Julia, Stone’s Snowden & Pixar’s Sanjay: News Roundup

Mondays, am I right, Julia?

Manuel here trying to catch up with plenty of news from this past week but somehow not feeling many of them, maybe I'm having a case of the Mondays? I wanted to kick the week off with some more Julia news (is everyone replaying that Secret in Their Eyes trailer for that one perfect gif-able moment?) but somehow typing “Roberts signs on to Garry Marshall’s Mothers Day” was enough of a letdown that I stopped typing. I mean, sure, we could joke that we can’t wait to see Julia in Marshall’s next film, MLK Day, but 30 Rock beat us all to it.

So why don’t we instead focus on the moody teaser for Oliver Stone’s Snowden?

Intense, right? That cast list alone (Gordon-Levitt, Woodley, Leo, Quinto, Wilkinson, Ifans) looks wonderful, but then flashes of W. keep haunting me and well, let’s just say it leaves me wanting. Can’t start Monday on that note, now can we?

Trust Pixar (currently making bank but somehow unable to dethrone those genetically modified dinos) to finally give me something to be excited about this morning. After what’s easily their worst (worst, I say!) short film (seriously, guys, I do not lava Lava!) they might be priming themselves for a gorgeous surprise this Thanksgiving. From a description of the short Sanjay’s Super Team set to premiere before The Good Dinosaur this fall:

“The seven-minute short begins with young Sanjay watching cartoons and eating cereal in a bland, beige room as his father jingles a bell, beckoning him to join in meditation. Reluctant and bored by the ceremony, Sanjay begins daydreaming a kind of ancient, Hindu version of The Avengers, with the gods appearing like superheroes. As the daydream progresses, the color, light and animation of the film grows increasingly dazzling and cosmic, and Sanjay grows closer to understanding his father's inner world.”

"Sanjay's Super Team" is directed by Sanjay Patel, a long time animator at Pixar. [image src]

We’d seen some concept art but now we have two gorgeous images and I have to say, I am eagerly awaiting this short probably even more so than the photorealistic dino adventure that will follow it. I mean, look at those big eyes! Those bright colors! Those kickass character designs! 

Are you excited that Pixar seems to be actively trying to redress its diversity problem with characters like Riley, Sadness, Joy, and Sanjay? Are you still trying to forget you ever watched Lava? (If I watch Inside Out in the theaters again, I will definitely be skipping that gender normative sitcom of a short).

Boo-Boo Linky

W Magazine Taraji P. Henson, always fun, talks about getting the acting bug, auditioning for Precious and falling in love with "Cookie" on Empire even though she didn't want to do TV again
AV Club Taraji also has a new leading film role as civil rights activist Ann Atwater who in 1971 had meetings with the Klu Klux Klan leader on reducing violence. 
IndieWire a fun interview with the always amusing Jennifer Coolidge, who hopes to get a wider range of roles. "maybe I should write something"
BBC RIP "Avengers" star Patrick Macnee
Variety John Cameron Mitchell (Hedwig, Rabbit Hole) will be honored at OutFest this year. He needs to stop being honored and start making another movie. 
Empire Aaron Eckhart to star in new thriller shot in real time. It's called Live! Eckhart's one of those actors I root for even though he keeps making movies I don't want to see. (sigh)
Vanity Fair is always trying to make Jennifer Lawrence happen. She already happened of course ;) but they just don't quit with the love fest -- they're already pushing for Oscar #2
New Yorker for any of you rebels who haven't been feeling Inside Out here's a negative review from the always interesting Richard Brody on "the curse of the Pixar universe"
/Film a new Star Trek started filming. Rumored title is Star Trek Beyond

Emmy Voting Ends Today
I know you diehard cinephiles are probably relieved that we won't be talking about TV so much next week but we hope you cinephiles who don't differentiate between screen sizes anymore (there seem to be more and more of you) have enjoyed this experiment. We have to keep experimenting to keep the site alive you know. In case you missed any of our FYCs here's an index of the acting writeups -- we tried to cover as many different series as possible during those --  our final ballots for drama and comedy, as well as guest blogs from Cara Seymour (The Knick) and Ann Dowd (The Leftovers) which we were super proud to host. It was fascinating to hear some of what went in to creating those memorable and surprising religious figures.

Happy Pride Month
THR on today's young male movie stars courting gay audiences. They're  trying to make "Stromo!" happen. But isn't it already called "Hetemo"?
MoMA acquires the original rainbow flag which is now 37 years old. Happy birthday flag. 

Showtune to Go!
And let's combine "Pride" with "Emmy Voting" for the finale. Since neither Jonathan Groff nor Sutton Foster are likely to receive Emmy nods for their terrific work in Looking and Younger respectively, we want them to know that they are loved. And obsessed over. In many places if not on Emmy voter ballots. So here's Jonathan's tribute to Sutton Foster in Anything Goes. It has 283,000+ views on YouTube so at least 190,000 other people besides me have watched it! And yes I've probably shared it before but it bears watching again.

and again. 
and again.
and again. 

Tim's Toons: The Many Tears of Pixar

Tim here. We're just a couple of days from the release of Inside Out, the 15th feature produced by Pixar Animation Studios, and by virtually unanimous consent, a return to the glory days of a company that has spent the last few years in search of its artistic mojo.

It’s a movie about emotions, the personification of Joy, Sadness, Anger, Disgust, and Fear present in the mind of an 11-year-old girl. As befits its topic, virtually unanimous consent is also that it will make you feel lots. And it will make you cry. Lots.

more...

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Inside Out at Cannes: the critics approve

We have a new Pixar film!

Two years after Monsters University failed to actively offend or actively entertain most of the world, the studio's 15th feature, Inside Out premiered out of competition at the Cannes Film Festival today. The consensus of critical opinion is that it's a strong work if not quite among the studio's best. While nobody I've found has tried to compare it to the recent run of not-that-greats including Cars 2 and Brave, it seems fair to assume it's a return to form.

Here's a quick tour of some of the reviews so far, in descending order of enthusiasm:

"...promises to forever change the way people think about the way people think, delivering creative fireworks grounded by a wonderfully relatable family story."
-Peter Debruge, Variety

"This is a humane and heart-wrenchingly beautiful film from Docter; even measured alongside Pixar’s numerous great pictures, it stands out as one of the studio’s very best."
-Robbie Collin, The Telegraph

"It hasn’t anything as genuinely emotionally devastating as Up, or the subtlety and inspired subversion of Monsters Inc. and the Toy Stories which it certainly resembles at various stages. But it is certainly a terrifically likeable, ebullient and seductive piece of entertainment."
-Peter Bradshaw, The Guardian

"It can feel didactic in a way that the let-the-pictures-tell-the-story elegance of "Toy Story" and Docter's own "Up" never did... However, once the gigantic machine is up and running, these issues mostly fall away like booster engines from a space rocket."
-Jessica Kiang, Indiewire

"It’s an audacious concept, and Docter’s imagination, along with those of his numerous collaborators, is adventurous and genially daft enough to put it over."
-Todd McCarthy, The Hollywood Reporter

Those of us stuck hundreds of miles from the Croisette have to wait a while yet to make up our own minds - Inside Out hits the States on June 19. These early reviews have done a mostly good job of calming down the little voice inside my own head that's been terrified that Pixar would be stuck in a gear of high-achieving mediocrity for the rest of time, though "hey, this is a fun and good movie!" isn't quite the overriding level of passion that the studio used to produce from film after film after film.

The Voice Cast in Cannes

Still, it augurs well that, at a minimum, we're going to have a pretty snazzy piece of creative and moving entertainment at this time next month. It's a great feeling to actually be looking forward to a Pixar movie for a change, and not nervously counting down to the release date while praying "please don't suck". "Not one of their all-time masterpieces" will be good enough to get through these last few weeks of waiting!

April Foolish Oscar Discussion: Animated Features

These two specialized categories can be perplexing from the outside, documentaries moreso, as to what is eligible, why it's eligible, and what motivates people to vote as they do. The official eligibility lists don't arrive until later in the year but for now on the new charts we'll add documentary titles as they make some kind of mark and we'll dive right into animated features, which apart from the foreign produced entries, are much easier to track.

Pixar vs Pixar this year?

This upcoming Oscar season, Walt Disney Studios Animation will be out of the mix after two consecutive wins. Their next features Zootopia and Moana, which both look quite promising, aren't due until March and November of 2016. To fill that giant vacuum, Pixar will likely come roaring back after an uncharacteristic absence last year with two titles Inside Out and The Good Dinosaur. 

But the contest that's most curious might not be a contest... at least in terms of Oscar. We have two features that are trading on collective international nostalgia for 2D classic properties: The Little Prince and Peanuts Movie. But they're both getting the CG or mixed media approach. That's not so odd since contemporary cinema loves to regurgitate and "update" (shudder) but what's unusual is that both films are clearly trying to mix the endearing flat linework and visual style of these beloved gems into newly three dimensional worlds. A safe bet: these films, particularly The Little Prince which looks "schizophrenic", will be divisive. 

Check out the charts! Which of these films are you most curious about and do you agree with the April Foolish guesswork?