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The Film Experience™ was created by Nathaniel R. "Like it" on facebook!

 Gemini, Cinephile, Actressexual. Also loves cats. All material herein is written and copyrighted by him, unless otherwise noted. twitter | facebook | pinterest | tumblr | letterboxd

 

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FOXCATCHER & GONE GIRL teasers...

Foxcatcher: Carrell's fake schnoz and affected speaking voice could be VERY problematic over the course of a feature film, but this is a terrific teaser and Tatum in a singlet assuages many other concerns. This is a big yes too.❞ - Roark

 I love that the Gone Girl trailer purposely keeps Amy a mysterious figure throughout -- we just get glimpses. Casting someone like Rosamund was really genius because the character is supposed to feel unfamiliar.❞ -Bia

 


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Entries in Detroit (4)

Sunday
Feb232014

Review: "Elaine Stritch: Shoot Me"

This review originally appeared in my column at Towleroad


I saw Elaine Stritch’s famous one woman Broadway show “At Liberty” in the last days of 2001 a couple of years after moving to New York. I’m not exaggerating when I say that it was nothing short of spiritual ecstasy but then showbiz is my religion and actresses are my only gods. You might then justifiably say that I am predisposed to love the hell out of the new documentary Elaine Stritch: Shoot Me and you’d be right. But I can still tell a peak performance from a Wednesday matinee and the last doc I saw on Stritch, which shared its title with “At Liberty” was significantly less stellar. Shoot Me is a must-see, even if you only know this Broadway legend from her hilarious guest appearances as Jack Donaghy’s impossible mother on 30 Rock

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Sunday
Dec152013

"12" It Is For Detroit (Short Term) & the AAFCA (Years a Slave)

The Detroit Film Critics Society should really grant me honorary membership given that I'm a Motown export. Although, had I never left home I probably wouldn't have ended up where I am today as a *cough* wildly successful internationally reknowned superstar film blogger (shut up) so I won't press the issue. I'm feeling Michigan pride at the moment because the DFCS has given Brie Larson not one but two of their acting prizes for her work in Short Term 12.

Detroit's favorites and more awards hoopla after the jump...

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Wednesday
Dec192012

10 More Critics Prizes: "Argo" & "The Master" Fight For "Zero Dark" Scraps

I haven't done the math but why count with my fingers when The Wrap is a born calculator and reveals that as the critics prizes have shaken down Zero Dark Thirty leads the race with 8 while Argo is in second for Best Picture prizes with half as many triumphs thus far. The Master is the only other film that's managed multiple "Best Film" gongs (3) in this thankfully divided year. Licking the crumbs off the critics awards plate we have Amour, Life of Pi, Lincoln, Silver Linings Playbook and... Safety Not Guaranteed? Well, ok, Indiana! You go your own way.

Zero Dark Thirty, Argo, and The Master are the critics win leaders

Les Misérables is the only film from Oscar's presumed big five that hasn't managed a Best Picture win from a critics group though it's surprising to realize that Lincoln hasn't done much better in terms of taking the top prize. Another casualty is Beasts of the Southern Wild. That gloriously original moving indie has recovered from its first weeks in the precursors where it couldn't win "first film" or "breakthrough performer" prizes with the unexpected strength of How to Survive a Plague and Middle of Nowhere blocking its pathway with critics or at the Gothams respectively. It's won a few things here and there. But I'd argue it's the biggest casualty of the critics weeks since it hasn't managed even one Best Picture win. It deserved and needed them so it's no surprise that it's outsider shot at a Best Picture nomination which once seemed totally doable now looks like a true long shot.

Supporting Actor Disappointments and more after the jump...

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Sunday
Dec162012

Cross Country Critics Champs

To some extent I've lost my taste for covering the critics awards -- at least in depth -- since there are more each year and more which do that coy "nominations first!" thing to try to drum up publicity (it works since the web always needs content... even if the content is the same as the day before as so many of these awards prove!). I'm not trying to be a killjoy -- I'm really not! -- but I guess I have anger issues with my fellow critics since they are all so willing to abandon anything they loved during the year once the year end Oscar movies hit. I challenge everyone to go back and read what critics wrote about Michael Fassbender when Prometheus premiered and then wonder why they can't be bothered with them now... even when they go so far as to announce nominations ?!? Oscar has a bias against genre performances but unfortunately many of the same media voices who complain about this share the same bias in their own year end honors! Someone will have to explain to me how Alan Arkin in Argo and Robert DeNiro in Silver Linings Playbook for example are more exemplary examples of Great Film Acting than Fassy in Prometheus. I'd wait but I fear the wait would be longer than the running time of 25 historical epics combined  since who in their right mind would try and justify this verbally even if they votes say differently?

But look at me flying way off track!

So grumpy, me, I apologize! All that said, this year has had a bit more variety in critical winners than some recent years and I do some love reading awards lists. So let's hit four cities and one multi-city stop after the jump and see what they liked most this week... The results are not uninteresting. MORE

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