NYFF '24: "Lázaro at Night" asks what you really want

by Cláudio Alves

Treading the line between documentary and fiction filmmaking, Nicolás Pereda continues his collaboration with the Lagartijas Tiradas al Sol theater collective in his latest film. Lázaro at Night can, at times, feel like an acting exercise spinning out of control yet perpetually low-key, a sort of screwball comedy on a morphine drip. It's the story of three friends in their forties, living in Mexico City, where they pursue work as actors and fall into a peculiar love triangle. In this, Lázaro G. Rodríguez, Luisa Pardo, and Francisco Barreiro are basically playing themselves. Or, at the very least, a fictionalized version of their identities, twisted for the pleasure of Pereda and a film that confounds aplenty but is also captivating in its own odd way…

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The Fault in Our 'TÁR'

by Nathaniel R

Cate Blanchett as "TÁR" © Focus Features

The world famous conductor Lydia Tár is breathing strangely in the wings. As she inhales and exhales forcefully with tiny staccato bursts of her facial muscles, the image of a rock star hopping in place, self-hyping before their concert is conjured. Will Tár's elite audience devolve into a hysterical screaming teenager at the first sight of her?

Conductor as rock star? It's a rare and incredulous notion. Gone are the days of monoculture when a "Maestro" like Leonard Bernstein (emphatically name checked) could become a household name. But in Todd Field's TÁR we believe it, surely in part because one of the most famous movie stars in the world is playing her. In the year of our lord 2022, Cate Blanchett needs no introduction; Lydia Tár is a different story, and her introduction -- an exhausting recitation of her many diverse accomplishments as she turns 50 -- is a doozy...

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Semi-Contrarian Takes on 'Alcarras', 'Bones and All', and 'Triangle of Sadness'

by Nathaniel R

BONES AND ALL © United Artists Releasing

Hello strangers. Yours truly has been moving apartments for the past few days hence the radio silence. But HQ (aka the desktop computer) is now plugged in, wifi connected, and ready to be of use again if the rest of me can similarly recharge. When was the last time you moved? It's a bitch, right? Bone tired and the whole body aches from packing and box lifting and such. Can't wait to talk about The Fabelmans and TÁR but first some quick takes on recent NYFF screenings the last of which (Triangle of Sadness) is just fabulous and now in theaters. Go see it!

BONES AND ALL
The latest flick from Luca Guadagnino (Call Me By Your Name) is an interesting experiment in fusing tender romantic drama with sickening gore...

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NYFF: The elegiac 'Alcarràs' mourns the moment at hand

by Jason Adams

I never got to see my grandfather’s farm. The land was sold off and the barns and the stables were all torn down before I was born, all so a series of electricity transmission towers could be built across the middle of it. When I was a little kid my father and I would visit my grandparents small home perched astride where the farm used to be and my father would walk me out and point up at the towers in a field out behind their house, telling me how those towers stretched across the entire state. He always seemed proud, strangely in awe of them, as if those were our inheritance somehow. And I couldn’t stop thinking about those towers while watching Carla Simón’s melancholy and moving Alcarràs at NYFF this week. 

This film, about peach farmers on the other side of the globe spending one last summer on the precipice of losing their home, land, and farm, seemed to be offering genuine insight into my own family and history...

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NYFF Review: João Pedro Rodrigues’ Will-o’-the-Wisp Gives Wood As Good As It's Got

by Jason Adams

How many wood puns would a reviewer chuck into his review of a movie about wood puns? Admittedly not quite as tight a tongue-twister as the “how much wood would a woodchuck” original, but we work with what we’ve got. And I’ll try to rein myself in when it comes to queer sensualist and provocateur João Pedro Rodrigues’ Will-o’-the-Wisp (aka Fogo-Fátuo) as far as such woody things go, but when he’s got his own characters talking about the trees being “tumescent with sap” I can only be so discreet. But I know when I’ve been beaten, and this wood master already beat me at my own game. Point João once more!

At sixty-seven minutes Will-o’-the-Wisp is as slight as is its central figure, a dazzled Portuguese princeling named Alfredo (Mauro Costa) in an alternate-reality timeline...

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