by Chris Feil
If it’s time to start assessing this year’s Best Original Song Oscar potential at 2019’s midpoint, we have just been given a hell of a frontrunner in Wild Rose. The film’s buried lede is the participation of one beloved Oscar-winning actress. Guys, Mary Steenburgen is also a songwriter these days, and as Wild Rose’s finale proves, she’s a pretty good one.
Earlier this summer Rocketman arrived already prepackaged for a Broadway iteration by design, and Wild Rose feels similarly ready for the stage translation. The narrative follows all of the hallmarks of the traditional narrative structure for film’s about everyday people with big musical dreams. The film follows young Rose-Lynn, freshly released from prison back to her humble Glasgow home where her wary mother and two children await. She’s a long way from the Nashville she claims as her true home, with even further distance between her dreams of being a famous singer and her reality cleaning houses.
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