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The Film Experience™ was created by Nathaniel R

 Gemini, Cinephile, Actressexual. Also loves cats. All material herein is written and copyrighted by him, unless otherwise noted. twitter | facebook | pinterest | tumblr | letterboxd

 

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Adapting "Guardians" -a screenwriting interview

I especially like that part about how boundaries can be a good thing. Knowing where the plot points have to hit always stops me from wandering aimlessly in my writing. Some may see those thing as cookie cutter but I've always found them inspiring.❞ -Daniel

 

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Entries in Ashley Judd (4)

Sunday
Mar232014

Review: Divergent

This review originally appeared in my column at Towleroad

Erudite. Dauntless. Abnegation. Amity. Candor. Doesn't have quite the same ring as "Charisma. Uniqueness. Nerve and Talent" does it? But it's with the awkwardly titled five factions of DIVERGENT's world that we begin. In some future Utopia young citizens must choose their faction (a fancy word for tribe) on their 18th birthday after taking an aptitude test that reveals where they truly belong. They have the option of any faction but most, we are led to believe, choose either the tribe they grew up in or the tribe of their aptitude and these are often the same. Nature vs. Nurture and all that, you know.

Our heroine Tris (Shailene Woodley) lives with her parents in Abnegation, the "selfless" tribe that runs the government -- your first clue that this is total science fiction! They also feed the homeless (aka the "factionless"), dress like monochromatic fashion-forward Amish and eschew mirrors. Beatrice is played by Shailene Woodley and her parents are Ashley Judd and Tony Goldwyn (Scandal) - our first clue that this is actually a Dystopia*; how long could any of them survive without mirrors?

Tris is ready to jump and we continue after ours...

Click to read more ...

Sunday
Feb102013

I Think I'm Going to Link It Here

NPR Bradley Cooper speaks. And charms. 
New York Times 'red carpet projects' 478 looks from Oscar's past. Truly random selection but it was fun seeing some of the stunners again
LA Times another day, another prize for Argo. This time it's the USC Scripter prize for screenplay (which goes to the author of the original text and the screenwriter who adapted it). I'm glad there are a few "who will win?" dramas left for Oscar night but, as ever, Best Picture won't be one of them. Argo has become a steamroller.

Gawker Rich Juzwiak slams Rex Reed's unkind words for Melissa McCarthy but makes a righteous demand of Identity Thief's star: "Transcend, McCarthy, transcend."
Atlantic Wire beautiful posters for Oscars Best Pictures via Gallery 1988
Salon The Rethuglicans are already spending big to "make fun of" actress Ashley Judd even though she's not yet (officially) given up showbiz for politic
Guardian talks to Stephen Daldry about his Oscary career and his latest stage piece (directing Helen Mirren as the Queen again)

Coming Soon
in the many articles spreading the assumption that Quvenzhané Wallis will soon become little orphan Annie in the second big screen adaptation of that stage musical, none have ever confirmed that she can sing. If you can't belt "Tomorrow" the role can't be yours. Can she?
Carpetbagger with Oscar, there's even competition to make the "In Memoriam" list. No, not by dying. I didn't mean it like that.

and here's the complete Oscar nominated short Adam and Dog by Minkyu Lee

Lovely.

Monday
Sep242012

Red Carpet Emmy Pt. 1: Mad Women, Power Couples, Pocket Smuggling

NathanielHi Joanna and Jose! Welcome back. We'll call this Part One and it will be truly perverse if there isn't a part two since there was so very much gownage last night.

Joanna So happy to be back! Like so many things we saw last night, my excitement runneth over.

Nathaniel:  There are these precious few windows of time, see, and we're all online so we cover what we can. Speaking of windows of time... Mad Men's Emmy time passeth over. 0 for 17. So let's start with the Mad Women because they're never 0 for 17 in Nathaniel's World.

Megan Draper, Joan Holloway Harris, Marie Calvet, Peggy Olson, Betty Draper Francis

Joanna:  I feel like I just saw Jessica Pare's dress on someone else.  Am I crazy?

Nathaniel: Jose will know.

 Jose Maybe on her. She's been doing a lot of Jason Wu lately. But also, this is a very favored shape for red carpets, it might remind you of when Cate Blanchett won the Oscar too

Nathaniel: Oh, yes, that. I see it.

Joanna:  Well it's very goddessy and I like it and her cherry popping lip.  Unlike, say, Elisabeth Moss's dress which reminds me of a ravaged sofa

Nathaniel: Ravaged Sofa - ha! Some hipster band seeking a name just found it. Jessica Paré's look strikes me as a little too polished. Or maybe Jessica Paré is just making me nervous because I keep reading these theories that it was the Megan-focus of the latest season that turned Emmy against Mad Men... 

[gownage, gays, and gimmes after the jump]

Click to read more ...

Saturday
Mar262011

"Maggie the Cat is Alive!"

Tennessee Williams Centennial Week Wraps

Maggie the Cat, the sex-starved slip-covered wife at the heart of Cat on a Hot Tin Roof (discussed earlier this week) is not just alive, she keeps coming back to life. True to her feline symbolism she's had several of them, eight bigs ones actually. Who will risk playing Maggie the Cat's ninth major life and how soon will that be?

Here is a history of the key Maggies for those who love the play... or just if you like to see major actresses in their lingerie. Have you ever seen a production of this play anywhere or just the 1958 film? Do tell in the comments. Would love to hear Tin Roof stories.

1955 ~ Original Maggie

Barbara Bel Geddes, originated the role on Broadway in the 1956 and won a Tony nomination. (She lost to Julie Harris in "The Lark"). Other Key Roles: I Remember Mama (1947, Oscar nomination. Lost to Claire Trevor in Key Largo), "Midge" in Alfred Hitchcock's Vertigo (1958), "Mary, Mary" on Broadway (1961, Tony nomination), and "Miss Ellie Ewing" on Dallas (1978-1990, 3 nominations/1 win at the Emmys)

1958 ~ Legendary Maggie

 


Elizabeth Taylor slinked, steamed, pawed and nagged her way to consecutive Oscar nomination #2 in the 1958 film version of Cat on a Hot Tin Roof. Suddenly Last Summer was Oscar nom #3 in 1959. Then a win for her fourth consecutive nomination for BUtterfield 8 (1960). Many more Liz photos in the gallery section of the site. If you've been away, catch up on the Liz commemorative posts.

Elizabeth is not the only two time Oscar winner who played Maggie. Lots of stars have slinked around in that white slip: Jessica Rabbit, a Dreamgirl, and even one of Elizabeth's few rivals in 60s Movie Superstardom. 

1974 ~Cognoscenti's Maggie


Elizabeth Ashley's early 60s film breakout gave way to a highly acclaimed theatrical career with lots of guest starring TV roles on the side. She won raves and a Tony nomination for the sexually charged 70s revival of Broadway. People Magazine featured her in their Stage section at the time.

'I was one of those people who became a 'star' very young, and I turned into a monstrous human beging - Bessie von Bitch, they called me. I was in analysis forever.'

She now sees herself as made for the stage - 'a leading woman who can handle anything they've got, but God knows I'm not a movie star.'

Other Key Roles: The original Corie from Broadway's Barefoot in the Park (Jane Fonda got the movie role); "Mollie" in Take Her She's Mine" (1962 Tony Award); Monica in The Carpetbaggers (1964, Golden Globe nomination); Jenny in the Best Picture nominee Ship of Fools (1965); Recently played Mattie Fae in August: Osage County (replacement).

Jessica Rabbit, a Dreamgirl and some crazy oroborus-style Jessica Lange trivia after the jump.

Click to read more ...