Cinematic Companions: 'Nebraska' and 'The Last Picture Show'

Hello, lovelies. Beau here, finally coming up for air from my last few weeks of undergrad to comment on Alexander Payne's fantastic new feature, Nebraska, and note some uncanny resemblances it has with another particular favorite of mine.

It's not a far stretch to imagine why these two films have been linked to one another so often in various articles and reviews lately. Aside from the obvious aesthetic choices made on the part of the creative team to shoot in black-and-white, the framing of the eerily silent, seemingly deserted locales or the clarity with which both films perceive and study their unique characters, Nebraska and The Last Picture Show both manage to tread a fine line in American cinema of empathizing with their characters without fully submitting to them. 

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Spirit Award Nominations. Discuss!

Oscar Best Picture hopefuls 12 Years a Slave and Nebraska ruled the Spirit Award nominations this afternoon with seven and six nominations respectively. All is Lost was a distant third place with 4 nominations. A bunch of other critical darlings managed 3 or less in a year that seemed to be about spreading the wealth... as least at the nomination stage. (Nominations for Enough Said but NOT Julia Louis-Dreyfuss in it. Hmmm. Best Feature for Frances Ha but only one other nomination? Curious though at least it was for the very deserving editing.

Complete list of nominees is after the jump... 

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Podcast: A Nebraskan Thanksgiving!

Happy Holiday Podcast!

In this week's episode, Nathaniel, Katey and Nick prepare for the impending Thanksgiving dinners by sharing our favorite turkeys (movies) and succulent hams (actors). We answer reader-submitted questions on topics ranging from Jennifer Lawrence's meteoric rise to fame, through Michael Fassbender's decision not to campaign for Oscar and on to confessions about nominated movies and performances we've never seen. Plus: Nathaniel and Katey share celebrity run-ins with Melissa Leo (Prisoners) and Nicole Holofcener (Enough Said)

But we begin by taking a black and white road trip to Best Picture hopeful Nebraska with Alexander Payne as tour guide. (Nick doesn't like the way he drives but Katey and Nathaniel enjoy the view) 

You can listen at the bottom of the post or download it on iTunes. Join in the conversation in the comments.

Nathaniel and Katey (& their friend Rob in the middle) November 2012

We also briefly mention last year's Fox Searchlight Holiday party (as well as this year's) and our friend Rob so I thought I'd include this photo that Katey and I took there a year ago. 

A Nebraskan Thanksgiving

Katniss Sets Box Office Ablaze

Amir here with the weekend's box office report. To the surprise of no one, The Hunger Games: Catching Fire came out on top, edging out not just this week's meagre competition, but also the original Hunger Games. Back then, it was surprising that the YA adaptation could open to more than $150m, but with the book series now even more universally recognized and a leading lady who is threatening to become Hollywood's biggest star, these numbers aren't shocking. Still, to put things in perspective, Catching Fire now has one of the top five best opening weekends of all time, neck and neck with The Dark Knight Rises for the best 2D-only opening.

Batman franchise level openings for Hunger Games

Staggering numbers. The question at this point is whether the film has enough fuel in its tank to beat Iron Man 3 to the year's top spot.

BOX OFFICE
01 THE HUNGER GAMES: CATCHING FIRE $161.1 *new* 
02 THOR: THE DARK WORLD $14.1 (cum. $167.8) Review  
03 THE BEST MAN HOLIDAY  $12.5 (cum. $50.3) Discussion 
04 DELIVERY MAN $8.2 *new* 
05 FREE BIRDS $5.3 (cum. $48.5)
06 LAST VEGAS $4.4  (cum. $53.9)
07 JACKASS PRESENTS: BAD GRANDPA $3.4 (cum. $95.4)
08 GRAVITY $3.3 (cum. $245.5) Many Previous Posts 
09 12 YEARS A SLAVE $2.8 (cum. $29.3) Slavery in Cinema & Previous Discussions
10 DALLAS BUYERS CLUB $2.7 (cum. $6.4) Podcast & Review

The weekend's other debut is the critically dismissed Vince Vaughn joint, Delivery Man, about a man whose countless sperm donations in youth have led to countless children. I haven't seen it but I found Starbuck, the original Quebecois film this is based on, genuinely funny and engaging a couple of years ago at TIFF, where it was the runner up for the People's Choice Award. 

Beyond that, the main talking points are the buzzy Oscar contenders, all present in the top twenty at this point, unless you count Philomena a top contender. Dallas Buyers Club entered the top ten, 12 Years a Slave continues to hold well - am I the only one surprised by this film's success? Nebraska is also doing well (though Alexander Payne's approval ratings with critics continues to baffle me). But I think the real story is that All Is Lost has now reached almost $5 million,  pleasantly strong for a film with virtually no marketing hooks. I wasn't a big fan of the film, but I can't begrudge J.C. Chandor his success. He's an exciting talent.

Aside from Nebraska, I caught up with Terms and Conditions May Apply, which is on Oscar's documentary longlist and is actually really captivating, rewatched the superb Brazilian Oscar submission Neighboring Sounds, and caught up with an Iranian film called When Everybody Was Asleep, which is quite possibly the message-iest of all message-y movies. What did you all see?

Box Office, Best Men, and Bootlegs

Between "Frozen" and "The Best Man Holiday" it's going to be a good year at the Diggs/Menzel householdI live in Harlem where bootleg copies of Tyler Perry movies are priced $2 higher than all other bootlegs. I only tell you this because I was hoping to have some choice 'overheard' tidbit about The Best Man Holiday to share with you, picked up on my street or elevator or some such since I knew it would open big. You can sometimes somehow hear future box office receipts, in the stale air of movie theaters when certain trailers play. But the only movie conversations I've heard on my street lately were about superhero movies (pick a movie, any movie) and, in my lobby, 12 Years a Slave... where three elderly women were complaining about how expensive the tickets were. "When did they raise the price?" I'd say those ladies don't get out to movies much but then I myself am often surprised at the ticket counter. I'm not sure what the algorithym is or the triggers to raise them but it's been happening so often lately I'm beginning to think the trigger is each new Matthew McConaughey movie. He's in another one? alright alright Raise it again, people!

BOX OFFICE BAKER'S DOZEN
01 THOR: THE DARK WORLD $38.4 (cum. $146.9) Review
02 THE BEST MAN HOLIDAY $30.5 *new* 
03 LAST VEGAS $8.8  (cum. $46.9)
04 FREE BIRDS $8.3 (cum. $42.2)
05 JACKASS PRESENTS: BAD GRANDPA $7.6 (cum. $90.2)
06 GRAVITY $6.2 (cum. $240.5) All Posts 
07 ENDER'S GAME $6.2 (cum. $53.7) Posts
08 12 YEARS A SLAVE $4.7 (cum. $24.9) Discussions
09 CAPTAIN PHILLIPS $4.5 (cum. $97.6) Podcast
10 ABOUT TIME $3.4 (cum. $11.5) Review
11 CLOUDY WITH A CHANCE... 2 $1.9 (cum. $113)
12 DALLAS BUYERS CLUB $1.7 (cum. $3.0) Posts
13 ALL IS LOST $0.9 (cum. $4.2) Review & Podcast

The Best Man Holiday came a lot closer to shearing Thor than I expect most expected. And with a budget exactly 10% of Thor's ($17 million vs. $170 million) it's got to be feeling pretty great about itself right now. In limited release, Nebraska opened at 4 theaters on the coasts. The Oscar-baiter won the highest per screen average (for context a better original per screen average than All is Lost or Dallas Buyers Club in their tiny opening weekends but not as good as 12 Years a Slave) but we'll know more about its box office prospects in the next couple of weekends. The last three Alexander Payne movies, buoyed by the chattering Oscar classes, have averaged $72 million in theaters. But can a black and white movie without a Jack Nicholson or a George Clooney at the helm do that well? Time will tell. 

What did you see this weekend?