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Entries in Jon Favreau (4)

Saturday
Sep192015

Jungle Book Teaser

Manuel here to give you a glimpse into a Disney Live Action Phase 2 teaser trailer.

Yes, Maleficent paved the way ($758 worldwide) and Cinderella was a modest hit ($542 million worldwide), so Disney will continue remaking their own animated classics until… well, until they run out of them I’m sure. Next year brings another one: Jon Favreau’s take on The Jungle Book (not to be confused with Jungle Book: Origins which will come out in 2017 and be directed by Andy Serkis).

You would be easily confused seeing as how this trailer’s most chilling moment comes courtesy of a Planet of the Apes-looking ape...

Click to read more ...

Wednesday
Oct012014

Jon Favreau's Chef to spawn real-life restaurant

Manuel here with some culinary news courtesy of Jon Favreau and his box office hit Chef ($45 million worldwide gross!)  

In a new interview promoting the Blu-Ray release of the film, Favreau mentioned he's toying with the idea of opening up a restaurant inspired by the film. “I love sharing the food with people, so that they could see that food really is as good as it looks,” Favreau told Yahoo movies about the restaurant. “It’s not the wisest business venture, but for me it’s a way to let the movie live on and connect with the fans.” Not since Ratatouille has a foodie movie made me so crave the various dishes in front of me. Favreau's idea of letting the film live on and connect with the fans sounds like the type of menu and drink options that movie theaters like the Alamo Drafthouse (where you can get Death Becomes Her-inspired cocktails tonight over at Yonkers, for example) and the Nitehawk Cinema (where you can get Boyhood inspired queso!) here in NYC have been toying around for a while now. If you've seen the film, you know opening up an El Jefe restaurant seems like a rather no-brainer idea. I mean look at this!
 

Box office smashes associated with large corporations have been doing this for ages; at the Wizarding World of Harry Potter you can have butterbeer at Three Broomsticks, while at Disney World you can finally be their guest at well, Be Our Guest restaurant which opened recently. In all these endeavors the focus has been on the ambience, rarely on the food which is why Favreau's idea might be a more salivating enterprise. It makes me think of all the 2014 indie food tie-ins that could still come to be: wouldn't you love to grab a Mendl's courtesan Au chocolat from A Grand Budapest Pop-Up Patisserie? Or enjoy a chocolate cake at an Under the Skin inspired diner? I would caution anyone trying to open a Snowpiercer entomophagy protein bar stand, though. 

What other movie-themed or inspired restaurants would you like to see come to life? Would you be willing to trek it out to LA to get a taste of Favreau and celebrity chef Roy Choi's venture? 

Monday
Apr282014

Tribeca: An Order of Schmaltz

It's our last day of Tribeca reviews. Here's Abstew on "Chef"

It is definitely a good time to be a foodie. We live in a golden age where an ingenious pastry chef can fuse together a croissant and a doughnut to create the wonder that is the Cronut. (And then make people wait hours in line for the possibility of a taste.) It's a time where celebrity chefs from shows on The Food Network and Cooking Channel are greeted with the same sort of adoration and enthusiasm once reserved for rock stars. Where food-based reality shows like Top Chef and Hell's Kitchen aren't just niche programming but hugely successful phenomenons. So it's surprising that film hasn't entirely caught up with the trend. But writer/director/and actor Jon Favreau aims to correct that with his culinary-set film, Chef. [more...]

Click to read more ...

Thursday
Jun092011

Cinema de Gym: 'Daredevil'

Kurt here. For those of you just tuning in, Cinema de Gym is an experimental series in which I give my two cents on movies that play in an in-house theater at my local gym, where I'm attempting to shed "writer's pounds." Instead of seats, this screening room has treadmills and such, and plays a daily film on a loop. For the first installment, we chatted about Barry Levinson's Bandits. Today, inspired by Nathaniel's "Mutant Week," the subject is Daredevil, the 2003 handicapped-hero flick and the third big comic book movie of the Aughts (following, of course, X-Men and Spider-Man).

This is an easy movie to belittle for a whole mess of reasons. Box office clout be damned, Ben Affleck makes for an unwieldy superhero, especially since he was nowhere near his lean Town physique when this film was shot (directing just literally takes it outta ya, I suppose). That he looked a lot older than 30 at the time certainly didn't help matters, and both age and unwieldiness compounded the secondhand discomfort of that red leather suit, which, frankly, wasn't worth the poor cows' hides.

Then there was the silliness of Colin Farrell's Bullseye who, however well cast, would be one of the first of many counterproductively-comical superbaddies, saddled with meta lines like, "I want a bloody costume."

Farrell as Bullseye, Garner as Elektra

But I hardly count this among the worst of our last decade of superhero cinema, as the subsequent years would give us beauts like Jonah Hex, Fantastic Four: Rise of the Silver Surfer and, oh yes, Elektra. Before the spinoff, I thought Jennifer Garner excelled as Daredevil's sai-wielding vigilantess, balancing sex appeal with girl-next-doorness and fitting much more nicely into her S&M gear than future hubby Ben. She certainly has this movie, not Alias, to thank for her big-screen career.

Moving on, I'm with Roger Ebert in regard to the film's visual f/x, which the uncannily prolific critic championed heartily upon the film's release. In a movie of fickle success, writer/director Mark Steven Johnson – whose own professional fickleness we'll get to in a sec – finds some handsome ways to envision the tricky nature of hero Matt Murdock's powers, which are akin to Sonar in that the blind crime fighter can "see" sound vibrations. Specifically, a scene in which Elektra stands in the rain so Matt can see her face via droplet sound waves is quite purdy, if overtly digital.

Matt Murdock. No relation to Scott Summers.The thing with Cinema de Gym is, I only see 15- to 30-minute snippets of the film in question (depending on the day's endurance level), so I ought to discuss the segment. What I saw of Daredevil was in fact a lot of down time – the slower bits in which Matt chats with his co-worker and Hollywood-prescribed best bud, played by future Iron Man helmer Jon Favreau. Matt, a lawyer, has a built-in taste for justice, but that's not all that interesting. What I liked were curious details about his handicap, like how he folds bills of different denominations in different ways, so as to feel the correct amount. I remembered that part from first viewing, and saw it again in my gym segment.

About Mark Steven Johnson, the guy's got a really odd filmography, penning a grab bag of screenplays and directing a few of them to all-over-the-map results. In the '90s, he wrote the Grumpy Old Men movies, Simon Birch and Jack Frost (the Michael Keaton weepie, not the straight-to-video slasher), then did Daredevil before writing and directing...Ghost Rider and When In Rome.

[Pause] ...whoa.

At a recent party, someone told me he felt Daredevil was the movie that shaped the superhero film as we now know it. I'm not sure about that, but it certainly seems to have been a tipping point for its director.

Conclusions?

1. Ben Affleck is wise to have not returned to comic book cinema (assuming it would have had him back).
2. If nothing else, mediocre superhero movies can lead to loving, lasting Hollywood marriages.
3. Supporting parts in superhero flicks can give actors the comic book director's bug. (Might the long-awaited Wonder Woman be helmed by Thor's Kat Dennings?)
4. I'm suddenly dying to see what Mark Steven Johnson does next, and I imagine he's open to suggestions. The floor is yours, TFE readers.