Oscar History
Film Bitch History
Welcome

The Film Experience™ was created by Nathaniel R. All material herein is written by our team. (This site is not for profit but for an expression of love for cinema & adjacent artforms.)

Follow TFE on Substackd

Powered by Squarespace
Keep TFE Strong

We're looking for 500... no 390 SubscribersIf you read us daily, please be one.  

I ♥ The Film Experience

THANKS IN ADVANCE

What'cha Looking For?
Subscribe

Entries in Salma Hayek (22)

Sunday
Dec302018

Would you rather?

Our silly celebrity-gawking weekly poll. Would you rather...

...hit the opening of new hot spot "Best Friend" in Vegas with Marisa Tomei?
...wait for a train with Henry Golding?
...take a swim with Salma Hayek?
...get a new trendy facial with Audra McDonald?
...spend some quality time at the piano with Mindy Kaling?
...do yoga with Rossy dePalma?
...take up a retro hobby with Alex Borstein?
...geek out over Angela Lansbury cast recordings with cabaret star Molly Pope?
... build a snowman with Milla Jovovich?
... makeout with seals with Ben Platt?
     ... OR harmonize in the hot tub with Ben Platt?

The pictures are after the jump to help you decide.

Click to read more ...

Tuesday
Mar062018

The Oscars were gay and Latino, just like I am

by Jorge Molina

A couple of months ago I wrote a piece for this site about feeling seen, in a way I hadn't before, onscreen. Coco and Call Me by Your Name perfectly captured two different parts of my identity. Fast forward to Sunday’s 90th Academy Awards. Both of those movies deservedly won statues. More surprisingly a never ending parade of queer and Latino moments made me feel, yet again, that someone like myself has a place in the biggest stage in the world...

Click to read more ...

Monday
Mar052018

Times Up at The Oscars

Many celebrities were sporting Time's Up pinsChris here. Last night’s Oscar ceremony was one to rejoice for how it brought the Times Up movement to the forefront of the proceedings. Viewers often forget what a global platform the Oscars are, and it was heartening to see a ceremony that seized the opportunity provided. This Oscar telecast didn’t leave the message for the acceptance speeches and instead integrated Times Up into the show to celebrate the movement alongside the movies themselves.

But it wasn’t merely about acknowledging the shift happening in the entertainment industry (and countless others), the theme was about next steps moving forward. This was best embodied in Frances McDormand’s thrilling and ebullient Best Actress acceptance speech. After having all female nominees across all categories stand for recognition, she ended her speech with “inclusion rider.”

Click to read more ...

Wednesday
Jan102018

FYC: Salma Hayek in "Beatriz at Dinner"

Before the Oscar’s nomination votingends on January 12th, a best actress plea from Jorge...

We’re now in a post-Golden Globes time of awards season, where the most open and uncertain race in years has slowly become more solidified. And it seems like the Best Actress category has, if not all five nominees locked down, at least four (Hawkins, McDormand, Robbie and Ronan) that are solidly established.

But there’s always a maybe. There’s always the possibility of a Charlotte Rampling in 45 Years, or a Marion Cotillard in Two Days, One Night. So today I’m making my case of why this year there should be a Salma Hayek in Beatriz at Dinner...

Click to read more ...

Friday
Dec222017

Revisiting "Frida"

by Ilich Mejía

Frida came out in my native Honduras towards the end of 2003, nearly a year after it was released in the United States. Back then, it wasn’t uncommon for Honduran theaters to get films much later, but it was uncommon for them to show anything that wasn’t a blockbuster—regardless of the amount of Oscars or movie stars under their belt. Despite featuring niche themes like political art and unconventional family dynamics, Frida offered Latin American audiences something else: visibility in an optimistic, familiar context. This was not a film about a Latin American drug lord knowingly putting their family’s life at risk to meet wealth or about an immigrant leaving their roots behind to see if the American dream is a real thing: it was the story of a woman trying to make her native Mexico proud, ironically funded by Hollywood to be seen by more without the condescending, stingy distribution of a foreign film.

Click to read more ...