Cannes at Home: Days 5 & 6 – Stories of Women

by Cláudio Alves

The festival is past its midpoint, and it's looking like this'll be a banner year. At least, that's the general tenor of the international coverage. The films of the moment offer a wide variety of cinematic approaches. Ramata-Toulaye Sy's debut feature Banel & Adama is being lauded for its rich visuals, while many have declared Todd Hayes's May December as a return to form with juicy acting across the board. And yet, one feels that the Cannes Best Actress frontrunner is neither Portman nor Moore, but Sandra Hüller, who dazzled viewers in Justine Triet's Anatomy of a Fall. Finally, Karim Aïnouz's first English-language feature Firebrand (starring Alicia Vikander and Jude Law) is an outlier earning harsh reviews.

For this Cannes at Home chapter, we consider Our Lady of the Nile which is not directed by Sy, but she co-wrote the script with the director. Then, let's explore Haynes' first Moore movie Safe, Triet's main competition debut Sibyl, and Aïnouz's sensual Love for Sale. They all tell stories about the feminine experience, from imperiled schoolgirls to sexually liberated women…

Click to read more ...

The Furniture: Social Distancing with Safe

"The Furniture" is our series on Production Design by Daniel Walber. Click on the images to see them in magnified detail.

Safe turns 25 years old this week. I’d say it’s “more relevant than ever,” but just typing those words felt ridiculous. Todd Haynes made Safe about the way America responded to AIDS, and that’s still relevant because America has not changed. And so here we are, in another crisis of public health, watching the same phenomena play out in similar ways.

Let's talk about two of them. First, the way that AIDS was ignored by those who saw themselves as unaffected, even immune. Reagan could choose to do nothing because, to so many Americans, it happened to “other people.” Second, the way that its victims were blamed for their own sickness. Contracting HIV was seen as the result of a moral failure - something we’ve seen time and again, from cholera and tuberculosis to SARS and COVID-19.

25 years later, another Republican president is playing the same game. The response has been a torrent of virulent racism and an utter denial of medical reality. And once again, there is a prevailing attitude that contracting the virus is one’s own fault.

Did rewatching Safe make me feel better about any of this? Absolutely not. But it did cause me to think about a new relevance...

Click to read more ...

Take a Mental Health Break with Jeff Bridges

Swap a dwarfed existence in shrink-wrapped suburbia for a never-ending news diet of jaw-dropping political quandaries and it’s never felt easier to relate with Carol White’s environmental illness in Todd Haynes’ [safe]. With each passing revelation in Washington, security seems to slip away by the minute, sober comfort appears more elusive to find, and a nagging sense of restlessness rules the day. 

So for those of you clamoring to unclutter your mind for just a few blissed-out minutes – at the risk of prescribing pseudo-guru dogma in the great outdoors – allow Academy Award winner Jeff Bridges to lull you along a trip of grounded meditation to “Temescal Canyon” from his 2015 album of ambient soundscapes Sleeping Tapes. Just be sure not to operate any heavy machinery while doing so.

Appropriate Ways to Celebrate Julianne Moore's Birthday

Kieran, here taking a brief respite from the holidays (read: Oscar season) to wish a very happy birthday to Julianne Moore. Between her tribute to Todd Haynes at the Gotham Awards and her very funny “Billy on the Street" segment it’s a good week to celebrate the Academy Award-winning actress. Just glancing at her filmography, she’s gifted the world of cinema with so much to be thankful for and she’s surely got a lot more left to give. It’s far too rare that the great actors of any generation also become Oscar winners. Before Still Alice many had assumed it was over for Moore in terms of ever copping the statue. Seeing her ascend the stage to collect her Academy Award earlier this year, it never felt so good to be so wrong.

So, on this, Julianne’s birthday...

Appropriate Ways To Celebrate

1. Relax with some yoga.

 2. Bake a cake. Watch the sifting flour. "Isn't it pretty? It's just like snow."

Click to read more ...

[SAFE]

[SAFE]
Written and directed by Todd Haynes. Cinematography by Alex Nepomniaschy.
With Julianne Moore, Xander Berkeley, James LeGros, Beth Grant and Peter Friedman.  

Hit Me With Your Best Shot has been running for six years and we've finally braved one of the most fascinating jewels of the 1990s cinema. Todd Haynes's disturbing, sad, confounding, and highly interpretable early masterwork [SAFE]. It's the film that layed the groundwork for the cult of Julianne Moore (on the heels of her well regarded but little-seen performance in Vanya on 42nd Street). Two years later mainstream stardom with frequent eyes on the art house, hit. In 1997, a seismic year, she had her first major role in a blockbuster (Lost World: Jurassic Park), her first instant classic with accompanying Oscar nod (Boogie Nights), and fell in love with her eventual second husband, then freshmen director Bart Freundlich (Myth of Fingerprints). And by then people were starting to discover [SAFE], too. The film's reputation is such now that people forget that not many people knew about it back then. It grossed just $500,000 in theaters and mystified many critics. 

I've never forgotten this line from a Damian Cannon review back in the day

The acting is amazingly flat and inexpressive, the result of a performance by Moore which is either fantastic or abysmal. "

More after the jump including the Best Shot Choices

Click to read more ...