Beauty Break: April Foolish Costume Design Predictions

by Nathaniel R

Fantastic Beasts won Colleen Atwood her 4th Oscar. Will its sequel give her her 13th nomination?

The original Mary Poppins lost the Costume Design competition. Could Sandy Powell win it for the sequel?

Even if the year's Costume Design prospects weren't so tantalizing we'd be salivating because we love the artform. After a relatively weak previous season, this category has the opportunity to come roaring back for 2018 in a big way. Consider that all four of the Academy's favorite working costume designers (with 43 nominations and 13 wins between them) might be back this year...

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Costume Design ~ April Foolish Oscar Predix

on the set of THE CURRENT WARCutting right to the chase tonight. Here's what I'm predicting for Oscar's Costume Design category in this first round of punditry

• The Current War (Michael Wilkinson)
• The Greatest Showman (Ellen Mirojnick)
• Murder on the Orient Express (Alexandra Byrne)
• Victoria & Abdul (Consolata Boyle)
• Wonderstruck (Sandy Powell)

[Here's the chart]

Sandy Powell is always a good bet of course with 12 past nominations and 3 wins and she'll obviously be having a great time with the dual time frames and actressing of Julianne Moore. The other designers are less regular with the Academy but they've all been nominated with the exception of Ellen Mirojnick. But Mirojnick is no slouch having designed iconic pieces seen in films like Basic Instinct, Showgirls, and recently she won the Emmy for Soderbergh's Liberace biopic Behind the Candelabra. She's got one of the year's (presumably) showiest gigs : Hugh Jackman's PT Barnum musical The Greatest Showman.

Ali Fasal stars opposite Dame Judi Dench in VICTORIA AND ABDUL

But that's just scratching the surface of what will surely be lots of fine threads in the movies this year from many talented designers. After the jump, a Beauty Break of Costume Design possibilities this year...

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Let's Talk Costume Design

Manuel here to talk costume design, one of my favorite Oscar categories. Today’s detour into this category comes courtesy of this very cool “Oscar by the numbers” infographic MTV came up with which makes the bold statement that “Zero” is “the number of oscar nominations for women behind the scenes.” I’m sure they were hoping to point out the absence of women like Gillian Flynn (in Adapted Screenplay) and Ava Duvernay (in Directing) but isn’t it horribly misleading? You don’t have to go far to see Oprah Winfrey & Dede Gardner (Selma), Cathleen Sutherland (Boyhood) and Helen Estabrook (Whiplash) nominated in the Best Picture category, but you’re mostly also ignoring the women nominated in Production Design, Make up and Hairstyling and, of course, Costume Design. Aren’t these women working “behind the scenes”? This last category is to my mathematically challenged mind (and I’d have to double check the shorts categories to be sure), the only one outside of the actress nominations where we see an overabundance of female nominees.

And so, I wanted to highlight the work of the five costume designers nominated this year. If there’s one thing to be said about the increasingly PR-driven world of Oscar campaigning is the careful attention to the crafts categories as showcases for those working “below the line” as one would say. And so here are sketches (with accompanying links of where to read more about these designers and their work) from the five nominated films...

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Threads: Summer garb from "Atonement"

Andrew here, taking up the mantle for newish series “Threads” while Nathaniel's in LA. Each Wednesday we’ll fixate on one specific costume.

This week, to distract from the flurry of snow that some parts of the U.S. might be experiencing let's go summer. To be honest, I'm mostly using this as an excuse to talk about Keira Knightley since 2014 has been a great year for her and she may well hog the red carpet soon. She's probably the best of the cinematic clothes-horses  right now. It helps that three of her most significant characters were dressed by the excellent Jacqueline Durran. Durran does not work as much as Sandy Powell or Colleen Atwood, but when she does she's simply oustanding.

I’m sure when you hear Atonement  and costume design your mind immediately goes that lush green dress. Why wouldn’t it? I remember the majority of the push for Jacqueline's Oscar campaign in 2007 was around that gown. As lovely as it was, though, it's not the costume I find most impressive in Atonement. For that, look to the understated blouse and skirt Cecilia spends the first 15 minutes wearing.

The simplicity and detail is such a great example of Durran’s ability to triumph with the simple just as with the grandiose. It’s such an effective get-up for Cecilia. The large buttons on the skirt and that unusual pocket placement, the blouse that looks thin enough to deal with the heat. The flowers point to the season but they're not too busy or finicky to seem out of place on Cecilia. It's detailed enough to betray her wealth, but not too ornate to make her seem ostentatious. Particularly obsession worthy is the unusual print on the skirt; the designs should clash, but they miraculously don't.

Like everything in Atonement it photographs beautifully. She strips of the outfit soon enough, though, in that fateful fountain meeting. To reveal, beneath it, a matching slip. I've always wondered if the tan coloured slip was a Jacqueline Durran original, too...

Previously on "Threads":
The Book of Life; Snowpiercer

Costume Designers Honor Princess Hathaway & Anna Karenina

The last (I think?) guild has spoken. And they have announced the movies (and tv) that were 'CLOTHED IN IMMENSE POWER'  for 2012. Apologies to Lincoln for stealing their line ...but at least they were nominated!

The evening included Career Achievement Awards to Eduardo Castro a frequent Emmy nominee with shows like "Ugly Betty" and "Once Upon a Time" under his belt and Judianna Makovsky who made waves this past spring with Hunger Games and costumed films as diverse as the original Harry Potter, Seabiscuit, and Reversal of Fortune. There was also a special award, the LACOSTE Spotlight Award to Anne Hathaway because Guilds generally find a way to honor a movie star or famous director during their ceremonies.

Her award seems to be a crystal alligator of some sort and it looks like she's inviting it to eat Russell Crowe's diaphragm in the photos. Hey, anything to stop him from singing at the Oscars on Sunday!

TV WINNERS:

Television Movie/Mini-Series Lou Eyrich for "American Horror Story: Asylum"
Commercial Costume Design Judianna Makovsky for "Captain Morgan Black"

Contemporary Television Molly Maginnis for "Smash" 
Period/Fantasy Television Carolina McCall for "Downton Abbey"
Their series awards are hard to argue with, right? Although "Smash" has an unfair advantage over other contemporary shows in that it can also work in period and fantasy wear without stretching the boundaries of the show.

AND THE FILM PRIZES... 

Contemporary Film Jany Temine for Skyfall
Period Film Jacqueline Durran for Anna Karenina 
Fantasy Film Eiko Ishioka for Mirror Mirror 

...which sets up the Oscar contest in brief.

I've said for some time that I think that Anna Karenina will be winning this statue (the other nominations for the film show some cross-branch interest and, no small matter, the costumes are also beyond gorgeous and memorable). But Mirror Mirror does pose a formidable threat if the Academy is feeling silly and adventurous  (bunny ears on top hats, stilt legs, supersized bows, etcetera) or merely feeling misty about the passing of the great Eiko Ishioka.

Which way do you think it will go? Are you happy with the CDG winners?