The Emmas of Yore: Miramax's "Emma"

by Cláudio Alves

Following the Jane Austen cinematic frenzy of 1995, the author was Hollywood's it-girl. At least, as far as classic writers were concerned. The following year nobody could get enough of Emma, with Clueless being adapted into a sitcom, and two other adaptations of the book being produced on both sides of the Atlantic. Today, we're here to talk about Miramax's lavish Emma starring Gwyneth Paltrow, Jeremy Northam, Toni Collette, and Ewan McGregor, among many other wonderful thespians. It's one hell of a cast.

Still, despite its enviable collection of actors, this isn't the best screen version of Emma. For one, the project could have used a bit less fidelity to the source material and a lot more narrative ingenuity…

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Women and Best Original Score

by Travis Cragg

Hildur Guðnadóttir already has an Emmy and a Globe. Is an Oscar next?Watching Icelandic composer Hildur Guðnadóttir walking up to receive her Golden Globe for Joker was one of the more interesting moments of last weekend's ceremony. My streaming service in Australia suddenly decided to log me out just as the presenter came on stage, so I was cursing the world and rebooting!  Once the anxiety was over, and Hildur was walking up to accept her trophy,  it was time to reflect on a woman winning the equivalent Oscar. The Globe win for Score doesn't always transfer to an Oscar win (sometimes the winner isn't even nominated -- as with All is Lost and First Man in recent years) but could Guðnadóttir repeat?

Has a woman ever won the Oscar for Best Original Score before? Turns out it has happened, but only with double-category caveats…

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