Oscar History
Film Bitch History
Welcome

The Film Experience™ was created by Nathaniel R. All material herein is written by our team. (This site is not for profit but for an expression of love for cinema & adjacent artforms.)

Follow TFE on Substackd

Powered by Squarespace
Keep TFE Strong

We're looking for 500... no 390 SubscribersIf you read us daily, please be one.  

I ♥ The Film Experience

THANKS IN ADVANCE

What'cha Looking For?
Subscribe

Entries in Nicholas Sparks (1)

Sunday
Apr122015

Box Office Machina Sparks

Scott Eastwood (Son O' Clint) headlines the new Nicholas SparksFurious 7 and Home dominated the charts just like last week and Cinderella logged its fifth consecutive week in the top five -- she's got legs, that girl with in the glass slippers.

The only new wide release The Longest Ride, came in third. It's on the lower end of the nevertheless very consistent scale of Nicholas Spark adaptations. They've never opened below $10 million but average out around $17 million for a first weekend. The Notebook (2004) remains the most successful overall though it also opened in the lower end of the range. So only time will tell how popular the latest one is.

WIDE RELEASE
01 Furious 7 $60.5 new (cum. $252.5) Review
02 Home $19 (cum. $129.5)
03 The Longest Ride $13.5 NEW 
04 Get Hard $8.6 (cum. $71.2)
05 Cinderella $7.2 (cum. $180.7) Review

The point is that Nicholas Sparks is as much of a brand as, say, Marvel movies or Bond pictures. The plots and actors may vary from film to film but you mostly know what you're going to get.

This snarky dismissal made me giggle: 

 

No, I WON'T be seeing the new Nicholas Sparks movie! I expect to see a man hold a lady's face, not simply adjust her hat

A photo posted by Stephen Merchant (@stephenmerchant) on Apr 11, 2015 at 6:40am PDT

 

No, I WON'T be seeing the new Nicholas Sparks movie! I expect to see a man hold a lady's face, not simply adjust her hat

Meanwhile in limited release While We're Young continues to perform for Noah Baumbach despite its initial mixed response with criticss, and Ex Machina, Alex Garland's directorial debut was the biggest movie in limited release with a quarter million despite only 4 screens. The other strongest "per screen average" belonged to the Juliette Binoche/Kristen Stewart duet Clouds of Sils Maria which we'll talk about real soon.

What did you see this weekend?