Thoughts and Questions about "American Horror Story: My Roanoke Nightmare"

by Eric Blume

Despite five years of shifting locals and time frames and characters, American Horror Story remained essentially the same beast. Season 6 is shaking the formula up but I couldn't be more bewildered.  Here are three general questions. Perhaps we could work out the answers together?

01. What the hell is happening? 
We are meant to be watching a “true crime TV show” but what show like that looks like this?  When re-enactments are made in a show of this nature, they’re never dramatized at length like the extended scenes in My Roanoke Nightmare. Even if we grant them structural leeway...

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The Furniture: A Nightmare in Sleepy Hollow

"The Furniture" our weekly series on Production Design. Here's Daniel Walber...

Sleepy Hollow is an excellent October movie. It has well-placed jack-o-lanterns. Every frame shivers in the autumn chill. Washington Irving’s Hudson Valley falls under perpetually overcast skies, sapping the harvest season of its color. Rather than admire the changing leaves, Tim Burton emphasizes those aspects of fall that foreshadow the bitterness of winter. 

This harsh climate swept up three Oscar nominations, including a win for production design. It’s a testament to Burton’s fanatically specific vision. Location scouting began in Irving’s New York, but the perfect town wasn’t there. It wasn’t in New England, either, nor even in Old England. After all of that searching, the design team ended up building an entire 18th century village from scratch at Leavesden and Shepperton Studios in the UK.

The final product is an expressionistic, spooky riff on colonial life. The credit goes to production designer Rick Heinrichs, whose collaboration with Burton goes as far back as 1982’s Vincent. The set decorations were by Peter Young, who first worked with the director on Batman. Their version of Sleepy Hollow, New York is a clever blend of historical realism and nightmarish fantasy...

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Spooky Season

Trick or treat, trick or treat, give us something to make us shriek! When October rolls around inevitably film studios capitalise on Halloween fever to release a slate of horror movies… and often take the chance to dump them at a “critic-proof” opportunity. Let’s look what’s being carved up for us this October.

Ouija: Origin of Evil – 21 October

Prequel to the 2014 film Ouija that lots of people watched but far less people liked. This time young attractive people in the current era, have been replaced by family with creepy little girl in the 60’s, a far more in vogue horror trope of the moment. Lin Shaye is the only one appearing in both films, who was only added to the original in reshoots, and has curiously become a horror movie icon in the last few years. No reviews are out yet, but considering director Mike Flanagan’s unexpectedly sleeper hit on Netflix Hush kept horror simple but tight, it may fare better than the first. 

Three more Halloween-aimed films after the jump

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The Furniture: The Malevolent Secret Code of The Conjuring 2

"The Furniture" our weekly series on Production Design. Here's Daniel Walber

There are many ways to scare an audience. Music, special effects and editing are combined to surprise the audience with loud, unexpected images of malevolent demons or slashers or whatever. But what about production design? Can you be terrified by a stationary armchair?

The Conjuring 2 holds all the answers. James Wan is an excellent horror craftsman, a director who uses every trick in the book, including the sets and props. Production designer Julie Berghoff and art directors A. Todd Holland and Andrew Rothschild run amok, with the same ferocity as the film's music and editing.

Their first order of business is to exploit some of the genre’s stand-by images. There are a lot of crosses, in this case an entire roomful.

They stand at attention, ready to demonically invert themselves at a moment’s notice. There are smaller crucifixes sprinkled throughout the film, as well as the occasional window lit to resemble a cross... 

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What the hell did I just watch? A festival quartet

Nathaniel R reporting from TIFF. The festival ends today (I expect La La Land to win the coveted People's Choice in this non-juried festival) so I'm about to hit the airport. I'll be scrambling to finish telling you about the cinematic adventures screened from all over the world in the next couple of days -- and yes update the Oscar charts with all this new information -- so we can wrap up. And then NYFF begins!

Here are three films that go completely off the rails and one film that stays perfectly on track though the protagonist goes off it. Each have as many cons as pros so they're mixed experiences, presented in preference order. So click on for Argentinian nudist comedies (NSFW), Anne Heche and Sandra Oh fist-fighting, Greek paraonia, and the latest from A Girl Walks Home At Night's director who has graduated to bigger budgets and famous actors.

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