The Big Link

What happened these past two weeks that I need to know about? We haven't done a link roundup yet this month (due to the critics institute retreat I was attending) so I have no idea what happened in my absence. But let us not get further behind. Herewith some news stories as well as a few random good reads.

News

• IndieWire Sofia Coppola responds to the backlash regarding her adaptation decisions on The Beguiled
• Theater Mania Josh Lucas and Uma Thurman to star in a new Broadway political play opening this fall The Parisian Woman
• Audra McDonald is going on a North American tour so get your tickets! The six time Tony winner's voice is utterly sublime.

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Spooky Season

Trick or treat, trick or treat, give us something to make us shriek! When October rolls around inevitably film studios capitalise on Halloween fever to release a slate of horror movies… and often take the chance to dump them at a “critic-proof” opportunity. Let’s look what’s being carved up for us this October.

Ouija: Origin of Evil – 21 October

Prequel to the 2014 film Ouija that lots of people watched but far less people liked. This time young attractive people in the current era, have been replaced by family with creepy little girl in the 60’s, a far more in vogue horror trope of the moment. Lin Shaye is the only one appearing in both films, who was only added to the original in reshoots, and has curiously become a horror movie icon in the last few years. No reviews are out yet, but considering director Mike Flanagan’s unexpectedly sleeper hit on Netflix Hush kept horror simple but tight, it may fare better than the first. 

Three more Halloween-aimed films after the jump

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HBO’s LGBT History: Cinema Verite (2011)

Last week we reminisced about Vito Russo with two related docs: the essential The Celluloid Closet and the 2011 HBO doc Vito. This week we turn from a pivotal figure in silver screen LGBT history to a pivotal one for the small screen. I’m talking, of course, of Lance Loud, who famously came out in An American Family in 1973 when the Loud family became the subject of a PBS docuseries, what many deem to be one of the first reality shows in American TV. Directed by Shari Springer Berman & Robert Pulcini, Cinema Verite (watch on HBOGo) follows the behind-the-scenes drama behind that infamous and breakthrough program.

For Americans, as we saw last week, many of the images they saw of homosexuals on movie screens were outright stereotypes. But they really paled in comparison to the images they were getting from the media. In 1967, CBS aired The Homosexuals an episode of CBS Reports. Here’s a sampling of Mike Wallace’s voice-over in the show:

“The average homosexual, if there be such, is promiscuous. He is not interested or capable of a lasting relationship like that of a heterosexual marriage. His sex life, his love life, consists of a series of one–chance encounters at the clubs and bars he inhabits.”

That by 1973 audiences got to see Lance Loud being openly gay and accepted within his family was a huge step forward (even if, given the time period, his homosexuality was used to further vilify the Louds in the press). More... 

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Thoughts I Had... While Watching "Kaboom"

This past week I finally caught up with Gregg Araki's Kaboom which is now available on DVD and Blu-Ray. I still vividly remember seeing The Living End when it came out and the memory is vivid because it was so raw, like a gay garage band demo. The latest is a typical Araki as its obsessed with beautiful young men, polysexual love triangles and the apocalypse. 

Here are a few thoughts on the movie ... let's say five of them to be precise.

01 While Araki has been known to reuse the same actors, his obsession with youth means that he has to keep moving on from muses past. It must suck for 38 year old James Duval, for example, to be demoted to third tier stoner "The Messiah" after headlining in the past. For Kaboom Thomas Dekker gets the beloved son position front and center and I do mean front and I do mean center. That seems to be the only compositional choice Araki makes in the movie. Nearly every scene ignores the sides of frames entirely -- the art direction often consists of a black screen - and places one actor cropped close up dead center, usually Dekker with his blue peepers and vaguely frosted lips. Dekker is nice to look at, and I'll admit straightaway that betwen this and Cinema Verite, he's a more interesting and game actor than I initially thought when he whined through The Sarah Connor Chronicles. But I'm not sure he's ready for his close-up. Or at least not this many of them in one movie. You'd have to be a full fledged movie star to nail that many of them in short succession.

02 See what I mean about the composition...

Do you wanna f*** me?"

...asks Juno Temple's "London" while Smith begins to hallucinate from the party drugs in an early scene. This is about as forward as the movie gets about sex despite a narrative which includes the following [NSFW]:

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'it's linking men, hallelujah, it's linking men... Amen!'

The Film Experience likes the ladies best -- actresses forevah -- but today's links are curious phallocentric, hence the title.

Observations on Film Art one more piece on Sidney Lumet, something to fill out the "constrained" picture of the general mass of obituaries.
Tom Shone, in a wonderful concise piece, knows we're all more Brad Pitt than Terrence Malick in this Tree of Life.
Cinema Blend Katey worries that Hollywood is going to make us sick of Jeremy Renner. He's doing as many franchises as Samuel L Jackson adding The Bourne Legacy (lead role - taking over for Matt Damon) to the line-up. Ruh-roh.
The Wrap organized-crime-drama alert. There's always a few in production. Sean Penn and Josh Brolin, so memorably at odds in Milk, may be enemies again in Gangster Squad
Jezebel has a hilarious reel of men faking orgasm onscreen (in non-pornographic films). It's even a little bit interesting in a non-pervy way.
Movie|Line Joseph Gordon-Levitt trashes the Conan set for a Hesher promo.
Movie Morlocks RIP on the 1970s star Michael Sarrazin (They Shoot Horses Don't They, For Pete's Sake) who passed away last week. So many major goodbyes in showbiz lately. Sigh.
TVLine Strange Emmy development, ladies division: January Jones is still campaigning as a lead for Mad Men despite her screen time being at least halved this past season. Bad move? This puts her up against Elisabeth Moss, who is back to lead.

GayGayGay
Stale Popcorn Yay. Another convert to writer/director/actor/producer Xavier Dolan. I'll  have more on Heartbeats once it hits DVD... whenever that is.
Towleroad this weeks column by moi. I would have reviewed Water For Elephants but I was in Nashville. Is it wrong that I'm super excited to see it?
Out Magazine Thomas Dekker (Kaboom, Cinema Verite) is sending out all sorts of mixed signals about his sexuality. I guess we're still a couple years away from (male) movie actors coming out.