What I Learned From Paul Rudd (& Other Cool People)

At the premiere of Avengers: Age of UltronThe Film Experience welcomes rising actor David Dastmalchian (Ant-Man, Animals, Prisoners) who has taken over the blog for a day! -Editor

-by David Dastmalchian

The following are some rad people that I had the chance to work with or work near or at least stand across the street from – and the cool stuff that I learned while watching them.    I’ve kind of fashioned my entire life that way: honing in on the people who are really good at what they do and, well, trying to copy-cat them.

PAUL RUDD.  
LESSON: ‘Keep the scene rolling until they yell ‘cut’.  And be nice to everyone. And always carry cash’. 

It’s very intimidating to work on scenes with an actor who can continue to improvise past the text until every single person within a hundred feet is laughing out loud.  I had the opportunity to work with Paul on his upcoming Ant-Man for Marvel Studios directed by Peyton Reed.  Paul had an extreme amount of physical work to do with his preparation, as well as re-writing the project and he was incredibly focused.  He came to work each day prepared to make the most out of the scripted text – while being simultaneously open to improvisation as soon as the director gave him the green light.  It was amazing.  He is an endless well of ideas and he’s also very generous, so he would turn to me sometimes when he was on a riff and toss me a golden line.  I dropped as few as possible.

More Paul and other cool people after the jump...

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Interview: Oscar Nominee Arianne Phillips

It's long been my goal to up the visibility of the craft of costume design here at The Film Experience. So when the W.E. team was making the press rounds, I jumped at the chance to talk with Arianne Phillips, who has long been a designer I admire both for her technical and visual invention and for her uncanny ability to hit the pop cultural bullseye with instantly memorable looks whether she's designing for musicians (including longtime collaborator Madonna) or for actors. Her film career took off with the one-two comic book punch of The Crow (1994) and Tank Girl (1995). And it's continued to fascinate through Hedwig and the Angry Inch and on to her first Oscar nomination for Walk the Line (2005).

Arianne Phillips in front of her W.E. costumes. Photo via Society News

She received her second nomination last month for W.E. (2011) which has an absurd amount of use for her skills. In my mind they really ought to have done away with typical star "billing" and listed Arianna Phillips up top. No disrespect intended to Abbie Cornish and Andrea Riseborough, who lead the picture through its double-sided narrative.

Years before W.E. materialized Phillips has been living her own double-sided career "by design". Arianne speaks with a mixture of confidence, sincerity and appreciated bluntness: she agrees that costume designers don't get enough credit calling it an "a gorllina in the room. It's such an annoyance" but she corrects my slight misunderstanding about her past collaborations with musicians. She freelances as a stylist and editor for print photography, concerts and music videos. She doesn't dress stars for events.

a recent Madonna/Riseborough photoshoot styled by Arianne

I do videos and album covers, mostly narrative based: fantasy, illusion and character. It's very connected to film. You're creating the fantasy of who that person is.
-Arianne Phillips on her second career as a fashion editor and stylist.

Continue for... Madonna, Larry Flynt, Biopic & Concert Tour Challenges

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