Cannes: "May December" with Julianne Moore & Natalie Portman

Elisa Giudici reporting from Cannes

Todd Haynes new feature May December could easily be my favorite movie of this Cannes edition, but it took me two screenings to realize it. May December's most striking trait is its elusiveness. Like its protagonist Gracie (Julianne Moore), it's unapologetic. It's also candid in its campiness but able to turn into a savage experience in its rare moments of truth. I heard someone describethis one as it as Haynes’ Brian De Palma homage. I think it's closer to Paul Verhoeven and his way of never explaining himself, leaving you wondering “Is this intentionally parodical…or is it not?”.

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Cannes at Home: Days 5 & 6 – Stories of Women

by Cláudio Alves

The festival is past its midpoint, and it's looking like this'll be a banner year. At least, that's the general tenor of the international coverage. The films of the moment offer a wide variety of cinematic approaches. Ramata-Toulaye Sy's debut feature Banel & Adama is being lauded for its rich visuals, while many have declared Todd Hayes's May December as a return to form with juicy acting across the board. And yet, one feels that the Cannes Best Actress frontrunner is neither Portman nor Moore, but Sandra Hüller, who dazzled viewers in Justine Triet's Anatomy of a Fall. Finally, Karim Aïnouz's first English-language feature Firebrand (starring Alicia Vikander and Jude Law) is an outlier earning harsh reviews.

For this Cannes at Home chapter, we consider Our Lady of the Nile which is not directed by Sy, but she co-wrote the script with the director. Then, let's explore Haynes' first Moore movie Safe, Triet's main competition debut Sibyl, and Aïnouz's sensual Love for Sale. They all tell stories about the feminine experience, from imperiled schoolgirls to sexually liberated women…

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Julianne Moore to preside over the competition jury at Venice

by Nathaniel R

Julianne at the Met Gala. Image: AFP/Angela Weiss

Exciting news to report. Julianne Moore, who originally inspired my own career writing about film and thus this website, will lead the jury at the 79th annual Venice International Film Festival. The festival runs August 31st-September 10th so expect lots of Julianne gowns this summer. What a nice full circle monent this will be for the Oscar winning actress. She's a previous winner of the Volpi Cup for Best Actress for Far From Heaven (2002) and this year she'll help determine who wins that same prize twenty years later. Penélope Cruz took the prize last season for her work in Pedro Almodóvar's Parallel Mothers which helped pave the way to her fourth Oscar nomination... 

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Linkin' along

Today's must read: Megan Garber at The Atlantic has a fascinating piece on sexual dignity and freedom (in current pop culture like Good Luck To You Leo Grande, Grace & Frankie, and Hacks) and the fall of Roe v Wade (in current reality)

More after the jump including BIFA awards changes, Todd Haynes long banned Superstar, Steven Yeun's role in Nope, Jodie Foster's new role, and the Pride cover for British Vogue featuring actresses Cynthia Erivo, Cara Delivingne, and Ariana DeBose...

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Doc Corner: The 25 Best Documentaries of 2021 (and where to see them)

By Glenn Dunks

Dear readers, I watch a lot of movies. Then again, what else was I supposed to do throughout yet another pandemic year with city-wide lockdowns and curfews? Which is why it was no real struggle at all to think of enough titles to make this list of the 25 best documentaries of 2021. Nor why I do not consider it the least bit excessive. Movies are great, so let's celebrate them! Each of the films listed are deserving of your eyes, although often for very different reasons—I hope my pseudo-weekly reviews and below captions help explain why.

It was a strong year for films about artists and art more broadly. Nearly half the films on the list below are related to film, music, painting, dance and/or the people to make them. Queer themed docs were also prevalent. The longest film here is 194 minutes. The shortest is 61. There is almost a 50/50 between male and female directors across 25 films that travel the globe from sex doll factories in China to political campaigns in Zimbabwe, a jail cell in Guantanamo Bay and the streets of Harlem...

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