We Exist
Always up for movie stars headlining music videos. Here's Andrew Garfield in Arcade Fire's "We Exist"
The Film Experience™ was created by Nathaniel R. All material herein is written by our team. (This site is not for profit but for an expression of love for cinema & adjacent artforms.)
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Always up for movie stars headlining music videos. Here's Andrew Garfield in Arcade Fire's "We Exist"
Shadow Play Shirley Temple in Fort Apache
Shoshi Games 2014 HA HA. A must for fans of Zosia Mamet on "Girls" and the Winter Olympics
In Contention Karen O to perform "The Moon Song" at the Oscars. So now all the songs will be represented including...
EW IDINA MENZEL doing "Let It Go" so we got our wish
The Wrap Drake is pissed that PSH's death robbed him of his Rolling Stone cover
Keyframe The fall of Roman Eye Candy in sword and sandal epics
BAFTA last day to vote on the Rising Star award. I chose Lea Seydoux though Lupita Nyong'o was tempting, only because Léa has been great several times already in short succession. Let's hope Lupita gets a fair shot at a big career!
LA Times Gravity dominates the Visual Effects Society awards (as if anything else would have occurred!)
Variety on Disney's very smart hands-off approach to the viral Frozen celebrations happening online
Marvel Comics it's the 50th birthday of the Black Widow today. (Remember how Emily Blunt was going to play her and we were all excited and then it was Scarlett Johansson instead and we were like "ummm..." and then she was terrible in Iron Man 2 but suddenly great in The Avengers. Happy endings!)
Re: This Regurgitated Weekend
Dave Holmes at Vulture wisely (and with great humor) looks back at the box office of 1987 the weekend the original Robocop debuted. I bring this up because this weekend's wide releases are ALL THREE OF THEM 80'S REMAKES: About Last Night (1986), Robocop (1987), and Endless Love (1981). (Has this ever happened before? Probably but if it has please to remind me)
The piece is really funny and also has one of the best lines ever uttered about The Witches of Eastwick:
Cher, Susan Sarandon, and Michelle Pfeiffer — the closest thing to an all-Beyoncé Destiny’s Child we’re ever going to get...
And speaking of the 1980s...
Exit Music
Readers of a certain age already know and love the awesome 80s bad Berlin (so many classics like "The Metro" "Masquerade" "No More Words") but younger movie-mad readers should also familiarize. For somewhat obvious reasons it's oft-forgotten that Terri Nunn, the lead singer was an actress before joining Berlin and was in the running for Princess Leia before George Lucas decided on Carrie Fisher! Berlin's biggest hit was the Oscar-winning Best Original Song "Take My Breath Away" from Top Gun... but they didn't write it so no Oscars for them. Anyway, they have a new record coming out called "Animal" and the lead single's video co-stars my personal favorite RuPaul's Drag Race diva, Raven. Raven loves the 80s -- remember her "I was giving Michelle Pfeiffer Bitch" on the show? She's a perfect fit to face off with Terri!
HELP ME!!!
I've fallen in a YouTube hole of "Let it Go" covers. And really, I have so many more important things to do and articles to write and encroaching deadlines. There are a lot of terrible off-pitch covers all over YouTube though "The Worst" of the covers is obviously Demi Lovato's. Many covers are kind of good but i'm not quite sure about them and there's even a drag version or two one with very hit and miss jokes (but the "the fears that once controlled me" bit in Dixie Lynn Cartwright's is priceless)
But these six I find impressive.
Elizabeth Saw with just the piano and played by ear... which is so cool because it's not exact but the flourishes feel right
Jun Sung Angh with just a violin
And the best vocals I've heard apart from Idina...
Sonnet Son - no mic, editing, no autotuning but very strong
Caleb Hyles has some impressive control of the vocal shifts between his higher register and normal voice
And the best mega-budgeted version is this Africanized Tribal Cover. Seriously someone spent lots of bank. Sets, a huge choir, costume changes.
And finally the best multi-voiced cover from the always delightful Christina Blanco who we've raved about before.
What was your last YouTube bender about?
[Editor's Note: Tonight's guest column comes from Andy Hoglund, previously featured in reader spotlight. Here's his choice for "Entertainer of the Year"]
As we sign off on the final moments of 2013, the same names have repeatedly been uttered as defining this year in entertainment. From Miley twerking, to Kanye’s limitless ability to stimulate conversation, to Sandra's space solo, and so on, they've all had their moments. Overlooked thus far is 2013’s quintessential utility man in pop culture—the equivalent of Chone Figgins (versatile infielder/outfielder who finished 17th in American League MVP balloting in 2005). This all-around talent has worn multiple hats this year in film and music, some of them unsung. Spike Jonze may still not quite be a household name in 2013. He should be.
The deep impact Jonze achieves with a project as ambitious and heart-wrenching as Her should be no surprise. After all, his first feature length film, Being John Malkovich, was a touchstone of one of Hollywood’s most audacious years. Rather than pursue a work schedule along the lines of the prolific Steven Soderbergh, Jonze has released only three films since that impressive debut in 1999.
Somewhere in the past 5 years I lost the thread of popular music -- I can only keep up with so many things and film is obviously my happyplace -- but even when I was firmly ensconced in the music side of pop culture, the Grammys never made much sense to me. Needless to say I'm lost when it comes to the major nominations though I generally listen in or around the top three categories (Album, Song, Record) to see if something pricks my ears. But I digress. Let's talk about the fields that relate to what we do here at The Film Experience. Grammy has categories for everything including prizes for stage, film and television... but since they're on a different timetable than Oscar, it's a mix of 2012 films and new releases mostly The Great Gatsby that could win Grammy gold.