More Melanie

This David Poland interview with Melanie Lynskey is fun to watch so soon after her warm and movie-lovin' guest blogging right here. My favorite part is when she talks about being stuck between "leading lady" and "character actors" (3:33) and Nina Arianda fans will be happy to know that she also compares Nina's magnetism to Kate Winslet's way back in Heavenly Creatures in that it was obviously and readily clear that the only life outcome for certain actors is major film stardom.

Later in the interview she also reconfirms that she's a geek for film critics, citing Mary Pols and Glen Kenny ("so grumpy") as two of her many favorites. So, yes, unfortunately we don't have her all to ourselves here at TFE. But scratch "unfortunately" as we don't want her to hide that light under a bushel anyway -- happy to share her with the cinephile world.

Melanie 'Must Be Going'... With A Playlist

Hello everyone! My little guest blogging stint has come to an end.

It has been really fun, and I want to thank Nathaniel from the bottom of my heart for entrusting me with his wonderful blog for a few posts.

"Hello, I Must Be Going" September 7th in theaters!

So, right now I am preparing for a movie that I'm shooting in October, and one of the things I always do to prepare is to create a playlist for my work. It's a collection of songs that will bring up specific feelings for me, or music I think the character would like, or songs that have an energy to them that feels right for the tone of the film. I usually find that while we're shooting, I will start to listen to one song from the playlist kind of obsessively, and that song will be my "theme song" for the movie. 

When I was shooting the strip club scene in Away We Go, I listened to the Band Of Horses song "No-One's Gonna Love You" so many times that it became the number one most played song on my ipod the next day. Doing The Informant! I only listened to music from the soundtracks to 80s movies. "Love Lift Us Up Where We Belong" became my song for that one.  I have also noticed that I kind of do that same thing in my life... my theme song for the summer has been Conor Oberst's "Lenders In The Temple". I just keep going back to it right now. And crying, because it's gorgeous, and heart wrenching. 

the strip scene in "Away We Go"

My favourite thing about this little guest hosting thing has been interacting with all you smart, funny, film lovers in the comments.

So for my last post I would love to hear any and all of your stories about theme songs! Perhaps your life has a theme song right now? Maybe you like to listen to music at work, like I do, to get you in a certain frame of mind? Maybe there is a movie that uses music in a way you have really loved? My two favourite directors soundtrack-wise are Sofia Coppola (I lost my mind when The Cure's "All Cats Are Grey" started playing in Marie Antoinette!!!) and Wes Anderson (Nico in The Royal Tenenbaums comes immediately to mind). Or, we can be negative too! Maybe there's a song you hate that is used all the time in movies? If you have a story, or even just a random thought, I want to hear it.  And ask away in the comments if you want to know what my song was for any particular movie. Thanks for reading everyone and thanks again Nathaniel!!!

Wishing you all good things.

xo, Melanie

[Editor's Note. Thank you again to fine actress Melanie Lynskey for these amazing peaks into her process (here's a playlist to accompany her post), behind the scenes, into her DVD collection, and especially those love letters to and from her favorite talents in the movie industry. Give her a huge round of applause -- she really went all out! -- and go see "Hello, I Must Be Going" on Friday, September 7th when it opens. It's her best performance yet and a too rare opportunity to see her carry a whole film.  -Nathaniel R]

Love Letters Pt. 2: Kathy Najimy, Rosemarie DeWitt, Xander Berkeley

Melanie Lynskey Guest Blogging!

I made a little dream list of people I respect and admire beyond all reason and sent them a little e-mail saying:

I've seen you do work that has made me want to write you a love letter because it's moved me so deeply. Who or what would you like to write a love letter to? What piece of art or artist or feeling has moved you in this way?"

Here are a few amazing responses I got. [PART ONE featured Zachary Quinto, Ahna O'Reilly and More...]

PART TWO

To the beautiful, soul-baring goddess Rosemarie DeWitt "my love letter to you is mostly me obsessing about: Rachel Getting Married OF COURSE BECAUSE I'M IN LOVE WITH IT"

Rosemarie's love letter:

Seeing Mark Rylance in "Jerusalem" is momentarily eclipsing every other performance I've seen or fallen in love with. He made me rethink what was possible as an actor and at the end of that play my body was literally quivering in anticipation of the gods coming. I felt as if I had witnessed some sacred ritual and was blown away by the transformative power of that kind of whole bodied- soul stirring-storytelling. I had long admired him but now my love for his work makes me feel like a 14 year old girl who would hang a poster of him on my bedroom wall. And in fact I have the Playbill cover hanging over my desk. :)
-ROSEMARIE DEWITT 

Sonya Walger and Adam Scott in "Tell Me You Love Me"To the glorious, strong, sexy, and really fucking brave actress Sonya Walger "my love letter to you is mostly me obsessing about: Tell Me You Love Me..."

Sonya's love letter:

I have a strange moment I think of often when I work and it was when I first became aware of this fragile line between life and art and how the best work leaves you not knowing which one you just witnessed. my grandmother was on the board of governers for a school near her house and she would diligently attend all the school plays and fetes and events even though none of her grandchildren/family attended. she took me with her to see the school play of "BUGSY MALONE". I must have been 8 or 9, and the kids peforming must have been maybe 14-15? I couldn't believe what I saw. I was blown away. I'd never seen anything so glamorous, so alive, where everyone was having so much fun. I'd been to plays in London and musicals, but nothing, nothing like this. It was completely transporting and unlike anything I'd ever seen. And at the very end, they all sang the finale, and Bugsy pulled Blousey into his lap and they were all breathless, panting as we stood and applauded, rained applause on them, and he beamed at her and pulled her in and kissed her. quickly, on the mouth, on stage. and I remember feeling so alive in that moment, so completely full of wonder, was that real? was that supposed to happen? is he allowed to kiss her? was that in the script? (although I doubt I knew the word script at that age). I think about it still.

I wonder if those kids remember that production, those kids now in their 40's with wives and children and jobs and mortgages. I wonder if it sparked anything in any of them the way it did in me. i think about it often, strangely, that one tiny moment in a school play. and I still don't know exactly why or what it means, except, that, as I said, it made me feel so alive, so engaged, so curious, so full of wonder for what they had done, pulled off, been swept up in. and more than anything, it made me long, body and soul, to be up there with them too. to be kissed on Bugsy's lap."
-SONYA WALGER 

Gillian Jacobs, Xander Berkeley, Kathy Najimy, and Matt Ross after the jump

Click to read more ...

Love Letters Pt. 1: Zachary Quinto, Ahna O'Reilly, Chris Messina

© Nick Stepowyj[Editor's Note: Melanie Lynskey (Hello I Must Be Going) is guest blogging. We love her. And now there's a lotta love to go around. - Nathaniel R]

After my love letter to Noah Taylor I thought it might be kind of fun to write to some people for The Film Experience and ask THEM who they'd want to write a love letter to. Hopefully this is making some kind of sense. So I made a little dream list of people I respect and admire beyond all reason and I sent them a little e-mail saying:

I've seen you do work that has made me want to write you a love letter because it's moved me so deeply. Who or what would you like to write a love letter to? What piece of art or artist or feeling has moved you in this way?"

Here are a few amazing responses I got from these talented and passionate individuals!

To the magnificent & unique Zachary Quinto "my love letter to you is mostly me obsessing about: Angels In America!"

Zach's love letter:

I remember so vividly the first time i saw IL POSTINO. i was a freshman in college - completely ravenous for creative inspiration - and i found myself alone at one of the only art house movie theaters in pittsburgh at the time. i was so enraptured by the experience. the tenderness and intimacy of the story. the beauty of the landscape. the powerful exploration of love. and in particular the performance of massimo troisi. it stays with me to this day: his subtlety. his vulnerability. his openness. his humor. and as i learned more about the film and the tragedy of its star - my genuine love for the movie blossomed into something that still inspires me any time i think about it. troisi's commitment to this story ultimately cost him his life. he died just twelve hours after the film wrapped - and only days before he was meant to go to london for the heart transplant that likely would have saved him. but his connection to the project (which he also co-wrote) was so absolute and unwavering that - even in the face of his obviously weakened state - he would not back down until it was complete. and you can see it on screen. his passion and investment in the story is one of the most bittersweet manifestations i have encountered. i love that film and i love that performance. and i love the memory of the first time it all washed over me.

-ZACHARY QUINTO

To the incredibly brave & brilliant actor and director Joe Swanberg "my love letter to you is mostly me obsessing about: Nights and Weekends..."

Joe Swanberg and Greta Gerwig in "Nights and Weekends"

Joe's love letter:

My love letter is to Elaine May. She's one of the coolest filmmakers alive and a constant source of inspiration. I watched THE HEARTBREAK KID and the first 20 minutes of ISHTAR about 5 times each this Summer when I was prepping my new film. She's a brave, adventurous filmmaker and it's a shame she didn't make more work, but what exists fills me with love and gets me excited about making my own stuff."
-JOE SWANBERG 

To the best actress I know, the incredible Tina Holmes "my love letter to you is mostly me obsessing about: Six Feet Under..."

Tina's love letter:

There's a scene in the beautiful movie Oslo, August 31st that i can't get out of my head. the movie takes place on the last day of summer. 24 hours in which the main character is struggling to decide whether or not he can bear to go on living. it's sounds so grim, but the movie is filled with life and beauty. anyway the scene that blew me away is where he is watching some friends go for a swim at dawn after a long night's bender. he sits alone and watches them, especially this young beautiful innocent girl he has met that night. the camera stays on his face and he watches in silence and i swear to god you watch him engage with life and hope and then despair and engage and despair and engage and despair and back and forth. all that and i don't think his expression even really changes much. it's haunting. that's when i love acting. when you can see inside someone. it's not even anything they do. i don't even know how it happens really. some people just let you see their soul."
-TINA HOLMES

To the versatile, handsome, showing his heart and constantly working Chris Messina "my love letter to you is mostly me obsessing about: Celeste & Jesse Forever..."

Chris's love letter:

I instantly thought of John Cazale and his performances in all 5 of his films. Each one of them so different and nuanced. Dog Day Afternoon was mind-blowing for me as a kid. To see New York in the 70's, the heat, the anti-establishment "Attica" chant, of course watching Pacino felt at the time like finding god. And John Cazale's silence and intensity is something that I will never forget. I was afraid at any moment that he would start shooting the Employees, and then Sonny, Pacino's character asks him what country he wants to go to when the robbery is over and Sal (Cazale) says "Wyoming" not played for laughs, you instantly see into Sal's heart all his vulnerability and desperation. A complex subtle performance that continues to amaze me each time I revisit it.

What Sidney Lumet did with that story and each and everyone of those actors brought to it... this was a defining moment for me in wanting to be a storyteller."
-CHRIS MESSINA

To the insanely funny, thoughtful director, writer, actor (and also a ridiculously gifted magician), David Wain "my love letter to you is mostly me obsessing about: Wet Hot American Summer (obv); Wanderlust... "

Dear NASHVILLE,  thank you for enveloping me in your glow when I discovered you fifteen years after your release! I left our first (nearly 3 hour) date feeling exhilarated, inspired and spent. You opened my eyes to new possibilities in filmmaking, storytelling, comedy, acting, sound. You resonated with me over the last twenty years, always reminding me to be bold and to trust my voice!"
-DAVID WAIN

To the hilarious and authentic and awesome Natasha Lyonne "my love letter to you is mostly me obsessing about: Slums Of Beverly Hills, you in Night At The Golden Eagle..."

[Natasha didn't get back to me with her finished thing but I thought I'd include the things she was thinking she'd write about because they're amazing choices: ' Think I'd choose susan tyrell in fat city or bob fosse & all that jazz ... or Terrence Stamp or Toby Dammit...]

To the super funny, super sweet, unlike any other person living, the genius Michael Showalter "my love letter to you is mostly me obsessing about: "The Baxter"...

Michael Showalter's letter:

Call me sappy but if I'm gonna write a love letter it's gotta be for romantic comedies, so my love letter is for my favorite rom-com filmmaker Richard Curtis (writer/director of Four Weddings And A Funeral, Notting Hill, Bridget Jones, Love Actually.) His bittersweet world of laughter, loss and love is one that I really enjoy visiting - like your favorite bookstore or coffee shop. Everyone is smart, nice and funny. They are optimistic but not necessarily "happy." They like eating good food, talking at length about their neuroses and wear warm clothing. There's never anyone in a Richard Curtis story that feels "too cool." Nope, they are just people. Friends. Acquaintances. Trying to get by, trying to be good, to be better, fallible, trying to grab at some little piece of joy and sweetness.

To the brilliant and intense and funny and great actor Michael Weston I love everything you've ever done but my love letter to you is mostly me obsessing about: that amazing episode of Six Feet Under where you kidnap David..."

Michael Weston's letter:

You know, there are so many actors and movies and filmmakers who have inspired me... who continue to inspire me. I think I have been really blessed to have a group of friends who are so deeply creative and fun and funny and silly, and I find that they are always my greatest inspiration and what I dwell on in loving revery-time.

But, when I go back to the beginning... where I really felt the power of film and what still makes me laugh because I was so completely moved by it... was the movie "Flash Gordon". I know that's sort of like sitting in some crazy heavenly wine cellar and asking for a bottle of two buck Chuck. But, the truth is, the year was 1980, I was like 7, and that was the moment I wanted to be a part of film. In that finale scene where he's like driving the spaceship and he's about to skewer Ming The Merciless and that awesome music is playing "Flash! Ah-haaahhh! Duhn duhn duhn!". Man... I stood on my seat and f-ing cheered. Literally. I didn't give a hoot who was looking at me because I was so in it. I whooped. And was finally brought back to earth, pulled back into my seat by some kid I was friends with at the time. See, I don't remember who I was with, but, I still find myself, returning to that moment. And I still sing that theme song to myself... and others if they'll listen."

-MICHAEL WESTON 

To the extraordinary, radiant, gorgeous and real Ahna O'Reilly "my love letter to you is mostly me obsessing about: The Help..."

Ahna's letter:

I want to write Sissy Spacek a Love Letter for everything, especially "Coal Miner's Daughter" and "Carrie". I want to be her.

-Tommy Lee Jones/Robert Duvall in "Lonesome Dove", I saw this when I was little and it has meant a lot to me ever since. I think it was the first time I understood chemistry between actors.

-On the topic of things from when I was little: Hitchcock (Almost all of them except "Frenzy" and "Marnie," those were the two sexy ones we weren't allowed to watch); Fred Astaire & Ginger Rodgers ("Barkley's of Broadway" and many others); "The Sound of Music"; Audrey Hepburn ("Roman Holiday", "Sabrina"), Judy Garland ("Meet Me in St Louis", "Easter Parade"). These people and their movies were pretty much all my parents let us watch...ahhh to be sheltered. 

-Timothy Scott, my heart breaks for him even if I only see his face for a fleeting second in a movie (just re-watched "Days of Heaven" and there he was for 3 seconds, and I loved him).

 -The author Tracy Kidder.

-Marion Cotillard in La Vie En Rose. I know this is an obvious one. But I could watch this on a loop, the thought of it makes me cry."
-AHNA O'REILLY 

I'm so grateful to all these amazing people!

-Melanie

P.S. UPDATE: More love letters from Rosemarie DeWitt, Kathy Najimy, etcetera

A Love Letter to Noah Taylor

[Editor's Note: Melanie Lynskey Guest Blogging Continues!]

So, the movie Lawless came out last night. I don't know a whole lot about westerns, but I do know this movie is filled with great actors. Including, one of my absolute, all-time, favourite actors, Noah Taylor.

I remember so clearly the first time I saw Noah Taylor in a movie. I was 16, and I saw the movie Flirting, and that was it. I was in love. I loved his face, I loved the way he walked. I loved his voice and the little lisp in it. I loved the way he looked at Thandie Newton so shyly but so directly at the same time. There was such a lovely, innocent quality to him, but underneath it was something really powerful. He was sexy in a very unexpected way. There's a little edge to him and he's so funny in that movie. I went on a Noah Taylor rampage. I saw The Year My Voice Broke, I saw The Nostradamus Kid. At a certain point I realised that the reason I loved him so much was that there is an incredible vulnerability to him. You feel his soul radiating when he's on screen. He just has to glance sideways and you feel your heart twisting in compassion. There is something in his eyes that made me feel like this person has known and understands life, and love, and suffering, and he's putting it up on this screen with no filter. As the young David Helfgott in Shine, he is like a walking open wound. There is such a sweetness to that performance. But you feel him breaking as the movie goes on... just taking the mistreatment and quietly shifting and trying to adjust himself until he collapses inward. It all happens very subtly, but he really sets up Geoffrey Rush's insanely great performance as the older david.

Over the years Noah Taylor has become a truly great and versatile character actor. Every time I see him on screen, I cannot look away. He's played sweet dads (Charlie and the Chocolate Factory), rock and roll band managers (Almost Famous), and Adolf Hitler (Max) and been utterly believable as every one. He can play comedy (The Life Aquatic) so beautifully; there is a realness to his humour that is so appealing, and that sweet face can be so goofy when he wants to be goofy. But he can easily access a dangerous quality that can set you on edge. I also love the wide range of genres and sizes of movies he's done. He can do a big silly action movie (Tomb Raider) and look like he's having so much fun while also, totally committing (not easy), and then fit right in to something like The Proposition.

Noah in [from top left]: The Year My Voice Broke, Flirting, Shine, He Died with a Falafel in His Hands, The Life Aquatic, and Submarine

Noah Taylor, I love you, and I'm so happy you're in movies.

- Melanie Lynskey

Next: Chain love letter