Happy Oscar Morning Trivia!

Did you know that only one other Oscar ceremony has ever been held on a March 2nd? That'd be March 2nd, 1944 which crowned CASABLANCA 1943's best picture. Let's hope Oscar chooses as well tonight.

May your favorites lose tonight ... if they're different than mine! Kisses. 

Though Casablanca is one of those rare pictures that virtually everyone loves, it actually only won three of its eight Oscar nominations that night: Picture, Director (Michael Curtiz), and Screenplay. Only Hitchcock's Rebecca (1940) won fewer Oscars among the Best Pictures of the 1940s with just two statues. So I don't wanna see any online snarking if 12 Years a Slave goes home with only a 2 or 3 statues including the big one. Spreading the wealth is not a new thing and i'd argue it's a healthier thing for the movies, too. 

Jennifer Jones with Ingrid Bergman who she beat to Best Actress 1943Happy Birthday March 2nd Oscar Babies!
• Jennifer Jones (Best Actress winner, The Song of Bernadette 1943)  ...so, yes, she won the Oscar on her twenty-fifth birthday. One assumes that was the happiest of birthdays. 
• Martin Ritt (Best Director nominee for  Hud, 1963)
Today is actually Martin Ritt's centennial so if you've never seen Hud, one of all time greats, get to it. Ritt also directed Best Picture nominee Norma Rae but he was left out of the directing shortlist that year
• Jon Bon Jovi (Best Original Song nominee "Blaze of Glory" from Young Guns II, 1990) 
• John Irving (Best Adapted Screenplay winner, The Cider House Rules, 1999) 

... and future Oscar nominee Daniel Craig just because we love him and saw him first, long before Bond --  Love is the Devil (1998), bitches. Eat it.

IN CASE YOU MISSED IT
Final Oscar Predictions | Zhang Ziyi's Oscar Ballot | Nathaniel's Top Ten | Oscar Charts | FiLM BiTCH AWARDS

PREVIOUSLY IN OUR 21 DAY RANDOM TOPIC OSCAR COUNTDOWN
1 day Kathy Bates * 2 days Final Predix * 3 days Oscar Genie wishes * 4 days Leo & Julia * 5 days John Williams * 6 days Alfonso Cuarón * 7 days AIDS dramas * 8 days  Peter O'Toole * 9 days Twelve Years a Slave * 10 days  Paul Newman * 11 days Bette Midler *  12 days 1934 Best Picture * 13 days Matthew McConaughey and Best Actress 2000 * 14 days All About Eve vs. Titanic *  15 Days Supporting  * 16 days Irene Sharaff, Costume Designer * 17 days Randomness * 18 days Meryl Streep * 19 Days Julianne Moore * 20 days 1993 Oscars * 21 days Billy Wilder

A Year With Kate: Sylvia Scarlett (1936)

Episode 9 of 52 wherein Anne Marie screens all of Katharine Hepburn's films in chronological order

In which Katharine Hepburn looks better in a suit than Cary Grant.

I will never turn down a movie about a lady in a suit. Two reasons: 1) Early exposure to As You Like It and  2) An experimental phase in college film studies during which I flirted heavily with the Hays Code.

What I’m saying is, I was predisposed to love Sylvia Scarlett no matter what. Still, it wasn’t what I expected. Kate in Sylvia Scarlett gets lumped in with Greta Garbo in Queen Christina and Marlene Dietrich in Morocco as a member of the Cinematic Sapphic Sisterhood. But after this week’s viewing, I actually think that’s reductive. Instead, Morocco, Queen Christina and Sylvia Scarlett all deal with different shades of androgyny, sex, and gender.

Too academic a subject? I will include pictures of ladies kissing. I’m unselfish that way. Adjust your tie, fix your lipstick, and we'll start with Morocco.

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Seasons of Bette: Dangerous (1935)

Seasons of Bette. Episode 2. Nomination #1

As a sidebar to Anne Marie's "A Year With Kate" series (which I hope you're all enjoying as much as I am - see why I comissioned it?), I'm investigating each of Bette Davis's Oscar nominated performances as they appear within the Katharine Hepburn timeline. They're the two titan actresses of Old Hollywood so why not pair them even if indirectly? We previously looked at Of Human Bondage (1934) due to its write-in votes at the Oscars but technically-speaking Nomination #1 arrived the following year in Dangerous (1935). 

This second Oscar hopeful is so like the first it's as if someone yelled "Do over! And get the nomination this time." 

Again Bette Davis is pursued by a lanky gentleman and failed artist -- 1934's sap was Gone With the Wind's Leslie Howard and 1935 brings us Mutiny on the Bounty's Franchot Tone. They both do it for me a lot more than they seem to do it for Bette but Tone, and her sexual chemistry with him, is 1935's only added value.

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A Year With Kate: Alice Adams (1935)

Episode 8 of 52 wherein Anne Marie screens all of Katharine Hepburn's films in chronological order

I’ve spent a long time looking at photos of Kate for this blog. It’s not just that she’s beautiful. She just radiates confidence from every perfectly-posed angle. Sometimes, it’s hard to imagine that she could be touched by failure or anxiety. If she’s not relatable, she’s admirable. I’ve certainly idolized her. Earlier I worshipped Kate as Jo March, the success who tomboys aspire to be. But if Jo March - or Kate - is who young girls want to be, Alice Adams is who they so often feel like they are. And as such, Alice Adams is a shock for Hepburn fans...

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Monologue: Kate Hepburn Jabbers Away in "Alice Adams"

It's actually difficult to find speeches for our monologue series which accounts for its haphazard appearance at The Film Experience. With Anne Marie's brilliant chronological "A Year With Kate" hitting the Oscar nominated Alice Adams (1935) in two days time, I thought it was time to revive an old episode of this series.

Screenwriters generally favor single sentence utterances and the ole trusty shot / reverse shot conversation, leaving the bulk of monologue-writing to playwrights. But watching Alice Adams (1935), it's easy to think of virtually every scene as a Katharine Hepburn monologue. Occasionally her co-stars will start a sentence in response but Kate as Alice rarely lets them finish a thought. She spends the whole movie jabbering away as if she's the only character...

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