A Year With Kate: Pat and Mike (1952)

Episode 28 of 52: In which Katharine Hepburn proves hitting like a girl is a good thing.

Guess what! My dad met Katharine Hepburn. Decades before I was born, unfortunately, which seems like poor parenting on his part. Anyway, my dad was a professional tennis player in the early 1970s. Since he looked cute in shorts and was charming company (two traits I inherited from him along with his humility), he’d get invited to parties before tournaments in LA and Las Vegas. At one such party, he met Kate the Great. Dad’s words:

“I recall her as being very petite, wonderful husky voice, would look at you directly when speaking… Like so many actors, actresses etc., incredible charisma… Incredible spunk but not an outstanding athlete... By the then Hollywood standards, she may well have been great.”

Please keep in mind that this meeting was twenty years after Pat and Mike, so it’s possible my dad’s opinion may have been different if he’d seen her play in her prime. And have no doubts, Katharine Hepburn may have been 45 when she picked up a tennis racket and a golf club for Pat and Mike, but she was definitely still in her physical prime. Pat and Mike, Kate and Spencer Tracy's seventh film together, is a showcase for KHep’s mad sports skills.

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A Year with Kate: The African Queen (1951)

Episode 27 of 52: In which Kate goes to Africa with Bogart, Bacall, and Huston, and almost loses her mind. 

When Katharine Hepburn decides to make a change in her career, she does not screw around. Kate’s first film of the 1950s (after a year off doing Shakespeare) was directed by John Huston, was shot in Technicolor by Jack Cardiff on location in Africa, and costarred Humphrey Bogart. When it opened in 1951, The African Queen was a hit, and eventually scored four Academy Award nominations (only Bogie won).

The story of making The African Queen is as incredible as the film itself. Everyone involved almost died at least once. Kate wrote a book on it (add author to her list of accomplishments), and it’s a fantastic read. Relevant to our interests is the fact that Kate got dysentery and dropped 20 pounds, making her already willowy frame even skinnier, a fact that would not be readily guessed from the promotional art:

"One of these things is not like the other..."

Bogie’s got biceps! Kate’s got curves! What the hell? This has got to be my favorite example of misleading poster art, and not just because Kate looks hilariously like Rita Hayworth. This poster displays the conflicting image shift that happened for Kate in the early 1950s. The African Queen is the film that launched the spinster phase of Kate’s career. But though romantic glamor was a thing of the past image-wise, romance--specifically sex--would become even more important. 

One sentence plot summary: A theologian thrillseeker and a half-cocked Canadian captain run a rustbucket boat down a river in the Congo to bomb the German navy in WWI. Sex and danger after the jump.

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A Year with Kate: Adam's Rib (1949)

Episode 26 of 52: In which Tracy and Hepburn's best comedy shows that love, life, and law are a circus.

How are we already halfway through this series? How are we already halfway through this year? 2014 is going by faster than KHep’s dialog in Morning Glory. (See what I did there?) We’ve already covered one debut, an Oscar win, a masterpiece,  a massive failure, an equally massive comeback, cinema chemistry history, racist history, communist history, and some odd miscellany, and we haven’t even gotten to the bulk of Kate’s Oscar nominations yet. Plus, in yet another moment of perfect symmetry, the 26th film is the pinnacle Tracy/Hepburn collaboration and a major milestone in Kate's career: Adam's Rib.

A woebegone wife attempts to shoot her husband when she finds him in the arms of his mistress. It’s the stuff that Law & Order episodes are made of. It’s also the prologue to this Garson Kanin and Ruth Gordon courtroom comedy about two married lawyers (Spencer and Kate) arguing the opposite sides of a criminal case. He’s a law-enforcing Assistant DA, she’s a proto-feminist private attorney, but at the end of the day they’re just “Pinky” to each other. Side note: only Kate and Spencer could use such a saccharine sobriquet as “Pinky” and make it sound alternately endearing and weirdly sexy. Observe:

D'awww. Watch all the way through to see them duck offscreen for some Hays Code-appropriate fooling around at the end of it.

Tearing ourselves away from adorable antics of Adam and Amanda, you would notice that director George Cukor assembled a stellar supporting cast. David Wayne plays the possibly-gay-possibly-predatory neighbor/songwriter, Tom Ewell plays the cheating husband, Jean Hagan plays his mistress, and Judy Holliday plays the weepy wife Doris, a scene-stealing “screen test” role that deservedly landed her the lead in Born Yesterday (and her eventual contentious Oscar win). This is a good cast. And this is a complicated movie.

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Link On

click to embiggenBacklots on "the happiest marriage in Hollywood" William Haines and Jimmy Shields from the golden age
Coming Soon first image & poster from Dracula Untold starring Luke Evans which opens in October. (I always giggle when "untold" is used in titles or taglines for characters that every man woman and child has heard of.
Buzzfeed great article on Nicholas Sparks, The Notebook, and melodrama
VF Hollywood Mary Steenburgen on joining Orange is the New Black for Season 3 (I think she removed this tweet because I can't find it) 
Jezebel is the Justice League movie really only going to have one female character?
The Film Stage That's "Sir" Daniel Day-Lewis to you 
Guardian interesting read on how social media killed the official websites for new movies 
Coming Soon Frank Grillo optimistic about returning in Captain America 3 despite being kind of burned alive in Winter Soldier
Variety Adrien Brody and John Cusack joining Jackie Chan in Dragon Blade, one of the most expensive Chinese movies ever. They do know those two Americans aren't box office draws, right? 

Captain vs. Legos
You know how I was all excited about Captain America: The Winter Soldier (which I love and saw again this weekend on a whim) becoming the #1 of the year last week? Well, it's already been replaced as The Lego Movie reclaimed the title the same weekend it debuted on DVD. Only $4,000 separate their grosses - ha! That's what you call a photo finish. The good captain isn't on DVD until September but he's also only in about 200 theaters and could easily lose the rest of them next weekend. Not that any of this matters since Hunger Games: Mockingjay Pt 1 and Grace of Mona-(kidding!) have yet to arrive and will easily surpass them.

What is Valka's purpose in How To Train Your Dragon 2?

Today's Must Read
Tasha Robinson at The Dissolve on "Losing Strong Female Characters to the Trinity Syndrome". Why is it that even when filmmakers care enough to craft and introduce a fascinating female hero, they always abandon, undermine or reduce her by the third act? Two current examples are dissected: Valka (Cate Blanchett) in How To Train Your Dragon 2 who gets the whole second act (but for what purpose?) and Rita (Emily Blunt) in Edge of Tomorrow

A Year with Kate: Song Of Love (1947)

Episode 24 of 52: In which Katharine Hepburn shows off her talented fingers.

I have the strangest sense of deja vu.  Kate’s stuck in another melodrama about a young artist in love with a tortured composer. The composer is played by another foreign leading man. And I’ve created another set of box office graphs to answer KHep career questions through science. It’s like we never left RKO! I know you have a lot of questions--one being ”are you really going to start calling her KHep?” (Answer: Yes.) But first, let’s talk about the movie.

Song of Love is the highly inaccurate but very sweet story of Clara Wieck Schumann, a piano prodigy who marries tortured genius Robert Schumann (Paul Heinreid). Clara Wieck Schumann really was a piano prodigy, and she really did marry Robert Schumann and pop out babies like a human Pez dispenser. However, basically everything else about the movie is Hollywood fiction, including a second almost-romance with Brahms, played charmingly by Robert Walker (who’d just finished charmingly playing Kate’s son in The Sea of Grass. Accidental incest is awkward). It’s a pity the film glosses over her story, because Clara Wieck was actually incredible.

Channeling her inner Clara, Kate successfully learned to play piano for the role. (The music is dubbed.) When not tickling the ivories, Kate spends a lot of time looking very pretty sitting next to Paul Heinreid, or crying by him, or kissing him. Honestly, Katharine Hepburn and Paul Heinreid have about as much chemistry together as do my rug and my lamp; they look very nice next to each other and they spruce the place up, but barring any faulty wiring, I don’t expect a fire. 

 Still, the music is good and the acting is sweet. Plus, after three movies of men scowling at Kate it’s a relief to watch a guy smile at her again, even if (century-and-a-half-old spoiler alert) it’s before he goes insane and dies in an asylum. Enough about the movie, though. Let’s get to the real drama: the box office.

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