'Everything Everywhere All At Once' triumphs at the Saturn Awards in a strong year for Asian talent

by Nathaniel R

EVERYTHING EVERYWHERE ALL AT ONCE won four prizes at the Saturn Awards

The 47th annual Saturn Awards, which are actually their 50th anniversary (it's confusing but mostly blame the pandemic) were held Tuesday night. Their calendar of eligibility runs summer to summer and they honor genre films and genre tv though they fudge a bit in some categories (kicking sci-fi fantasy and horror to the curb every once in a while for a drama or comedy or even musical they love). Though The Batman (2022) and Nightmare Alley (2021) led the nominations and both won a couple things, the night's big winner was A24's leggy hit and Oscar hopeful Everything Everywhere All At Once which took four prizes: Fantasy Feature, Lead Actress, Supporting Actor, and 4K Special Edition Release. On the TV side of the equation Better Call Saul was the top series with four prizes (three of which were for its actors)

It was a landmark year for Asian films and performers in general with RRR nabbing International Film (the fifth consecutive Asian film to win this prize after The Handmaiden, Baahubali 2, Burning, and Parasite), EEAAO's overall dominance, and six of the acting prizes going to actors of Asian descent (Michelle Yeoh, Ke Huy Quan, Ming-Na Wen, Awkwafina, Iman Vellani, and Jennifer Tilly). The list of winners and a few comments after the jump...

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Tweetweek: Sleepovers, time loops, and one very gay summer

First, two tweets that stunned us in their perceptiveness. Exactly right on both counts.

Long overdue rewatch of A HISTORY OF VIOLENCE and it occurs to me that the exact same narrative material that is dealt with here in 96 minutes would now cover five seasons of a ‘prestige’ streaming drama.

— Jeff Billington (@faces_of_jeff) June 30, 2022

the multiverse and time loops displaced time travel as a genre bc we no longer agree on the past or believe in the future, just infinite minuscule variations on the present

— Tony Tulathimutte (@tonytula) July 5, 2022

More curated and mostly amusing tweets for you after the jump featuring George Clooney's batsuit, Barbie sleepovers, a perplexing Dianne Wiest situation, Alien  & Predator trivia, the summer of 92 at the movies, and more ...

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Tribeca 2022: Dreaming of Mars in 'Space Oddity'

By Abe Friedtanzer

Raise your hand if you'd like to go live on Mars. Surely some hands went up, enjoying the fantasy. Now, planning for it as if was actually going to happen is something else entirely. Space Oddity tells the deeply entertaining story of one man who is certain that it's going to happen, that he'll soon be living on another planet...

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Tribeca 2022: "Land of Dreams" Gives Sheila Vand The Star Turn She Has Been Deserving

by Jason Adams

A splendidly surreal spin on the immigrant experience, Land of Dreams stars the always-great Sheila Vand, best known as the burqa-rocking vampire in A Girl Walks Home Alone at Night. In the new film she plays Simin, an Iranian-American artist turned census worker in the near-ish future.

She's been tasked with recording the dreams of the people the government’s keeping track of. Not dream as in “The American Dream,” not dream like, “One day I hope I will become a doctor.” But the actual literal dreams that these people dream as they sleep at night...

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Support Original Filmmaking - See 'Everything Everywhere All At Once' on the Big Screen

by Eurocheese

If you haven’t already experienced the cinematic joy of seeing Everything Everywhere All at Once with an audience yet, you’re missing out. This creative powerhouse is adding back IMAX theaters this week and may become A24’s biggest box office hit to date. Anyone who believes Hollywood doesn’t bring original content to our screens anymore owes it to themselves to see this as soon as possible. Just in case you weren’t convinced by the critical raves and audience support, here are a few reasons this film needs to be seen on the big screen.

Daniels’ (writer/director duo Dan Kwan and Daniel Scheinert) latest film is a visual feast, incredibly made for just $25 million and a tiny vfx team. As it pairs elements of action with comedy and family drama, the action sequences dazzle with varying tones, ranging from images you might see in a Scott Pilgrim vs. the World battle to scenes that the cast of Jackass would applaud...

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