1998: Toni Collette in "Velvet Goldmine"

We're revisiting the 1998 film year in the lead up to the next Supporting Actress Smackdown. As always Nick Taylor will suggest a few alternates to Oscar's ballot.

by Nick Taylor

We begin our dive into 1998 with one of two films to get lone nominations for Costume Design but deserved way more attention in other categories. I’ll have plenty to say about the treasure trove of supporting actressing in Beloved next week, but who could be a better starting point for a retrospective in this category than Toni Collette’s prismatic turn in Velvet Goldmine? Collette is a regular godsend to directors who need a smart actress to ground and humanize second-tier characters that might otherwise seem wan or uninteresting. The role of Mandy Slade, the storied wife of disgraced, long-missing glam superstar Brian Slade, is perhaps too fascinatingly written and too doted over by director Todd Haynes and his team of heroically imaginative collaborators to fit into a coterie of women like About a Boy’s Fiona Brewer or Krampus’ Sarah Engel. On top of that, the demands Haynes places on the role call upon a very different skill set than Collette is normally asked to use. And yet, what makes her work in Velvet Goldmine so exhilarating is how different her approach to this role is, giving what might be her most dissimilar performance in a career full of film-elevating work...

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74th Cannes. Un Certain Regard, Special Screenings, and More...

by Nathaniel R

Todd Haynes' first documentary is about the seminal band, THE VELVET UNDERGROUND

We've already looked at the competition lineup so here are the other key sections. It's worth noting that though the press mostly focuses on the Competition films, sometimes the buzziest titles come from other sections. There are some juries that pull from multiple sections too like the Camera d'Or jury (which honors first films), as well as two unofficial but exciting competitions, the Queer Palm and the fan favourite the Palm Dog (which names the best dog in the festival... and it's often much more competitive than you'd think with some years offering multiple win-worthy candidates). Director's Fortnight and Critics Week lineups haven't been announced yet but here are the rest of them...

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Streaming Roulette, June: Streets of Fire, Primary Colors, and The World to Come

Yes it's time for another round of streaming roulette where we point out titles that are new(ish) to streaming and just for fun, freeze frame them at totally random places in the scroll bar and whatever comes up we share. Let's go...

I think 'Oh, if I'm self aware about being a douchebag, it... it... it... will somehow make me less of a douchebag.' But it doesn't. Self awareness does not absolve anyone of anything. Am I balding?

Bo Burhnam Inside
A new comedy special from the writer/director of Eighth Grade and the co-star of Promising Young Woman. We've heard good things but haven't yet screened...

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Peggy Link

• Movie City New Gurus of Gold latest predictions - i find it interesting that the ranking is all over the place with Promising Young Woman all the way from #1 to #10 (though it's on all the lists)
• IndieWire There was so much awards stuff happening this week that we never discusseed Todd Haynes planning a Peggy Lee biopic with Michelle Williams. Obviously I feel bad about this because we love all three people and that sounds amazing!
• Empire Got a spare 182 minutes? Directors Edgar Wright and Quentin Tarantino did a podcast together.

Steven Yeun, WandaVision, a messy Color Purple legal battle, a strange Nicole Kidman story, Edward Scissorhands at the Superbowl, and more after the jump...

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Highsmith @ 100: "Carol" is a perfect adaptation

by Cláudio Alves

Patricia Highsmith was born 100 years ago this week. The writer died when she was 74, leaving behind a collection of full of classics. Many of those novels were adapted to the big screen, her mellifluous psychological thrillers most of all. Strangers on a Train and the many stories of Tom Ripley being the most popular. It was through cinema that I discovered the author and ended up falling in love with her prose. I adore how she seduces and stabs, hypnotizing us with beautiful words, undercutting the splendor with her character's monstrousness. 

There was a mysterious softness to Highsmith's poisonous style, an insightful breath of romance that reached its apotheosis with The Price of Salt, later retitled Carol. First published in 1952, the novel was one of the first lesbian romances with a happy ending to see the light of day, making it a revolutionary text in many regards. By 2015, Todd Haynes and Phyllis Nagy finally told that story in celluloid, delivering what's arguably the best cinematic adaptation of a Highsmith novel…

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