer Sutherland is doing here exactly and sometimes I suspect that Lars von Trier casts in a similar way to Woody Allen where he only vaguely pays attention to Hollywood and then is like "they're popular right now, right? Let's use them" and sometimes there is a lag in awareness or what not. And I do worry a bit about trying to do a Celebration style family drama AND an apocalyptic drama. Too ambitious?

Maybe So. Then again... this collision of genres might be completely fascinating. Von Trier's gift with indelible images -- and they're totally spoiling us with how many there are in this one trailer -- combined with how far he pushes his actors could make this truly special. And not to get all philosophical as we wrap up but should the apocalypse we always fear come, wouldn't it arrive and be experienced in a terrifyingly intimate way with friends and family and our neurotic interior monologues rather than with CGI explosions, a motley cast of strangers and Hollywood bombast?

This is actually the one thing i really loved about M Night Shyamalan's Signs (2002) though I didn't otherwise care for that movie and I never ever ever ever ever thought I'd cover M Night with Lars von, and I feel perverse doing so now. But watching that movie -- at least for the first hour, I thought 'this is how you'd experience something that was affecting the whole world.' It'd be how it hit you at home and what you saw on the news and what you attempted to piece together and how it affected you and your loved ones.

I am resounding "Yes" all told but I'm trying to keep my expectations down in lieu of Antichrist which I was too excited for, heard too much about before seeing it and was only thrilled by it visually.

Melancholia from Zentropa on Vimeo.

So what about you: YES, NO, or MAYBE SO?
Did Antichrist's wicked idea of a horror movie leave you ready for more or do are you hoping this is more in the harrowing Breaking the Waves human vein?

This & That: Working Class Brits, Great Gatsby, Whoopi Goldberg

Advertising Age how Twitter made us care about stupid awards shows again.
Boston Wesley Morris on Oscar snubs and the problem of comedy. It's not serious enough for gold.
Orlando Sentinel really interesting piece about Matt Damon not wanting Steven Soderbegh to retire. Damon still wants to make Liberace with Michael Douglas.

“I’ve talked at length with Steven about it. He is going away for a while, I think. He genuinely wants to paint... But I see it as a waste of this incredible depth of knowledge of filmmaking. But his thing is ‘form. I’m only interested in what I can do with form. I’ve made almost every movie I want to,’ he says. ‘And if I see another over-the-shoulder shot, I’m going to kill myself.’"

Awards Tracker I hadn't read this but Anne Hathaway credits Penélope Cruz's filmography with helping her deal with doing nudity on film. Interesting... though if only she and Jake had lent those magnificent bods to a better movie than Love and Other Drugs.
LA Times Magnolia Pictures bought Lars von Trier's Melancholia. Yay. They did a great job pushing I Am Love last year. Hopefully this will fare better than Antichrist (which IFC bought) which got a ton of press but didn't even crack half a million at the US box office.

Boston Wesley Morris again (sorry, I've become obsessed. I blame Nick.) with a terrific piece on Whoopi Goldberg's reaction to the lack of black talent in the Oscar race and her career since The Color Purple.
BBC British actress Maxine Peake claims class snobbery is at work for Brit actresses. It's something I'd never considered but maybe this will be more clear to British readers? She says

I remember feeling, at drama school, that if you were male and working class you were a bit of a poet, a working class hero. But if you were female, you were just a bit gobby and a bit brassy and common.

Finally, The Hollywood Reporter let's us know that Baz Luhrmann's adaptation of F Scott Fitzgerald's The Great Gatsby will go before the cameras in August in Sydney. Be careful what you wish for people. I am always begging Baz to work again and he chooses an adaptation of my favorite novel that I don't think should be a movie AND he casts three people that I like but that I am not really excited for in these roles AND he shoots it in 3D. Sigh.