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Entries in Pixar (111)

Monday
Nov302015

Review: The Good Dinosaur

Tim here. The Good Dinosaur is, in the first place, a kids' film: not a film about kids but also somewhat for adults, like Inside Out. Or, indeed, most of what Pixar Animation Studios has produced in its 20 years of making features. In fact, even including the unabashed toy commercials of the Cars franchise, this might be the most unmixed "for the kids" movie out of the 16 films of the Pixar canon. This has translated into a lot of disappointment from a lot of people openly hoping for another film at the Inside Out level of emotional sophistication and narrative creativity, which was really never going to be in the cards; frankly, the movie doesn't seem to have any designs on that kind of sophistication.

Still, it's easy to be too harsh on the movie: simple and direct as The Good Dinosaur certainly is, it's an enormously strong version of its stock narrative.

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Thursday
Nov192015

The animated short films Oscar shortlist

Tim here. Today, the Academy announced that it has whittled the initial list of 60 titles eligible for the Best Animated Short Film Oscar down to ten finalists that will go on to compete for the five nominations in January. Like all of you, I imagine, I haven't seen most of these ten, but let's run through them quickly to see what we've got:

Bear Story (Historia de un oso) - Gabriel Osorio, director; Pato Escala, producer (Punkrobot Animation Studio)
This Chilean effort - Cartoon Brew notes that it would be the first Chilean film ever nominated if it makes it - looks to be a toy-esque animal fable done in charmingly plasticky CGI. Trailer

Carface (Autos Portraits) - Claude Cloutier, director (National Film Board of Canada)
A car with, get this, a face, sings "Que Sera, Sera", accompanied by images in thick lines and full color of cars and machines. It never does to count out the NFB, which has one of the most reliable histories of producing terrific animated shorts anywhere in the world. Trailer

The other eight nominees below the jump

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Saturday
Sep262015

NYFF: Shorts (Animated & International)

Part of the joy of film festivals (I’m told) is discovery, and so, this being Manuel's first full New York Film Festival, he figured he’d give its various Shorts Programs a chance.

It’s not a form I watch often though you’d think it’d be growing in popularity given our ever-shrinking attention spans. And with that in mind, rather than review all thirteen shorts I watched, I’ve singled out highlights from the programs screening at the festival, which include Pixar’s latest and a dazzling black and white queer short from Argentina. More...

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Tuesday
Jul142015

Q&A: Friday Nights, Voice Work, Underseen Gems

You asked some questions. I'm finally answering them. You know how this works. Please do chime in in the comments. The whole reason we do the column is for participatory flavor and that includes a pinch of you! Our Question of the Week which is Friday Night Lights themed is, annoyingly, from "Anonny" (how about a name?) so he/she gets to choose our next banner topic! (And how about our current "joy" banner. I put Jessica Lange in it for the first time and no one notices!?)

What is it, a crime? Is it a crime to look at Lange?

Pat Carroll recording UrsulaJAMES: Does the trend now that animated films only use "names" for voice work mean that we'll never see the likes of Pat Carroll again?

That would be among the greatest of cinematic tragedies. Unlike seemingly many TFE readers, though, I don't actually share an interest in voice actors getting Oscar nominations. But as with motion capture and the much discussed pioneering case of Andy Serkis, I do think this is where Oscar is really dropping the ball in terms of never giving out special achievement statues. I can't even remember when the last one was -- was it for Toy Story (1995) before there was the Animated Feature category? Pat Carroll's work as Ursula is the single greatest voice performance in the history of animation. (Team Experience shamefully put her in only 3rd when we took a poll)

The days of specialized voice talent getting prime opportunities like that are gone but there is hope: Pixar uses celebrities sometimes but they don't rely on them exclusively the way Dreamworks and other lesser studios do. And sometimes their "celebrities" aren't exactly household names so they aren't using them for advertising purposes, but because they genuinely love the voice. Wasn't Richard Kind a great choice for "Bing Bong" in Inside Out

DEBORAH: If you could choose one lesser-known movie each from the 70s, 80s, and 90s that everyone should see, what would they be (and why)?

THE ANSWER AND EIGHT MORE QUESTIONS AFTER THE JUMP...

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Wednesday
Jul082015

Sad Wednesday

Feeling blue today. I know there is much to be happy about but some days it just gets to you even if, with a little perspective, you know that your life is kinda all right. Call it The Pixar Depression (and please do click on that link for an illustration).

I was sad to read this morning that The Dissolve has closed shop effective immediately. They had so many good writers, and were kind enough to link us a couple of times. I hope we hear so many of their regular voices elsewhere soon. 

With the Pixar depression caveat in mind, let's just say that running a daily website about the movies is tough work. Though it can be emotionally and intellectually rewarding, it's no easily sustainable road financially... and can also be tough socially and creatively (you don't know what I'd give for a little corporate sponsorship in these parts -- the ability to hire full timers and meet in an office space and brainstorm ideas on a wipe board, and not to have to beg for donations). I sometimes think the movie web is not unlike the current movie business. If you're not on the blockbuster side of things (which for the entertainment web means paparazzi celebrity sites, aggregate list sites, and superhero movie rumor sites) you're only ever going to scrape by if you can scrape by at all. 

THINK HAPPY THOUGHTS IN THE COMMENTS TO CHEER US ALL UP

And today hug a fellow cinephile! The internet brought so many of us together but we are still a rare and precious breed.