HotDocs Corner: 'The Stroll' Reclaims the Narrative

By Glenn Charlie Dunks

We are looking at some of the movies playing Canada's beloved HotDocs festival. First up is buzzy Sundance hit, The Stroll.

The conversation around Jennie Livingston's iconic 1990 documentary Paris is Burning has been happening for many years now. The conversation that its white cis director profited financially and professionally from the lives of its black and latinx trans subjects who got very little out of its production. Whatever one thinks of it, it's hard to deny that as much as a film like The Stroll is needed today, it was also needed back then, too. Co-directed by Kristen Lovell and Zackary Drucker—two women directors who identify as transgender—The Stroll is the continued reclamation of trans stories on screen by those who have lived and breathed the life that it documents.

As you might expect, with this comes a lot of emotions to unpack. But Lovell and Drucker have crafted a film (the former’s first, the latter’s first feature after the 2021 series The Lady and the Dale) that reverberates for many more reasons than just representation.

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