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Entries in on the set (64)

Monday
Apr182011

Make Way For The Many Angel-Headed Hipsters

JA from MNPP here, with the first couple of pictures from Walter Salles' adaptation of Jack Kerouac's semi-autobiographical classic On the Road. (via) On the right that's Sam Riley as Kerouac stand-in Sal Paradise, with Garrett Hedlund as Neal Cassidy stand-in Dean Moriarty. No look at Kristen Stewart or Kirsten Dunst or Viggo Mortensen, amongst others, yet. Apparently the few people who've seen the film so far are saying the film, and Stewart in particular, as very good. No specific release date's set yet but it should be out before the end of the year.

We just saw Kerouac and Cassidy on-screen last year in Howl, played by Todd Rotundi and Jon Prescott, seen here:

It's a popular time to be a Beat, eh? I wonder why On the Road's finally able to get made after all these years. Does anybody think Mad Men's successful fetishization of the Sixties has anything to do with it?

.

Wednesday
Mar162011

Cover Those Tracks

My best friend recently moved apartments and I got one of his bookshelves in the move so suddenly I'm noticing my old buried movie books again that couldn't fit onto my previous shelving. I used to buy them in the 90s at garage sales or used book stores. This image is from "Life Goes to the Movies." published in 1975. It's basically just a picture book.

Caption:

In Lawrence of Arabia (1962), Peter O'Toole practices crawling to the resuce of a guide trapped in quicksand while two production crewmen stand by to sweep away the dry-run tracks before actual filming.

Never once while watching Lawrence of Arabia have I stopped to think  "damn, that's a lot of sand sweeping during production!" you know? Hee. Movie-making is so magical and mundane. Was that the least epic duty on that epic set? The sweepers undoubtedly had good tans by the end of production.

Thursday
Feb242011

"New Year's Eve" Throws Pfeiffer in the Trash

The headline may be provocative but it's unfortunately (and literally) true. To my great distress veteran director Garry Marshall has decided to throw Michelle Pfeiffer in the garbage in a scene from the all star "comedy" New Year's Eve (2011). Here she is filming in NYC.

Sigh.

Honestly Mr. Marshall, this just seems like asking for trouble. If you make jokes involving movie stars and garbage, aren't you daring the reviews to write themselves? It's not like the star-studded lead-in Valentine's Day (2010) was a critical darling!

And if you're going to cast Michelle Pfeiffer why do you want her drabbed down? I hate it when they make her mousy. She looks better than this just walking around with her husband without a team of makeup artists handy. Mousy Michelle is not what audiences come to see. There better be a makeover moment later in the film.

New Year's Eve, which like its predecessors charts the intertwining lives of several couples and singles throughout a holiday, has a couple dozen stars in it including other big names like Hilary Swank, Julie Andrews, Halle Berry, Sarah Jessica Parker,  some TV biggies (Sofia Vergara, Lea Michele) and many more but apparently La Pfeiff is paired with a bike riding Zac Efron somehow (mother/son? fateful strangers?)

I can't decide whether I should be happy to see her onscreen again on December 9th or dread the very likely probability that she is adding another terrible movie to her weirdly haphazard filmography.

On that note the actress herself has generously demonstrated this How I Feel / How I Wish I Felt conundrum for me.


When thinking about this movie, which look best describes your mood: left or right?

Tuesday
Feb152011

Friendly Neighborhood Spider-Man

With the official fully costumed first release from Sony we know that they're calling the Spider-Man reboot The Amazing Spider-Man (2012).

I love how Spider-Man is always so scrunched up or compressed in photos and drawings when he isn't all stretched out swinging on webs. He only has two physical modes and one of them is the one wherein he seems to be giving himself claustrophobia.

That's a neat photo but I've been totally giggling at the paparazzi shots of the filming. Fight scenes always look so ridiculous in still photos before special efffects and sound effects and score are added. Plus Spider-Man looks less amazing and more, uh, "Friendly" in these photos if you know what I mean.

[set photos from Socialite Life.]

Are you beginning to change your tune on this one with the neat texture and worn details of the costume and the terrific cast or do you think there's still no point?

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