European Film Awards: "Anatomy of a Fall" Sweeps!

by Cláudio Alves

Photo by Sebastian Gabsch | © European Film Awards

The European Film Academy loves itself a sweep, and this year did nothing to disprove their inclination. At the same time it keeps winning critics honors stateside, Justine Triet's Anatomy of a Fall took home four prizes, adding to the trophy it already earned for editing. Sandra Hüller even defeated herself since she was also nominated for The Zone of Interest, a first in EFA history. In her speech, the actress asked her audience to imagine peace in these troubled times while her director joked that making the film was a test on her relationship with partner and co-screenwriter Arthur Harari. The ceremony took place in Berlin this year, presided by Agnieszka Holland and host Britta Steffenhagen. 

Discover the complete list of honorees after the jump…

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"Fallen Leaves" and "The Zone of Interest" lead the EFA nominations

by Cláudio Alves

Because of their specific focus and disconnection from the mainstream release calendar, the European Film Awards are rarely seen as part of the long road to Oscar. Then again, there's always the exception that proves the rule, and this year is exceptional, alright. Many Academy Award contenders showed up across the board, even beyond those submitted for the Best International Film category. Jonathan Glazer's The Zone of Interest and Aki Kaurismäki's Fallen Leaves, for instance, scored nominations for Picture, Director, Actress, Actor, and Screenplay. Sandra Hüller even managed to double-dip, getting recognized for this Nazi nightmare and her turn in Justine Triet's Palme d'Or winner, Anatomy of a Fall.

Discover the complete list of European Film Awards nominations, plus some additional commentary, after the jump…

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TIFF '23: Take a trip down to hell with "The Zone of Interest"

by Cláudio Alves

Jonathan Glazer's "The Zone of Interest"

For my first day at TIFF, I planned on starting things off with a Sandra Hüller double feature, the Palme d'Or-winning Anatomy of a Fall followed by The Zone of Interest. The first half of that plan went kaput soon enough, so instead I caught Warwick Thornton's The New Boy. Expect more thoughts on that title next week – for now, it's Glazer time. In any case, what started as a morning predicated on Croisette honors and a German superstar morphed into an extended exercise in how cinema confronts historical atrocities, how parallel realities can coexist within the same landscape, and how sound can force you to see what your eyes do not… 

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Cannes Review: Palme d'Or winner "Anatomy of a Fall"

Elisa Giuidici reporting from Cannes...

I can name a very short list of actresses who can portray a silver screen character with the level of charisma and ego as Cate Blanchett in the already iconic role of Lydia Tár. That short list has now grown by one. The amazingly talented Sandra Hüller, best known for Toni Erdmann, does not lack for “big dick energy”. After seeing her from a strange distance in The Zone of Interest by Jonathan Glazer, we can fully grasp her icy, domineering attitude in the wonderful Anatomy of a Fall. It's a legal thriller by French director Justine Triet (who also co-wrote the screenplay with her partner Arthur Harari).

The movie is another take on the classic procedural dilemma: did a person die by accident or were they killed by their partner?

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NYFF: "Sibyl"

by Jason Adams

Living in a big city is a great incentive to get lost in other people's stories. Just walk outside and you can see people falling in love, people falling out of love -- I once saw a couple have an insanely over-the-top meltdown banshee screaming in the middle of Sixth Avenue in the pouring rain as taxi cabs honked to pass. It's a wonderful way to distract you from yourself -- turn on the public television right at the stoop or in the subway station. And it's why lots of writers move to cities -- all that inspiration smashing you in the elbow. 

I can only imagine then what kind of a double draw, a draw squared, it would turn out to be if you were openly invited right into those people's personal dramas. What if you were both a writer and a psychotherapist, desperately trying to keep your own demons at bay at the same time?

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