Sundance: A Futuristic Parenting Comedy in ‘The Pod Generation’

By Abe Friedtanzer

Just how far are we from being able to manufacture babies without a woman actually having to be pregnant? According to Sophie Barthes, the writer and director of The Pod Generation, she conceived her film as science fiction but it should now be considered closer to documentary, given medical and technological advances that make its events feel not nearly as distant as they once did. The way in which she presents a couple deciding to have a baby leans decidedly towards the humorous, sending up the way society portrays pregnancy, motherhood, attachment, and much more.

In the near future, Rachel (Emilia Clarke) is a successful employee at a major tech company, and learns that, along with a promotion, she’s also eligible for a large subsidy for the Womb Project, which enables parents to grow a baby in a pod...

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Split Decision: “Avatar: The Way of Water”

No two people feel the exact same way about any film. Thus, Team Experience is pairing up to debate the merits of each of the awards movies this year. Here’s Glenn Dunks and Cláudio Alves on James Cameron’s latest.

GLENN: Hi Cláudio! Welcome to Pandora... the whales are majestic, the grass gets you stones (mmhmmm) and the eyewear are Ray-Bans. An awful lot of ink has been spilled across the 13 years between Avatar movies. Ink about how nobody remembers Avatar. Ink about how it has no cultural imprint. Ink about how nobody knows the characters' names. Ink about how nobody actually even liked the 2009 original and it was purely a hit because of the 3D. And yet here we are with a James Cameron movie already having become (yet again) the highest grossing movie of the year and also potentially (yet again) the leader of the nomination board on Oscar morning 2023…

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Interview: Composer Michael Abels on "Nope" and "Chevalier"

by Nathaniel R

MIchael Abels photographed for the LA OperaOne of the most exciting film composers to gain prominence in the past decade is Michael Abels. He's received multiple nominations for his work and prizes, too like the Jerry Goldsmith Award and the World Soundtrack Award. We wait impatiently for an Oscar nomination to follow, given his memorable inventive scores that have played such a huge part in the mass appeal of the films of Jordan Peele. We were honored to sit down with him to talk about his diverse interests in musical genres, his history with piano and voice, his Nope score, and what's next.

This interview has been edited and condensed for clarity...

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Split Decision: “Everything Everywhere All at Once”

No two people feel the same exact way about any film. Thus, Team Experience is pairing up to debate the merits of each of the big awards season movies this year. Here’s Abe Friedtanzer and Baby Clyde talking about Everything Everywhere All at Once.

ABE: Baby Clyde, I hope all is well! I'm eager to start talking about a film that I absolutely loved, Everything Everywhere All at Once. I actually am very late to the party on this one. I wasn't seeing films in theaters yet back when it was originally released. I finally caught it about two months ago in early November and was impressed that it more than lived up to the hype. The performances are all phenomenal, and it's just drowning in creativity in a way that so few films are these days. But, if I'm to understand correctly, you don't agree. Before I get in to what else I loved about it, can you tell me what you didn't?

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'Everything Everywhere All At Once' triumphs at the Saturn Awards in a strong year for Asian talent

by Nathaniel R

EVERYTHING EVERYWHERE ALL AT ONCE won four prizes at the Saturn Awards

The 47th annual Saturn Awards, which are actually their 50th anniversary (it's confusing but mostly blame the pandemic) were held Tuesday night. Their calendar of eligibility runs summer to summer and they honor genre films and genre tv though they fudge a bit in some categories (kicking sci-fi fantasy and horror to the curb every once in a while for a drama or comedy or even musical they love). Though The Batman (2022) and Nightmare Alley (2021) led the nominations and both won a couple things, the night's big winner was A24's leggy hit and Oscar hopeful Everything Everywhere All At Once which took four prizes: Fantasy Feature, Lead Actress, Supporting Actor, and 4K Special Edition Release. On the TV side of the equation Better Call Saul was the top series with four prizes (three of which were for its actors)

It was a landmark year for Asian films and performers in general with RRR nabbing International Film (the fifth consecutive Asian film to win this prize after The Handmaiden, Baahubali 2, Burning, and Parasite), EEAAO's overall dominance, and six of the acting prizes going to actors of Asian descent (Michelle Yeoh, Ke Huy Quan, Ming-Na Wen, Awkwafina, Iman Vellani, and Jennifer Tilly). The list of winners and a few comments after the jump...

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