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Entries in Pixar (110)

Friday
Oct032014

Linkside Out

All the news stories we didn't get to and/or articles we like with a wee slant toward the stage this morning... itching to see a show again.

Guardian on the homophobic charges against the MPAA. That über obnoxious organization has struck again. Pride is the second gay movie this year without sex scenes or nudity to be slapped with an R rating.
/Film The Twilight Saga may well be back after some short films. When I first heard this news I groaned and rolled my eyes but then I read the plan and it's sort of a support young female filmmakers thing so it sounds kind of cool, actually. Pit that Twilight is so obnoxious 
The Playlist ranks all 35 of David Fincher's music videos. I used to be so obsessed with him because of Madonna. It's possible that I already linked this? I don't know. But their rankings are fairly good.


Vulture says it's been an amazing year for animation. We just haven't realized it yet. It's all those hard to find foreign toons, it is
Rope of Silicon is doing a Best Movies series and looks back at David Fincher's Se7en. That would probably be on my 100 movies list, too
Cinephilia and Beyond looks at Bob Fosse's masterpiece (one of 'em) All That Jazz
My New Plaid Pants bookmarked! Jason tells us about a Montgomery Clift documentary that I didn't even know about
Variety Jane Fonda and Viola Davis are charitable people. They look great together at an annual Rape Foundation brunch

Netflix, the Disrupter
New York Times on the Crouching Tiger sequel Netflix / IMAX deal
CHUD Netflix going into the business of Adam Sandler movies 
Variety wonders what Netflix's motives our with their recent feature film announcements 

Imelda Staunton rehearsing. Photo by Johan PerrsonOn Stage and Film Interest
Broadway World Imelda Staunton is in theaters now in Pride (and she's delightful in it) but she's also returning to the stage. She's in rehearsals for that mammoth role of Mama Rose in a London production of Gypsy. See photo left. 
The Hairpin wonderful personal essay on seeing Lindsay Lohan's stage debut in Speed the Plow
NYC Theater Interesting. The Laura Pels Theater on 46th street will be doing a stripped down production of Into the Woods while the movie plays in theaters. December 18th through March 2015
Theater Mania Audra McDonald might do a film musical!!! She's rumored to be involved in the stage to screen transfer of Michael John Lachiusa's Hello Again. If only someone would push his Wild Party musical to the screen
Playbill Ewan MacGregor and Maggie Gyllenhaal just made their Broadway debuts in The Real Thing 
Variety Normally movies that become stage musicals are semi-recent hits. But next Spring Broadway will get Doctor Zhivago, once a super-sized smash movie hit from 1965. The song score combines talent from two fine musicals (The Secret Garden and Grey Gardens) so I'm excited.
Theater Mania David Burtka (NPH's other half) will be doing a cabaret show at my favorite cabaret spot directed by Neil Patrick Harris. I imagine this is the type of thing that people will judge harshly just hearing about it like "connections!" but I've seen Burtka in two stage productions and he's very talented

Three hot & short exit videos to wrap

1. We'll start with the best one. Making a Marie Antoinette style dress out of Sofia Coppolla's Marie Antoinette script. Love this.

2. Here's the first teaser for Inside Out, Pixar's 2015 release. And Pixar would like to remind you that they made it and that they made all those other movies you love to. BTW they were made by Pixar and did I mention that Pixar made this?

 

3. Inherent Vice's trailer which you've probably seen. We would have done a Yes No Maybe So on this one except that the New York Film Festival is in full swing which will render it immediately disposable since there'll be a review this weekend. The voiceover in this trailer reminds me of Annaleigh Ashford (from Masters of Sex) but she's not in the movie. I wonder who the voice belongs to?

Friday
May022014

First Round Oscar Predix: Animated Feature

The first chart is up and we're starting with the toons since they're the easiest to tackle given a limited slate of contenders. Not that "easy" is a word one should use when surveying the current state of animation which is, shall we say, robust. Give or take live action superheroes, it's the single most popular film genre in the US marketplace. We'd prefer to call animation a "medium" which is more accurate given that there's no reason why there couldn't be animated dramas, noirs, westerns, horror flicks, thrillers, etcetera but in the US at least animation is not a medium but a genre (the computer generated family action comedy... with or without musical numbers).

Is Laika Animation still too unique for Oscar or are they 'thisclose' to finally winning? Could The Boxtrolls be their breakthrough?

In terms of the Oscar race ahead, I've already heard whisperings (including my own preemie voice) that this will be a slim or "weak" year but let's not get ahead of ourselves. That's what everyone was saying last year and everyone turned out to be wrong. Last year's shortlist was hardly an embarassment; Frozen, Ernest & Celestine, and The Wind Rises would be a fairly worthy trio of nominees in any year and The Croods wasn't half bad. (I never saw Despicable Me 2 but its popularity with the public was indisputable)

While I still think there's very little cause for this particular category to exist given the expanded Best Picture field, the animated genre produces its fair share of strong movies annually with most of the major studios upping their games steadily after nearly 20 years of watching Pixar horde all the loot & respect. The problem in current perception may well be Pixar itself. They've finally proven themselves fallible critically and awards-wise (they missed even a nomination in 2 of the last 3 Oscar battles) and 2015 is the first year in a decade without a new Pixar film in release. That was bound to cast weird shadows on "The State of Animation." But the sky isn't falling. If you love animation there are still a lot of films to look forward to.

first look at a fictional San Francisco in "Big Hero 6"

 

The Chart!
Which of these films are you most looking forward to and what you think will become of animation in the next few years? Do you think the race will be hotly contested this year or we'll have another slam dunk like Frozen?

Tuesday
Mar182014

New Pixar sequels announced, one more incredible than the other

Disney announced today that Pixar has more sequels in the pipeline after Finding Dory in 2016. For our sins, one of them is Cars 3, because as long as the company can make the GDP of several small nations by selling Lightning McQueen lunchboxes, there's no compelling reason to stop making Cars films, apparently. The good news is that Cars 2 probably sets the bar low enough that the next film in the franchise ought to be able to blast right over it without much trouble.

By far the better news, though, is that the studio is also gearing up for The Incredibles 2, a sequel to the one Pixar film that seems rich with possibilites to have its plot expanded upon. And Brad Bird is on hand to write the screenplay, at least, which is pretty much the only thing they had to say to keep me, for one, more than a little optimistic.

No dates are announced, but the studio has a full slate through Thanksgiving, 2016, so we likely have a solid three years of alternating hopefulness with troubling stories about last-minute director replacements or more.

Anyone besides me genuinely excited for The Incredibles 2? Can anyone muster up something even a little nice to say about Cars 3?

Monday
Dec022013

41st Annie Award Nominations

Tim here, with a quick bit of news: the International Animated Film Society has announced the nominees for the 41st Annie Awards. Unsurprisingly, it's heavily tilted towards big studio fare, with Despicable Me 2 dominating the list with eleven nominations, Monsters University and Frozen with ten nominations apiece, and The Croods just a breath behind with nine.

In the short categories (Best Animated Special Production, Best Animated Short), three of the films on the Oscar bake-off list made the Annies' cut: British TV special "Room on the Broom", the Canadian "Gloria Victoria", and Disney's tech-heavy new Mickey short, "Get a Horse!"

The full list of nominees is here. For now, I'll leave you with the nominations for Voice Acting, entirely men aside from Wiig. (The corresponding TV category is 100% male)

  • Paul Giamatti as the voice of Chet - Turbo  
  • Terry Crews as the voice of Earl – Cloudy With A Chance of Meatballs 2  
  • Kristen Wiig as the voice of Lucy – Despicable Me 2
  • Steve Carell as the voice of Gru – Despicable Me 2  
  • Pierre Coffin as the voice of Minions - Despicable Me 2
  • Billy Crystal as the voice of Mike – Monsters University 
  • Josh Gad as the voice of Olaf - Frozen

And the seven films in contention for Best Animated Feature:

We can probably expect Oscar's list to consist of some combination of four or five of these.

Monday
Nov112013

Looking back on the 2003 Best Animated Feature nominees

Andrew Stanton with the first of his Animated Feature OscarsTim here. This November, we’ve been reflecting on the films of 2003, in preparation for the newest edition of the Supporting Actress Smackdown, and I’d like to use this as the opportunity to return us all to a simpler time. An easier time. A saner time. A time when the Best Animated Feature category at the Academy Awards wasn’t routinely filled up with five nominees because some much-too-small arbitrary threshold had been reached.

There were three nominees in the category that year, out of a field of eleven. And even that was not quite a small enough number to keep away from something a bit like a filler nomination (looking at the list, the fact that Satoshi Kon could have two eligible titles in Millennium Actress and Tokyo Godfathers, and swing a nomination for neither of them, depresses me something fierce). But it’s not a bad mix of films at all, anchored by two films that have survived the intervening decade as bona-fide classics of the medium, and one film that… hasn’t, though it’s clung to an appreciative cult.

Fish, Bear and Other after the jump

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