Interview: Wanuri Kahiu on 'Rafiki,' her inspirations and becoming an activist

by Murtada Elfadl

Rafiki is the second feature film from Kenyan filmmaker Wanuri Kahiu. It made its debut at last year’s Cannes Film Festival in the Un Certain Regard section, to critical acclaim. Initially banned in Kenya for its positive portrayal of queer romance, Rafiki won a landmark supreme court case chipping away at Kenyan anti-LGBT legislation. It tells a sweet hopeful love story between two women Kena (Samantha Mugatsia) and Ziki (Sheila Munyiva), who meet and fall in love as they are waiting to hear the results of their university entrance exams. Set in Nairobi and bursting with the colorful street style and music of the city’s vibrant youth scene, Rafiki is tender, cheerful despite the challenges for acceptance that its characters face from their families and society at large. Accordng to the film's press notes, Rafiki means friend in Swahili, and often when Kenyans of the same sex are in a relationship, they forgo the ability to introduce their partners, lovers, mates, husbands or wives as they would like, and instead call them “rafiki”. 

We recently got a chance to speak with Kahiu about the film, the interview has been edited and condensed for clarity.

Murtada Elfadl: This film had quite a journey becoming a cause celebre because of the ban in Kenya. Did you anticipate that you’d become an activist...?

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We have almost the full list of Foreign Oscar Contenders now

by Nathaniel R

We're now up to 79 entries for Best Foreign Language Film, so this will be our last chart update before the official announcement by AMPAS in a week or so. There's probably only 10-12 that weren't officially announced that will show up on the list as that list generally tops out at around 90 titles.

A few of the most recent entries are from Argentina (the beautiful-boy-on-crime-spree drama El Angel), Bangladesh (No Bed of Roses headlined by international star Irffan Khan), Kyrgyzstan (road trip drama Night Accident), and Costa Rica (university student pregnancy drama Medea). I'm kicking myself that I didn't see El Angel at TIFF because it was on the schedule but I dropped it on an exhausting day.

RafikiFinally, perhaps you've been following the drama around Kenya's submission. The director of the initially-banned lesbian romance Rafiki (which Chris reviewed here from TIFF) fought valiantly to get the film screened at home to make it eligible for submission. The government caved to allow it but, as we predicted, Kenya still wouldn't actually submit it. The less political (and thus a very political choice!) inspirational drama Supa Modo about a terminally ill little girl was submitted instead.

FOREIGN PREDICTIONS
Submissions pt 1 - Algeria through Estonia
Submissions pt 2 - Finland through Morocco
Submissions pt 3 - Nepal through Vietnam

Queer TIFF: "Rafiki"

by Chris Feil

Already famed for being banned in its home country of Kenya for having a positive outlook on its lesbian lovers, Rafiki is a mostly conventional coming out and of age tale. That is if you wish to divorce it from its very specific context in African cinema. A teen love story less interested in breaking narrative molds than it is environmental ones, Wanuri Kahiu’s debut stands out by presenting queer people within its own vision of contemporary Nairobi. While its expected beats and the familiarity of its narrative trajectory present some limitations to our enthusiasm, the film comes alive mostly by creating a palpably real world.

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