Locarno Diary #3: Phil Tippett, the "Mad God" of special effects

by Elisa Giudici

Being a prestigious European movie festival but not one of the crowded and powerful ones, Locarno is the perfect size to showcase the work of  artisans. Every year there are one or two guests who are legends in peculiar, unseen, less discussed niches of the movie industry. I am confident that meeting Phil Tippett, a legendary special effects creator, animator and supervisor, will be one of the most vivid memories of this edition of the festival.

Before Locarno and the opportunity to meet Tippett, I knew close to nothing about his career other than that he was a collaborator and close friend of Paul Verhoeven's. So much so, he said, that on the set of RoboCop they asked each other, with dry humour, who they were forced to be nice to...

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How Had I Never Seen, 1987 Special: ROBOCOP

By Lynn Lee (with special guest Jeff Chen)

Until recently, I’d never seen RoboCop, Paul Verhoeven’s 1987 sci-fi classic about a viciously murdered cop who’s resurrected as a cyborg supercop.  I was too young to see it when it first came out and didn’t get around to it when I was older, partly because I’d heard it was gruesomely violent.  However, I learned it had passionate fans that included some very astute critics.  Among them is Jeff Chen, former writer for ReelTalk Movie Reviews and a fellow alum of the dearly departed online critics’ group Cinemarati (through which I met both him and TFE’s very own Nathaniel), who ranks RoboCop as his favorite movie.  As part of TFE’s 1987 retrospective, I finally saw RoboCop and invited Jeff to discuss my reactions as a first-time viewer and how the movie has remained in our cultural consciousness for over 30 years.

JEFF: RoboCop is indeed my favorite movie.  A lot of that has to do with timing.  I was already an avid movie watcher as a teenager, but I’d been mostly watching PG or (the new, at the time) PG-13 movies.  I was 15 when I went to my best friend’s house and he put on a VHS copy of RoboCop.  And I was traumatized and exhilarated...

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The Link With Two Brains

• Vulture Kathleen Turner in conversation, dishing on Burt Reynolds, William Hurt, Eileen Atkins and more. I had no idea that she didn't like Elizabeth Taylor! That's insane but Turner is always good for a blurb. So frank and funny. 
• Parade 10 Steve Martin quotes to brighten your day on his birthday
• Variety Ruby Rose is the latest actress to quit her social media after online trolling. This time a bizarre she's not gay enough to play a gay character or some nonsense (even though she's been out for years!). When will the madness end and why do we live in such a mean world?

 

• MNPP the trailer to Gaspar Noe's latest provocation, Climax
• Slate a round up of all the shark jokes people made while reporting on The Meg
• Film School Rejects Netflix's original film slate for the last few months of this year. It's stacked. 
• Variety an update of sorts on that Fan Bingbing rumor we told you about. Is China banning her from acting for 3 years?
• Variety should the Emmys have even more categories? Acting categories too often combine very disparate skills.
• /Film Neill Blomkamp (District 9) is directing a sequel to Robocop, ignoring the other sequels apparently, and he wants Peter Weller to return as star. 
• Variety Instant Family, a comedy starring Rose Byrne and Mark Wahlberg moved up from 2019 to a November bow this year
• i09 Jeff Goldblum jigsaw puzzles!
• Coming Soon Train to Busan, the Korean zombie hit, is getting a sequel 

Exit Video
It's another teaser for Matthew Weiner's new series The Romanoffs. I'm soooo excited for this because I love Weiner AND I have no idea what to expect really even after watching this. Looks like the kind of show that might have instant takes which prove incredibly wrongheaded once you see the show develop. 

Links: Feat. the Totally Awesome 80s

Movie Mezzanine 'History of Film: Best of the Sixties.' They polled lots and lots of film critics including me. And you can see our individual lists. I appear to be the only person who listed West Side Story but some of my other choices are appropriately snooty if you need that.
THR most tweeted tv shows and events. Naturally the Oscars are #1 for specials (Golden Globes in #3 behind the Grammys).  
VF Hollywood celebrates the 25th anniversary of Dead Poets Society (1989) by getting all up in preppy nostalgia

/Film Whaaaaa? The War of the Roses (1989) is getting a sequel. Pity that we can't have Kathleen Turner back but that would be impossible. Unless it's also a supernatural sequel
Serious Film how many of these Eternal Sunshine details have you noticed on your multiple views? 
/bent blog Kyle Turner looks at the roles of mothers in the films of Xavier Dolan
Hero Complex Sigourney Weaver reminisces about her time as Lt. Ellen Ripley in the Aliens franchise
Michigan Live Detroit gets its official RoboCop bronze statue today and RoboCop will also throw the first ball at the Detroit Tigers game tonight.  He's come a long way since his 1987 debut.
Variety The next Woody Allen film (with Joaquin Phoenix - who is really getting around with the auteurs! - and Emma Stone) starts shooting in a couple of months. In Rhode Island. More cast tba very soon.

Stage Door
Can you believe the Tonys are on this weekend? So fast. 
Adam Shankman announces his cast for Hair at the Hollywood Bowl in August. Given the names (Kristen Bell, Benjamin Walker -- yaasss, and various TV stars) I'm guessing they don't do the big 'entire cast gets naked for one song' thing that most productions do.
Boy Culture Crazy story about an audience heckler at a California production of Cat on a Hot Tin Roof unfortunately leads to actors departing the show and bad blood with producers. As a regular theatergoer, I would have applauded the actor who left the stage to handle this. An unruly audience member can really ruin a play.

Today's Watch
And this is unexpected but delightful. Bianca Del Rio, the Queen of Mean, wants to star in a feature film comedy about a teacher who is fired for being gay. For revenge he returns to the school as a mean "lady" and gets hired again. Shades of Tootsie only without the you know, Oscarworthy acting or depth.

But still! As a huge fan of Bianca, I approve of this becoming a movie though in truth I was hoping for a sitcom. I guess I should've dreamed bigger. 

Box Office: Everything Is (Still) Awesome!

Amir here, with the long weekend’s box office report. It was Valentine’s so romantic flicks opened, one of which didn’t do too well financially. But enough about RoboCop! How about that About Last Night? It’s been a few weeks since the last time we were collectively surprised that a “black” film did well at the box office, so let’s go at it again: can you believe that a film with a non-white cast can sell tickets too? Unbelievable, no? It turns out Hollywood doesn’t need to cast white people in every role, not even in all romantic comedies. (Perhaps not coincidentally, the last rom-com to do this well, Think Like a Man, starred three of the actors in this quartet: Kevin Hart, Regina Hall and Michael Ealy.)

oh, wait. that's not right somehow

BOX OFFICE
THE LEGO MOVIE $63.5m (cum. $143.8m)
ABOUT LAST NIGHT $28.5 new
ROBOCOP $25.6m (cum. $30.3m) new
THE MONUMENTS MEN $18m (cum. $46.1m)
ENDLESS LOVE $15m new
RIDE ALONG $10m (cum. $117.4m)
WINTER’S TALE $8.1m new
FROZEN $8m (cum. $378.2m)
LONE SURVIVOR $4.7m (cum. $119m)
THAT AWKWARD MOMENT $3.8 (cum. $21.9m)

The other new release targeted to the lovey-dovey crowd was Endless Love – three 80s remakes in one weekend is a new low for the creatively constipated Hollywood – and according to Box Office Mojo, it nearly broke a record for the absurd title of “the most front-loaded release of all time”; 56% of the film’s gross was pocketed on Friday. The LEGO Movie held on to the throne, though, and after two weeks, is already a major contender for 2014's year-end top ten. I re-watched it and it was even funnier and smarter than I’d remembered --  we already have our first solid contender in the best animated film race. I also watched Blue Jasmine a second time and this one also improved significantly upon a revisit. Later tonight, I’ll be off to see Palestine’s Oscar nominee, Omar. (You can always follow everything I see here on this page.)

What did you watch this weekend?