🎬 😣 🤳 🙏

by Jason Adams

I fear that in delivering this news I will be able to actually see the liver spots pop up on the tips of my typing fingers and travel with sudden immediacy up my arms -- something like a smaller version of that scene at the end of Indiana Jones and the Last Crusade where the dude turns to a skeleton and dust in ten flat seconds. But throw all the "Old Man Yells At Clouds" memes at me you must, the news that Crawl director Alexandre Aja and producer Steven Spielberg -- who has recently made headlines about the sanctity of the movie-going experience, cough cough -- are teaming up to bring interactive-by-cell-phone "Choose Your Own Adventure" type storytelling to movie theaters makes my thin skin shudder and die...

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Top Ten: Alfred Hitchcock Movies

What are your favourite Hitchcock films? For the Master of Suspense's 120th birthday today, we ought to share them. He's been dead for 39 years but we don't think he'd mind the grave-digging each birthday because his films are immortal.

Mine would go like so:

1. Psycho (1960)
2. Notorious (1946)
3. Rear Window (1954)
4. Vertigo (1958)
   Those are the four that are unthinkably indecently perfect...

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Horror Actressing: Sigourney Weaver in "Copycat"

by Jason Adams

Something I look forward to every single year, Film at Lincoln Center's annual week-long "Scary Movies" series, is hitting here in New York this forthcoming weekend -- check out the entire stellar run of films at this link here. While I'm most excited for Ari Aster's "Director's Cut" of Midsommar, which runs half an hour longer than the one we saw in theaters, they're mixing up showings of brand new flicks and old under-screened classics in ways that really set my toes to tingle. 

In that vein I was tempted to use this week's edition of our "Great Moments in Horror Actressing" series to talk about a performance not very many people have seen yet -- that of Maeve Higgins in Mike Ahern and Enda Loughman's horror-comedy Extra Ordinary, which I saw this past month thanks to the Fantasia Film Festival in Montreal (here's my review) and which is screening this weekend at FLC. Maeve, in her first leading lady role, absolutely shines. 

But we'll save that for when the very funny movie gets a proper release. Especially since FLC is also screening Jon Amiel's terrifically under-valued 1995 serial killer flick Copycat, starring two of our great actresses, Holly Hunter and today's focus-of-post, Sigourney effing Weaver...

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Great Moments in Horror Actressing

by Jason Adams

It's hard not to walk out of Quentin Tarantino's Once Upon a Time... in Hollywood without Sharon Tate on your mind. Whether it's because you thought the film needed more of what Margot Robbie was serving or if like me it's because you thought what Robbie did serve was A+ First Class stuff, the specter of that real woman, rightfully, lords over the entire experience. Sharon Tate only got to make six films before she was murdered, and two of them were horror films -- not an unlikely statistic for any young beautiful actress, but one that's linked itself arm in arm with Tate's fate nonetheless. 

I've never seen her 1967 British occult flick Eye of the Devil, which had her playing a witch opposite David Niven and Deborah Kerr. But I've seen her other horror flick of that same year, Roman Polanski's The Fearless Vampire Killers, more times than I can count, and it's Tate's under-valued performance that I always think of when I think of the film. She's barely in it but she walks away with it -- a pale fire piled in soap bubbles and snow...

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Great Moments in Horror Actressing

by Jason Adams

We had intended to use this week's edition of our new "Great Moments in Horror Actressing" series to celebrate the 40th anniversary of Stuart Rosenberg's The Amityville Horror with an ode to Margot Kidder's performance... but then we re-watched The Amityville Horror, and it is so very much worse than we remembered. Not scary, tedious, with cardboard performances; a mere shadow of that decade's many better horror films. I have no idea how it became a hit, and I felt actively bad for Margot while re-watching it.

So in order to make it up to the actress, let's take a look instead at the crown jewel in her horror crown (give or take a Sisters), her hilarious work five years earlier as the deliciously crusty co-ed Barb in Bob Clark's slasher Black Christmas...

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