Smackdown '47: Anne, Ethel, Marge, Celeste Holm and noir goddess Gloria Grahame

IT'S HERE! Welcome to the Supporting Actress Smackdown, a summer festival in which we investigate Oscar shortlists from years past. 1947 was a fine cinematic vintage and Oscar made room for a ghostly judge's wife, a countrified mother of 15, a jaded dance hall girl, a single New York City fashion editor, and a righteous rock of a mother in the Supporting Actress race. What's most historically interesting about this particular set is that it's a who's-who of character actress superstars of the 1940s. Get this: all but one of them won this category and received multiple nominations within an eight year span from the mid 40s to the early 50s.

THIS MONTH'S PANELISTS
Here to talk about these five nominated turns and the movies and Oscars of 1947 are, in alphabetical order: critic Angelica Jade Bastién (Vulture), actress Dana Delany (China Beach, Desperate Housewives), lyricist and librettist Thomas Mizer (The Marvelous Mrs Maisel), and actor Patrick Vaill (Broadway's Tony-winning revival of Oklahoma), And, as ever, your host at The Film Experience, Nathaniel R. Let's begin...

1947
SUPPORTING ACTRESS SMACKDOWN + PODCAST  
The companion podcast can be downloaded at the bottom of this article or by visiting the iTunes page...

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Joan Crawford in '47

by Cláudio Alves

After more than a decade as one of MGM's brightest and most formidable stars, the 1940s were a turning point for Joan Crawford. While she struggled to reinvent herself during these middle years of her career, many of the actress's best movies came from this phase. She left behind a series of lackluster offerings from her original studio, finding new power when carefully choosing projects at her new home, Warner Brothers. It wasn't easy, but she triumphed, winning an Oscar for 1945's Mildred Pierce and going on to get two other Best Actress nominations. More importantly, she solidified her legacy, challenged herself as an actress, and proved to everyone she was more than a flapper or talentless glamour girl.

During this period of Crawford's filmography, 1947 was a particularly auspicious year. She broke our hearts in a romantic tragedy, impressed AMPAS with explosive neurosis, and went on to star in one of Hollywood's most interesting post-war melodramas…

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Almost There: Cary Grant in "The Bishop's Wife"

by Cláudio Alves

Movie stars are not like us. Most people look perfectly banal when observed through camera lenses, but the stars are ravishing. When one appears, all eyes go to them, as if their mere presence is a gravitational hold. They are glamourous and awe-inspiring, terminally charming, and even more alluring. Idealized beyond humanity, those icons of the silver screen are the green light for which Jay Gatsby reached.

No matter the other sins of Old Hollywood, they were an exemplary movie star factory. The studios often knew just how to showcase the great stars to maximize their appeal. Or at least the finished product often suggests so. For a fascinating example of all of this look no further than Cary Grant in the 1947 Best Picture-nominee The Bishop's Wife…

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Loretta vs. Roz: A Surprise Best Actress Win

Please welcome first time contributor Baby Clyde, weighing in on 1947, the year we're celebrating this week... 

Rosalind & Loretta, friends and Best Actress rivalsSuch a forgone conclusion was the result of the final award at the 20th Academy Awards, that the audience at the back of the Shrine Auditorium had already started filing out as Frederic March rose to announce the Best Actress winner. They soon stopped in their tracks as a huge gasp swept around the room. No one was more surprised than the previous year’s Best Actor champ who is said to have started reading the name of the expected winner, Rosalind Russell for Mourning Becomes Electra, before stopping and declaring that the awards was, in fact, going to rank outsider Loretta Young for the comedic trifle The Farmers Daughter. The next day noted gossip columnist Hedda Hopper, sitting directly behind her, reported that Russell had already started rising from her seat when Young’s name was called, but styled it out beautifully to lead a standing ovation for her good friend...

Loretta swept up to the stage with all the poise and elegance for which she was famous, wearing a voluminous green gown that would still cause a sensation on any red carpet today...

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Vintage '47: What was going on in showbiz that year?

by Nathaniel R

Let's look at some cultural background on the year 1947 before we reach the new Smackdown event in exactly one week (have you voted yet?). Light entertainments were very popular but Post-War America and by extension Hollywood was feeling a dark undertow and anxiety. Cinema went deep into noir territory (men really didn't know who to trust or what to make of women after they'd becoming working girls during the War and the anxiety definitely showed onscreen) and offscreen things were treacherous. The infamous witchhunt for Communists began in Hollywood, cutting off the careers of many talented actors and filmmakers who wouldn't 'name names', beginning with "The Hollywood Ten". 

Great Big Box Office Hits:
A now long-forgotten picture, Welcome Stranger (reteaming the Oscar-winning stars of Going My Way) was one of the year's very biggest attractions. The best-seller turned rom-com The Egg and I was also a huge success. Other light entertainments that were audience favourites included all star comedies like Life with Father (currently streaming!) and The Bachelor and Bobby Soxer, and the Betty Grable musical Mother Wore Tights. But Oscar drifted towards more serious fare... 

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