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Entries in Locarno (9)

Friday
Aug222025

Review: "Two Seasons, Two Strangers" wins Locarno

by Cláudio Alves

Berlin, Cannes, and Venice are considered the major European film festivals, holding on to a level of world renown rarely afforded to such institutions. While not meaning to question their importance, it's worth noting that they are far from the only celebrations of cinema happening around the Old Continent, nor are they the ones most welcoming to the challenging and the avant-garde. Rotterdam has them beat on that account, not to mention more non-fiction-focused events and, of course, the Locarno Film Festival. With their propensity for honoring cineastes like Pedro Costa, Albert Serra, and Wang Bing, the Swiss fest will always struggle to capture the attention of more conventional-minded cinephiles, but they deserve some love. Indeed, it's about time we counted the Golden Leopard on par with the Bear, the Palme, the Lion. 

This year's victor was announced last weekend, as the festivities drew to a close at Piazza Grande, making Shô Miyake the fifth Japanese filmmaker to take Locarno's highest prize. And after all that talk about audacious artistry, it's worth noting that Two Seasons, Two Strangers is hardly radical. Nevertheless, it makes for a formally rigorous, moving, occasionally humorous look at the toll of loneliness through a graceful feat of mise en abyme…

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Monday
Aug152022

"Rule 34" and "Tengo Suenos Electricos" win big at Locarno

by Nathaniel R

the sexually charged "Rule 34" wins Locarno

Our favourite film festival correspondent, Elisa Giudici, couldn't make it to Locarno this year so we are here to just report on the winners! The top prize went to a sexually provocative drama from Brazil called Rule 34 (only the second Brazilian film to ever win Locarno) while a Costa Rican film called Tengo Suenos Electricos won three prizes from the jury.

Will any of the following titles show up as Oscar submissions for International Feature Film? Who can say. A little bit about each winner after the jump...

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Saturday
Jul092022

Links: Sadie Sink, Kurt Russell, Jean Smart, and "Giant"

Advocate If you're in LA this weekend note that the Fine Arts Theatre in Beverly Hills is showing a restoration of Giant (1956) -- excellent epic with three ridiculously iconic stars (Rock Hudson, Liz Taylor, and James Dean) and meant to be seen on the big screen
Antidote Director Bruce LaBruce interviews Betty Blue herself Béatrice Dalle. Great photoshoot
PrimeTimer all of Jean Smart's Emmy nods, ranked: Hacks, Fargo, Frasier, Watchmen, etc

More after the jump including Kurt Russell's Elvis movie, Sadie Sink on Broadway, and, sadly, more actor deaths to report...

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Thursday
Aug192021

Locarno Diary #5: "Vengeance is Mine, All Others Pay Cash" wins the Golden Leopard

by Elisa Giudici

"Vengeance is Mind, All Others Pay Cash" won the Golden Leopard

I did it. With your help! 

I am always so happy when the winner of something-d'Or at a Festival I attended is a movie I was able to see and review. Sometimes seeing all of the competition entries is next to impossible (though I managed at Cannes this year!) and, festival after festival, I discover it requires a special talent to sense which film you should not miss, no matter what. It's a talent/skill I am trying to develop. This time I was lucky. Not only did I see the Golden Leopard winner Vengeance is Mine, All Others Pay Cash but I scheduled it thanks to a comment I read right here on The Film Experience!  I was not able to attend the first press screenings but because of the hype generated by that comment and a little research among some Locarno connaisseurs I go to for help, I booked a ticket at the very last projection, late at night

After the first scene I knew it was the right choice, even if some major construction sites on my way home meant I wasn't able to sleep until 3 AM. After the credits I wrote this very note on my notebook: "A winner for sure, if the Jury is brave enough". It was!

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Wednesday
Aug182021

Locarno Diary #5: Italian Horror Stories

by Elisa Giudici

I was really curious to see Italian movies selected this year in Locarno, after the change of the artistic director. Italy and this part of Switzerland have strong ties: everyone here speaks Italian. You can drive from Milan to Locarno in a couple of hours, so it is not that surprising that the Swiss Festival has strong connections with Italian movie industry. So why are the Italian movies shown in Locarno almost always a disappointment? (The two worst Italian films I saw in the past decade were both showcased here. ) I have my own little conspiracy theories on this topic but that's for another time.

This year there are three prominent Italian movies in Locarno: one in competition, one in Piazza Grande and one in the Cineasti del presente section (which is reserved for young, promising directors). After seeing Il legionario, I was quite optimistic about the fact the something has changed and the "Italian curse" in Locarno has lifted. Perhaps I was too optimistic...

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